Trinity e seus Companheiros

Bit of a disappointment this one, although it was always bound to be too good to be true.

Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?

Well let's start...

The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.

There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.

McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).

The music tends towards the comical of course, and as such is not in Morricone's best work.

However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.

In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.

I'd never heard of this one until I stumbled across it on DVD (under the title 'A Genius, Two Partners And A Dupe'). I was intrigued because it was directed by Damiano Damiani who made one of the very best non-Leone spaghetti westerns 'A Bullet For The General', and was produced (and many say co-directed) by Sergio Leone himself. I believe this was the last western Leone was involved with, and one of the very last spaghetti westerns ever made. The eclectic cast was another attraction. Terence "My Name Is Nobody" Hill, Miou-Miou, Patrick "The Prisoner" McGoohan and the legendary Klaus Kinski... Mmmm, very interesting! Well after sitting through this crap I now know why it's so obscure. It sucks. In almost every way. I have no idea of Leone's involvement, but the striking opening sequence looks like it might have been directed by him. Too bad it's all downhill from there! This was retitled to try and sell it as a sequel to 'My Name Is Nobody'. Hill actually plays a different character and the connection between the two is tenuous at best. BUT it is in a similar vein to many of Hill's comedy westerns, or should I say "so-called comedy" westerns? I didn't get one laugh out of it. It's really hard to imagine a serious director like Damiani making slapstick rubbish like this. The awful dubbing doesn't help things either. Regarding the supporting cast, the bad news is Kinski. He only had a small role in 'A Bullet For The General', but in this one it's even less. Basically Kinski has a two scene cameo at the beginning of the movie, and that's it. I love watching Kinski but anyone renting this movie just to see him should be warned. The good news is McGoohan. He has a much more substantial role and is quite good. Unfortunately he's surrounded by actors hamming it up and a lousy script. If the movie hadn't have played it for laughs, had someone other than Hill as the star (say Franco Nero) and more Kinski it might have been good. As it is only rabid Leone fans will want to bother watching it. Easily the poorest spaghetti western I've ever seen. Avoid.

I purchased this PAL DVD (my Macintosh computer plays the format) and a region- free, NTSC/PAL DVD player (connected to a regular NTSC tv) so I, NOT THE STUDIOS, can choose what I want. The PAL disc was the only version I found available, and I will submit DVD info when I find time. Look for the widescreen/ letterboxed format (which "Genius" is), instead of the horrid pan and scan, because letterboxed (or matted) is what the director intended viewers to see! Please keep an open mind about spaghetti westerns. Sometimes viewers comment with such harsh criticism that it can turn someone away when they should be prompted to look for a title in the genre they are interested in. I've suddenly grown a fascination in macaroni that I'm finding movies that I've never been interested in before. I swore on Clint/Eli/Cleef/ Leone/Ennio flicks yet didn't notice people like Nero and Milian. And now I'm discovering not to be so hard on my boy Terence Hill. Okay, so he doesn't take it so seriously. At first, that's what turned me away from his flicks. It wasn't Eastwood enough. But geez, what a kick you can get from "Genious." Initially I didn't care for Ennio's music, but it seeps into you. And there's something about the camera placement and movements that draw me into the film, which was just the right length -- not too long or short. The funny moments and comments throughout, plus the explosion (a very real and powerful one) somewhere in the flick made me decide on 8 stars. I judge these the same way as kung fu action. It can be so easy to pick apart and be literal, but these generally are simply pasta and lo mein noodle- type movies. Just enjoy sucking it into your system. You'll love getting full, and soon you'll want another helping.

Not as obviously or patently a Sergio Leone movie as MY NAME IS NOBODY from a few years earlier but still as Leonesque as a movie can possibly be while still playing ball in Enzo Barboni's slapstick turf (quite possibly the worst spaghetti western niche), this RAFRAN produced movie is heavily flawed but eminently watchable even when it doesn't make a lick of sense. Leone being Leone, he had to stick in his hand, even in a movie in which he had no creative stakes (unlike My Name is Nobody). The opening scene is a masterclass in directing as one would expect from a master cinematician even if it amounts to little more than moody silence and gliding tracking shots. Those who appreciated the slow-burn dynamics of ONCE UPON A TIME IN THE WEST, will be spellbound for the duration. It's a fantastic opening to a movie that never quite capitalizes on it. The script is mired in inconsequential distractions and tacky "end of the West" commentary delivered without an ounce of subtlety ("the old man will go away", says Hill about an old Indian chief in the end as the rest of his Indian band prepare to take off without him dressed in fancy clothes and hats, "he represents the old West" #%^!) and the goofy hijinks Terence Hill became known for do the movie little favour but every now and then director Damiano Damiani comes up with a scene or a setup that impresses with its visual splendor. The Carlo Simi-designed sets, the beautiful locations in John Ford's turf in Monument Valley, and the technical skill involved in front and behind the camera (not Ennio Morricone's score though, which is far from his best work), are all far better than 95% of spaghetti westerns could ever afford, then or a decade before, so this should still be of some interest to the hardened spaghetti aficionado. Traditional Ford/Hawks loyalists should keep their distance though.

While many people claim that "A Genius, Two Partners, and a Dupe" is a sequel to "My Name Is Nobody", it really isn't - Terence Hill's character here has a different name, and it's taking place before the events of MNIN. Sequel or not, what we have here is a very disappointing spaghetti western, one of the last that was made. For the longest time, there simply isn't any plot to be found. And when the plot DOES start, it unfolds in a very confusing manner. Klaus Kinski fans will be let down by the fact that he only appears for a few minutes. (He only seems to be in the film enough so that the movie could get German funding - the movie is an Italian, French, and German co-production.) Terence Hill is charming as ever, there is a great score by Ennio Morricone, and the scenery is fantastic, so the movie isn't a complete loss. Still, I would only recommend this to spaghetti western enthusiasts - and even they might find this tough to sit through.