O Golpe do Baú

Mike Nichols' last good film that I'm sure bombed at the time. Stockard Channing almost steals the show as the young heiress, Warren Beatty is perfectly cast, and Nicholson is hilarious without doing much (great hair). There were a lot of good films in the 70's and this should have been included on most lists.

A 7 out of 10. Best performance = Jack Nicholson. There are scenes that fall flat, but the ones that work make it worthwhile. Great costumes and art-set direction as well. It's hard to imagine these two actors (Beatty & Nicholson) playing the characters they did in REDS six years later after playing these buffoons. Give it a shot.

I don't know why I sat through this movie. Perhaps I thought there would be some redeeming moment but it just got on my nerves and never left until the end credits rolled. With actors like Channing and Nicholson, I expected a decent film but alas! The direction loses (or has no) focus. The screenplay's a big mess though. The actors are loud. Although Nicholson himself isn't as bad because he's quite different from his other films and does provide a few funny moments. Channing too has one funny moment where she runs away with a chicken. Seeing the positive comments, maybe I missed something but anyway, for me it was a waste of time.

A box office failure upon release, it just seems impossible to believe this genuinely hilarious film did not hit with audiences then and now is not the iconic cast and title it deserves to be. Columbia must have been aghast when it didn't set the box office on fire especially given what major stars Nicholson and Beatty were in '75. It is hard to find this film and if you have the time and luck to find a copy, try and also get THE FRONT and THE CHEAP DETECTIVE two other Columbia films around the same time that were reasonable successes and deserve to be major titles in anyone's home library.In Australia each of these films + HIGH ANXIETY suffered from the intro of colour TV and the cinemas all took a nosedive for 4 years 74-78. Very few films in thie period were big hits and cinemas closed in dozens. Pity as so many great films were made then and this comedy genuinely is one.

During the 1920's, the Mann-Act criminalizes transporting women across State lines for immoral purposes. Nicky Wilson (Warren Beatty) and Oscar Sullivan (Jack Nicholson) are inept con-artists trying to take rich heiress Fredericka Quintessa Bigard (Stockard Channing). She falls for Nicky but he's already married. Oscar marries Freddie in order to run away to L.A. across state lines. Her father threatens to disown her. The boys fight over her for her money.

This movie threw me. I expected good characters, and good acting from a Mike Nichols movie but he adds a screwball element to his comedy this time. I didn't see it coming. It takes me a little time to get used to it. I'm shaken by Oscar suddenly walking the wing on the plane. I don't think it's Nichols' strong suit. It's a lot of wacky screwball comedy that don't really generate laughs. The energy isn't there. He needs quicker edits and sharper gags. His brand of comedy isn't quite that. At its core, there are the three great actors and they shine.

'The Fortune' is a crime comedy, centred around the dubious exploits of two 1920s conmen, promisingly played by Jack Nicholson and Warren Beatty. Their job is to cheat a wealthy woman out of her fortune, and the film starts off positively. The film's song, 'I Must Be Dreaming', is quite enjoyable, and I was glad to see Nichols reuse it in the credits at the end. Unfortunately, it all goes downhill from the hopeful first scene. The premise was interesting, but it may have been performed better if the film was more serious. It felt a little like a rom-com, road movie version of 'The Great Gatsby', and the effect wasn't very good. The script was a little off at times, and I think that, in places, Beatty failed to remain on Nicholson's level during their usually fun exchanges. There were a few genuinely funny scenes, but I don't think there were enough of them to justify watching this. Other scenes degenerated into mind- numbing silliness, almost to the point where the viewer forgets the plot or the premise of 'The Fortune'. Overall, I was quite disappointed with this film. Nicholson, as ever, delivered a great performance, but I don't think that 'The Fortune' operated along the right lines. It could have channelled the atmosphere of 'McCabe & Mrs. Miller', or been a serious Prohibition crime film, but its direction steered it into becoming a very mediocre comedy.