[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
IMDbPro

Honey Pie

  • 1976
  • X
  • 1 h 24 min
AVALIAÇÃO DA IMDb
6,5/10
76
SUA AVALIAÇÃO
Adulto

Adicionar um enredo no seu idiomaA columnist at a magazine begins to read some of the letters she gets from her readers, and some of them are very erotic in nature--so much so that she begins to fantasize about the people a... Ler tudoA columnist at a magazine begins to read some of the letters she gets from her readers, and some of them are very erotic in nature--so much so that she begins to fantasize about the people and situations she's reading about.A columnist at a magazine begins to read some of the letters she gets from her readers, and some of them are very erotic in nature--so much so that she begins to fantasize about the people and situations she's reading about.

  • Direção
    • Mel White
    • Howard Ziehm
  • Roteiristas
    • Mel White
    • Howard Ziehm
  • Artistas
    • Jennifer Welles
    • Al Goldstein
    • Bobby Astyr
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    76
    SUA AVALIAÇÃO
    • Direção
      • Mel White
      • Howard Ziehm
    • Roteiristas
      • Mel White
      • Howard Ziehm
    • Artistas
      • Jennifer Welles
      • Al Goldstein
      • Bobby Astyr
    • 1Avaliação de usuário
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Elenco principal20

    Editar
    Jennifer Welles
    • Cynthia Bolling
    Al Goldstein
    Al Goldstein
    • The Boss
    Bobby Astyr
    • Dick
    Jackie Saint James
    • Lloyd
    Annie Sprinkle
    Annie Sprinkle
    • Blow Job Annie
    • (as Ann Sprinkle)
    Arlana Blue
    • Lois
    • (as Victoria Pagan)
    Barry Christian
    • Phil
    Sammy Teen
    • Kevin
    Terri Hall
    • Molly
    • (as National Velvet)
    Ashley Moore
    • Jeff
    • (as Seymour Ashley)
    Rocky Millstone
    • Clem
    • (as Erik von Strokhardt)
    Marc
    • The Husband
    Serena
    Serena
    • Student
    Sharon Thorpe
    • Teacher
    Rose-bud Bush
    • Dance Student - Red Leotard
    • (as Rose Bush)
    Melba Bruce
    • Dance Student - Braided Hair
    • (as Melba Peach)
    Candida Royalle
    Candida Royalle
    • Dance Student - Black Leotard
    • (as Candice)
    Bree Anthony
    • Lisa
    • (não creditado)
    • Direção
      • Mel White
      • Howard Ziehm
    • Roteiristas
      • Mel White
      • Howard Ziehm
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1

    6,576
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    10Nodriesrespect

    Lord of the Loops

    A "loop" was a 10 to 20 minute reel of porno footage, spliced end to end and placed into a large circular contraption so it could be run indefinitely as well as automatically in peepshow booths without the need for time-robbing reel changes, rewinding or any disturbing human intervention at all while patrons were salivating over the flickering images projected onto the door of the cubicle. As for content, loops were basically identical to the "stag movies" or "smokers" shown in brothels and fraternity houses where the projector beam frequently had to cut through thick clouds of cigarette smoke, hence the term.

    Several theatrical adult films of the '70s and '80s qualify as "loop-carriers", combining a series of self-contained sexy stories (sometimes initially shot for the 8mm market, prior to the feature, and presented with a music track instead of direct sound) with a minimal linking device like a narrator waxing lyrically over past sexual experiences. Chris Warfield a/k/a "Billy Thornberg" recycled many of his old loops for "features" such as BLACK SILK STOCKINGS or BEYOND FULFILMENT. Grandmaster Alex De Renzy provided a more sophisticated version of the form with the likes of WILD THINGS 1 & 2 and BALLBUSTERS. A "vignette" film adds a bit more plot to the same basic concept by having the stories thematically linked. Certain characters will appear in more than one scene, giving the impression of narrative continuity.

