A Reencarnação de Peter Proud

I recently watched "The Reincarnation of Peter Proud" on Youtube 40 years after I saw it in a theater.Reincarnation is a complicated subject, but the film does a fairly good job of explaining some of its intricacies.

Peter Proud (Michael Sarrazin) begins having strange dreams of people that he has never met and places he has never been to. In order to find some peace, he goes in search of the images in his dreams and finds them in a town in Massachusetts.

I really enjoyed the slow unraveling of the mystery and the performances are great, especially Margot Kidder as a widow with a terrible secret.

Peculiar film which mixes murder-mystery with the supernatural concept of reincarnation, along with a large dose of early-70's movie sexuality. I saw this several times years ago on TV, and was quite impressed with it, somewhat against my will; now I wish that I could see it again. It is deeply and disturbingly creepy at points, and contains chilling scenes which I will never forget; it has the quality of a bad dream that you can't quite get out of your mind. At the same time, it is not in any way a typical "horror" or fantasy film; in an odd way it is somewhat subtle and intellectual without being at all high-brow (the lead character is an inquisitive college professor).

The main protagonists are played by Michael Sarrazin and Margot Kidder (both Canadians). Sarrazin was becoming quite popular at the time, and something of an unlikely heart-throb, but his career later fizzled out. His rather sleepy and laid-back acting style works well here. Kidder at first seems bizarrely and very severely mis-cast playing a far older alchoholic widow, but her performance begins to get under your skin once you get past the terrible age-makeup that was used on her (she plays her own age in flashbacks). She was actually much younger than Sarrazin at the time, and the same age as the radiant Jennifer O'Neill who plays her adult daughter. It would be interesting to know the behind-the-scenes info on the casting decisions.

The production is rather slow-moving, although it eventually gathers speed and certainly ends with a bang! Unfortunately, as a whole the thing never quite works. It probably could be a much more interesting and intense film, and I have read that Paramount has acquired the rights for a remake.

Originally available on both VHS tape and LaserDisc.

Popular for about 6 months on first release in 1975 and never seen or heard of again, this sort of creepy thriller was effective enough for 19 year olds who thought they might need a warm up for AUDERY ROSE or a re-zap after THE EXORCIST. Michael Sarrazin was an interesting 30 something actor who looked as though he was about to be a big star. THE'RE'S ONE BORN EVERY MINUTE (check US title) with George.C Scott, THEY SHOOT HORSES with Jane Fonda, then FOR PETE'S SAKE with Streisand(!), this thing and then a slide into B movie oblivion. He acted with some of the biggest and most durable stars of the 60s and 70s. Nobody knows him today in current filmdom and I would be keen to see how he has fared. Like the co stars here: Jennifer O'Neill the gorgeous woman from THE SUMMER OF 42 (also a forgotten film, huge in 1972, as were her three young co stars) and the derailed Margo Kidder whose SISTERS to SUPERMAN rocket to fame was only matched by her plummet to earth. Maybe PETER PROUD cursed them all and nobody's career was reincarnated either. Sad for all concerned. Each were interesting actors and all their films worth seeing. Even this one.

If I were rating this film on the usual criteria of script, acting, direction, editing and soundtrack, it would get a 5 or 6 tops. It suffers from many of the same faults as most '70s B movies. The cinematography had some good moments, but it was the originality of the plot line that piqued my interest. I've viewed many films over the years, and do not recall one with a storyline as unique as this one. Reincarnation themes usually deal with lives in the distant past. The novel concept of exploring a life reincarnated from a generation still living was interesting, to say the least, and allowed the screenwriter to weave in some intriguing detective work, as well as the hero's personal reinvolvement with the past life. Bravo, Mr Ehrlich... it kept my rapt attention throughout.

Recurrent dreams of your murder that may signify your reincarnation! Others who've noted the superior cinematography and soundtrack are correct in identifying the elements that glue one to Peter Proud's predicament. I was an usher when this first showed up in'75--we always got 'gasps' from the audience at the preposterous climax! An opening screenshot saying "L.A. 1975" would make the film appear undated and retrospective. Otherwise exciting and a must-see especially for film students and aficionados.