The Rocky Horror Picture Show

... quintessential pre-pop outrageous pop art rock opera freak show comedic hall of weirdos with a pumped-up 70s fragrance and sexual innuendo slide-show of parodic impossible-to-predict sci-fi implausible kind of impossibly over the top horror-meets-fantasy in a grotesquely but quite voluntary way of ridiculous and out-of-worldly piece of contemporary art-hinting quasy-minimalist semi-theatrical interpretation of an intentionally petty pulp-like quite erotic and kaleidoscopic, surprisingly accurate in trend prediction movie.

Quite remarkable.

{Note to editors (this should be removed from the posted comment): I'm aware I'm risking my free account with this post, and I could've easily refrained from posting it at all; I do however feel the "review" above is appropriately styled for The Rocky Horror Picture Show. And yes, I also typically hate such "original" adjective lists. But this is no typical movie. Please just dump my review if you don't think it's a good idea after all. Regardless of your decision, thank you for reading this!}

Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical.

The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.

Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.

Some movies are just meant to be felt.

The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.

Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.

As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.

Really glad I got around to watching this cult classic. I now understand why this film is so iconic.

Dissect, disassemble and reassemble to your hearts content, conjure any number of meanings and misinterpretations, then rewind, warp back in time, remove head from derriere and wallow in this absolute pleasure again and again and again.

It's fairly easy to see why "The Rocky Horror Picture Show" became such a huge cult-favorite so quickly... So huge even that the fans went to screenings all dressed up like drag-queens, singing along with the songs and waving around cigarette lighters. "The Rocky Horror Picture Show" simply is a tremendously inspiring movie and it's almost impossible not to start swinging yourself when the legendary songs such as "The Time Warp" and "Touch Me" are being sung by the vivid cast. The screenplay is adapted from Richard O'Brien (who also co-stars) play and it still comes across as very wit and all-knowing in its humor. There's spoofing and referring to everything from Universal and RKO-Pictures horror movies over typically 50's science-fiction to Hammer horror and the filming locations & set pieces are leftovers from other classic genre titles. The story is ridiculously simple and merely just introduces a young couple whose car breaks down near a ominous dark castle. When they go there for help, they're sucked into the eccentric world of transvestite Dr. Frank 'N Furter and his bizarre collection of servants and friends. The frenzied doctor created himself a muscled and blond-haired toy-boy and he's in the middle of presenting his creation when Brad and Janet (a great early role for Susan Sarandon) stumble in. The lines and song lyrics are often hilarious and far from politically correct and the lingerie costumes are quite nifty. All the acting performances are terrific but immensely divergent, since Tim Curry's Frank 'N Furter is extremely grotesque whereas Charles Gray's narrating character is straight-faced.