Um Estranho no Ninho

The seventies produced some of the most interesting and worthy Hollywood movies. Before the era of blockbusters, and ever increasing dumbing down of the cinema art by the Hollywood power-brokers and greedy moneymakers, there was this short but truly amazing window of time that produced many of the timeless gems. A great portrayal of oppression, this gem should not be overlooked by anyone. Truly recommended.

It's tough to really judge this movie. Is it Milos Forman's greatest directorial masterpiece or Jack Nicholson's best performance. Tough to say, but the marriage between both director and actor are quite phenomenal. From the first time we see Jack Nicholson to the sad, yet uplifting ending, one cannot escape the sheer power of the film. When a film is parodied as many times as this one has been, typically, greatness can be associated. Well, greatness was achieved, and let's hope this one never falls through the cracks.

I went into this film with the knowledge that it had been the second film in history to win the 'top five' Oscars (for Best Picture, Best actor, Best actress, Best director and best screenplay) and has been praised as "one of Jack Nicholson's finest roles" and "one of the classics of the 70's". Naturally, after hearing all this, I had high expectations for One Flew over the Cuckoo's Nest. But nonetheless, I was surprised at how easily the film surpassed my expectations and easily led me to understand how it merited all that praise.

Based on the novel by Ken Kesey, the story follows Randle Patrick McMurphy (Jack Nicholson), who, in an attempt to get out of spending more time in prison, pleads insanity for his crime, and is therefore sentenced to time in a mental institution. This was McMurphy's intention, as he believes the conditions in a "crazy house" will be significantly easier to contend with than another harsh stay in prison. However, he quickly finds out that surviving the institution with it's desolate patients (including Christopher Lloyd, Danny DeVito, Vincent Schiavelli and an absolutely brilliant Brad Dourif as the stuttering Billy Bibbit) and the monstrously repressive Nurse Ratchet (Louise Fletcher, in a career defining role) is considerably harder than he imagined. McMurphy plays pranks, horseplay, and is generally defiant to the rules of the institution in an attempt to raise spirits. His constant optimism and reckless defiance to the out of date rules in the institution can be very uplifting, and often quite funny as well, but much of the movie can be very depressing - the generally decrepit state of the institution is a consistently (and intentionally) bleak background to a superb story with a truly bittersweet ending.

Jack Nicholson is at his best here, head and shoulders above other excellent performances such as in 'Chinatown' or 'As Good as it Gets'. McMurphy is an apparently unquenchable optimist, refusing to succumb to the defeated spirit of all the other patients. His livewire antics, inspiring the patients are generally uplifting, and when his indomitable spirit is finally broken, we really feel for him and his fellow patients. Nicholson conveys the essence of McMurphy to perfection, demonstrating his excellent understanding and interpretation of the character. When McMurphy announces that he is going to lift a huge stone fountain and hurl it through the window to escape, the other patients are so caught up in his intoxicating spirit of freedom that they honestly believe he can do it, despite the fact it would be impossible for a man much stronger than him. When McMurphy finally discovers that despite his best efforts, he cannot lift the fountain, he is so openly crushed that we can't help but feel for him. Beneath the frequent profanities and livewire antics, there are real human emotions, which come across as truly touching.

What can be said about One Flew over the Cuckoo's Nest which hasn't already been said? It has an excellent storyline, top notch acting, painfully bleak visuals, perfectly setting the tone for the movie, and alternates between being truly uplifting to devastatingly depressing. It features perhaps the most memorable film ending ever, next to a man on his horse riding off into the sunset, and leaves the viewer beaten down by the conflicting emotions, unaware what to think of the picture next to reveling in it's glorious entirety. It's hard to produce a final outcome any better than this.

-10/10

What a movie, what an excellent movie!!! That is what first went through my mind after seeing this masterpiece. I've seen many movies, but there aren't much movies which had such an impact on me. Nowadays almost all filmmakers believe they can only make a good movie by adding loads of special effects and lots of huge explosions ... This movie is so good, so convincing without them. The actors played their roles in such a convincing way that you would think these weren't actors at all, but real psychiatric patients.

This movie may be 30 years old, but it hasn't lost any of its relevancy. OK, we don't put our mentally ill people in that kind of prisons anymore, the bars in front of the windows have gone and now we call it hospitals in stead of nut houses. But the treatment hasn't changed all that much. I once worked in such a hospital as a volunteer and still saw things like forced feeding, giving people so much medication until they no longer know who or where they are,...

When the movie first came out, some people were shocked because when you watch the movie, you can't help it feeling more attached to the patients than to the doctors and nurses. This movie shows that cinema can make a difference. It can help to open people's eyes. If there is a movie that should be seen by everyone, this sure is the one. I give it a well deserved 10/10.

Jack Nicholson is a great actor. No, not a great actor, a spectacular actor. This is a film from fairly early in his career, as well as it is for several other actors in this film, who later have had long, great careers too, including Danny DeVito, Christopher Lloyd and Brad Dourif. The film has some unforgettable moments... who could forget Louise Fletcher's icy stare, Jack Nicholson's smart-aleck remarks or Will Sampson's impressive, almost entirely silent performance? The film portrays the horrible truth about how patients were treated in mental institutions back then, and tells the story of someone who desperately wanted to break out, to rebel, to change things, for himself and for the others. I was compelled by this film, from the very first frame. I never took my eyes off it, and I will definitely be thinking about this film for a while. I thought it was great the way one of the very first frames depicted the institution as something far more similar to a prison than a hospital. Milos Forman did a great job of making that contrast very powerful to the viewer. The film is very moving and a truly beautiful cinematic experience. Every single actor gives a stellar performance, every single character is perfectly written, every single line, every single frame is absolutely perfect. I wouldn't change a thing in this film. It has a great pace, you never lose interest, but it never seems to be rushing to get through it, either. It's simply perfect. I have not read the original book, but if I ever come across it, I might check it out. I have only seen this film once, but I will definitely watch it many times in years to come. I recommend this amazing piece of great cinema to anyone who has at least a slight interest in the drama genre, or any fan of any of the actors, as they are all in their absolute prime in this film. 10/10