Rollerball: Os Gladiadores do Futuro

This movie uses the characters of those involved in the game to question the wisdom of a supposedly perfect society where corporations rule. The corporations use the game as an opiate for the masses and to show the futility of individual effort, but the force of will of the main character shows how wrong that is. The effects and the game were remarkably well done for the time, and the characterizations are very good. Highly recommended.

This is a film that demands repeat viewing. When I was a kid, my brothers and I used to just fast-forward all the slow, `talkie' scenes to get to the action. We couldn't understand why the whole film wasn't just composed of game sequences (a criticism also leveled by at least one reviewer on this site).

Now, having just watched the movie twice in a night, the second time with the director's commentary, I have finally got to grips with the scenes between the action, and discovered that I like it more than ever. The view of the future is not highly original; tipping its hat to the stratified societies foreseen by Orwell and Huxley, amongst others; but nevertheless the portrayal is engaging. Jewison astutely realised that only by filling in the image of the future society, the characters, and the political background against which the tournament unfolds, would the game be seen as truly REAL for the characters. In the meanwhile, he also has the chance to build suspense, upping the stakes for both the heroic gladiator/combateur Jonathon, and his would-be puppet master Bartholemew. In this way, when we come to watch the actual contests, our enthusiasm is whetted, and by making the rules progressively more dangerous with each passing game, the stakes grow ever higher.

The central themes of the movie are (i) loss-of-soul/nihilism/sensual-vs-spiritual-happiness, and (ii) individuality vs state control. Perhaps the best scenes elucidating these themes are the famous `tree killing' scene, and the conversation between Jonathon and Ella in the forest. The use of imagery and metaphor is widespread; I will mention only the terrific concept of the roulette wheel as game arena, with the players INSIDE, instead of outside; and the Circus Maximus parallel. You may draw many interesting conclusions from this about the director's and writer's intent.

My final word is: watch it once, soak up the action, and be bored by the rest. Then view it again, feel yourself in Jonathon's dilemma, experience his wrenching disappointment with the people in his life who betray him, and try to tear yourself away if you can as he is pushed inexorably to his fate in the arena of ROLLERBALL.

This film is a classic. A brilliant adaptation of the future and that is way better than the updated version that John McTiernan released which to this day cannot hold a candle to this science fiction masterpiece that was released in 1975. The year 1975 brought out some of the best movies of that year and some to this day still holds its own. From "One Flew Over The Cuckoo's Nest",to "Jaws","Shampoo",the rock musicals "Tommy",and "The Rocky Horror Picture Show" to the performances of "Alice Doesn't Live Here Anymore" to "Dog Day Afternoon",and not to mention "Nashville" and the sequel "French Connection II",and "The Eiger Sanction",these films represented what a year it was in motion pictures especially in the year 1975.

The film "Rollerball"(United Artists,1975),was screenplay by William Harrison and directed by Norman Jewison,who was Oscar nominated for his brilliant direction in such films,"In The Heat Of The Night",and the musical "Fiddler On The Roof",is no stranger to science fiction material. The film is set in the year 2018 where there are no wars and no crime,but there is only....the Game. In a world where corporations rule and no one asks questions-the vicious and barbaric sport of Rollerball satisfies the violent impulses of the masses. Tuned to their televisions,the people watch the sport of the future which is a brutal mutation of football,the Romanesque gladiator fighting,motorcross and hockey. Jonathan E.(played brilliantly by James Caan) is the champion Rollerball player-a man too good for his own good. The corporation has taken away the woman he loves(Maud Adams),but they won't take away his soul even if the diabolical corporate head(John Houseman)tells him he'd better retire..or suffer the old-fashioned way.

With some surrealistic imagery,Orwellian theme,and tense action with some of the best action sequences ever filmed,this picture will grip you from the moment the ball rolling out and zooms into the stadium to its chilling cilmax,this movie has haunted audiences as it takes a look into the future and what the future would become,and has a stunning effect. James Caan's performance is something to marvel at and John Houseman's performance as the diabolical corporate executive is a chilling and stalking cold and with some of the strong support from its cast including John Beck,Moses Gunn,and Ralph Richardson.

The 1975 version is worth seeing..it is the original and still the best of its genre...Don't even bother with the 2002 version with was directed by John McTiernan.

"Rollerball" is one of those classics of sci-fi that I somehow managed to miss for all of my 30 years. Whilst browsing the local store, I found the DVD for ten dollars and figured I had nothing to lose -- to rent it, if I could even find it on DVD, wouldn't cost THAT much less.

I had some vague notion of the storyline, but I tried not to read the case or liner notes and take in the movie on a first impression. Released in the summer of 1975, there are definite and readily apparent influences of earlier films, not the least of which being Stanley Kubrick's "A Clockwork Orange." The colors, the film stock, the editing style are all reminiscent of that earlier, similarly-themed master work, yet I don't believe it detracted from this film at all.