    Howard Ziehm, a director of photography who had collaborated with Wunderkind Bill Osco on early groundbreaking work like MONA (THE VIRGIN NYMPH) and FLESH GORDON, turned filmmaker and soon became known throughout the adult industry as the uncrowned king of the loop-carrier, bringing heat, humor and solid production values to the table. Silly titles like SEXTEEN, HOT COOKIES or NAUGHTY NETWORK barely conveyed the quality of these movies but fans in the know flocked to see them in droves anyway. SWEET CAKES proved perhaps the most lavish of the lot, but HONEYPIE remains the best.

    Forgotten starlet Arlana Blue (also in Beau Buchanan's HAPPY DAYS) takes center stage in the framing footage as Lois, a hapless journalist at tabloid rag Metro, run by legendary Screw editor Al Goldstein, a man so shamelessly obnoxious he'll offend whatever minority group at the slightest incitement. Though I'm referring to the character he's playing, this description fits the man playing him – or at least his public persona – just as well. Faced with a deadline, Lois and her sidekick Nick (the late Bobby Astyr) try to come up with an idea for the latest issue, settling on sexy readers' letters that set up the four extremely effective episodes that make up the film.

    Jennifer Welles made the leap from soft core simulation in Joe Sarno flicks (CONFESSIONS OF A YOUNG American HOUSEWIFE) to hardcore stimulation with this movie, so you're watching history being made here. Ziehm added a stroke of genius by pairing this newcomer to explicit erotica with a performer even less experienced than she was, the aptly named Sammy Teen (breathless narration would have him be "no older than 14" but he definitely looks of legal age), as the new kid in the building seduced with a master's hand by the mature minx in one of the finest older woman/younger man encounters ever. Another new addition to the f*ck film fold at the time was the soon to be sensational Serena ("presented" in the credits as a "Oui calendar girl" and it may indeed have been her first screen appearance) as a ballet student making beautiful music with teacher Sharon Thorpe (lonely Lisa from Sam Weston's SEX WORLD) with the aid of a bottle of baby oil and a rather fearsome looking dildo. That's it for entrées ! The meat of the movie consists of the following two sequences that might provide even seasoned dirty movie watchers a thing or two they haven't seen before. Terri Hall (Tanya the ballerina from Radley Metzger's THE OPENING OF MISTY BEETHOVEN) does the lonely housewife routine by coming on to horny workmen Ashley Moore, who played Veronica Hart's husband in Roberta Findlay's THE PLAYGIRL, and Rocky Millhouse (Arlo Schiffin's LITTLE ORPHAN SAMMY in the flesh !) in a very complete catalog of sexual variations - including the rarely attempted "double penetration" that finds two male members lodged within a single female orifice - that has been described by late genre critic and filmmaker Jim Holliday as almost a movie of its own. In my not altogether humble opinion, this is even topped by the next scene, one of the few serious S&M sessions in non-specialized adult fare with Mary Stuart, the unforgettable heroine from Shaun Costello's THE PASSIONS OF CAROL, put through her paces by Bree Anthony (quite a change from the submissive she played in Armand Weston's THE TAKING OF Christina) and Mel White, a professional "Master" Ziehm wisely cast for the part. Mere words cannot convey the searing intensity of this encounter culminating with an extremely aroused Mary seemingly on the verge of passing out as she's being pummeled with whips, chains, nipple clamps and the like.

    Ziehm ironically reserves the loop-style visual approach (i.e. brightly lit and studded with extreme close-ups) for the frantically farcical connecting footage, the actual loops having been shot in soft, hazy shades reminiscent of crossover "classy" skin flick EMMANUELLE which was raking 'em in worldwide at the time. An adult film that truly offers something for everyone, HONEYPIE continues to arouse and amaze in equal measures after three decades and deserves to be enshrined as the Magnum Opus of a too frequently casually dismissed filmmaker.

    Enredo

    Editar

    Você sabia?

    Editar
    • Versões alternativas
      The VCA Pictures version, running 67 minutes, cuts the bondage sex scene involving Mary Stuart, Bree Anthony, and Mel White, and the end on-screen words "that's all, folks!" are changed to "The End", probably to avoid legal trouble from the Warner Brothers animation department.
    • Conexões
      Edited into Only the Very Best on Film (1993)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • Data de lançamento
      • 30 de julho de 1976 (Dinamarca)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Honeypie
    • Locações de filme
      • Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Dog Eat Dog
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 60.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 24 min(84 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.