Supposedly set in the year 2018 (though this is never established in the movie, that I could tell), corporations have replaced governments and managed to eliminate war, poverty, disease and bad hair days. People don't have too much of a say in what goes on around them, but they're all very physically comfortable. Of course, the violent nature of the human beast must be satisfied, and it is -- in the gladitorial ring of the world's most popular sport, Rollerball. The game consists of two teams (from cities all over the world) skating and motorbiking around a 1/8-mile track, trying to get a steel ball into a goal. As the course of the season progresses, more and more limitations as to what constitutes fair play are removed, and by the final, the melee is total.

James Caan plays the Michael Jordan, Wayne Gretzky and Joe Montana of Rollerball, Jonathan E.. He's the biggest star in the world, but he's also a thinking man, and when the corporation which owns his team wants him to retire, he refuses, wanting to know first why they'd want him to retire when he's playing at his best.

The rest I leave to the viewer to find out. I can only say it is a very well-crafted script with plenty to say about violence, the spirit of the individual man, and the bloodlusts that a happy and idle populace can muster. Very well-filmed with touches of brilliance in editing and framing.

A detraction which really couldn't be helped involves the portrayal of the future. Director Norman Jewison couldn't know what the world of forty years in his future would be like, so he took the wise route of not making it all that different from 1975, but with subtle changes (such as the interesting but impractical "multivision" concept in which all TV sets have a large screen and three smaller screens above it, each showing different but related pictures). The result, though infinitely preferable to lots of neon and superfluous antennae, is that the place looks like 1975 with slightly cooler gadgets. I can't tell you what 2018 will look like, but it won't look like that.

Interestingly, the "corporate inevitability" concept of the future, which I believe Jewison meant earnestly, plays out much more as a satire of the opposite, a communist world. Much of what the coroprate culture says, as personified by John Houseman's Mr. Bartholomew, sounds much like the rhetoric of communism -- people are fed and comfortable and happy, but the individual is beholden to the group at all costs. Indeed, some of the words of description of the culture seem lifted straight from Marx and Engels.

The DVD leaves something to be desired, though. The picture is a lot dirtier than I'd like, especially in still-shot scenes. The color is muted, though this may be part style, and some shots seem positively muddy.

The remastered 5.1 soundtrack is a disappointment. The rear speakers get very little play. One particular effect of note, I must concede, is one moment when you can hear the ball roll all the way around the arena, and it's as though you're standing in the center.

In all, it's an excellent movie, which I can't recommend enough, but if the disc had been any pricier than it was, I would have felt as though I was somewhat taken.

Perhaps after the release of the upcoming remake, there will be a better special edition.

I first saw this movie on HBO at the age of 14 and I sensed immediately that it was a classic, a combination of action, sports, sex, and social commentary. All the years of viewing other films have only made me more and more appreciative of this movie's many strengths.

On one level, I believe this is the best sports movie ever made. It is miles ahead of more "realistic" films like NORTH DALLAS FORTY or SEMI TOUGH or even critical favorites like COBB and EIGHT MEN OUT. The very fact that Rollerball is a make believe sport adds believability to the action sequences. Watch a baseball film and you can see at a glance that Robert Redford or Kevin Costner are not real athletes. But since rollerball has never been played, James Caan as Jonathan E really looks like the best in the game. There are no "clichés" like home runs or long passes to spoil the danger and excitement -- every crash and goal is new, never having been seen before. And there are no clichés about the fans, the athletes, or "win one for the Gipper" or gamblers or shady ladies trying to make Our Hero throw the game. From the beginning we sense the stakes are higher -- Jonathan E will either conform or die.

That brings up the fact that ROLLERBALL also shares a central theme with a lot of other powerful movies, like FROM HERE TO ETERNITY, COOL HAND Luke, and even A MAN FOR ALL SEASONS. What happens when a uniquely gifted individual refuses to participate in a corrupt system? This movie is so powerful as a drama you hardly notice the sci fi trappings. The rugged action scenes are so real you hardly notice that rollerball is a make believe game.

James Caan as Jonathan E turns in a sensitive, nuanced performance, deliberately underplaying the tough guy side as much as possible. Michael Beck as Moonpie is the foolishly overconfident one, playing Frank Sinatra's Maggio to Caan's Robert E. Lee Pruitt. But unlike the hard luck privates in this man's army, these rollerball stars get to have glamor, luxury, and unlimited sex between vicious games of rollerball. The movie captures so much sensuality and glamor that you can see why men risk death game after game to be known as "great rollerballers who bash in faces." This movie is spectacular -- an action classic with brains!