Adicionar um enredo no seu idiomaLight the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.
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Just obtained this on dvd, with an informative behind the scenes attachment - what a bargain @ £7.99.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
This is a real slice of 70's. (Slade in) Flame tells the story of a semi mythical band that crawls out of the midlands of England and makes it into the myth of Rock and Roll. I found the album back in my salad days, and finally found the movie on DVD in my washed up years. There are pluses and minuses, as with any real slice of life film. On the plus side, the story of a band that makes it and self destructs really summarizes the mythos of the era, and realistically and sympathetically portrays the pressures and glories of fame. On the negative side, the accents are so thick you really wish there were subtitles. Notionally in English, it's in REAL English, and as an American, it might as well be Swahili.
The flick is full of authentic and believable characters. The small time manager, the pirate DJ, and the hippy dippy groupies all make the film seem as real as your own life. If you've seen Spinal Tap, you'll see more than a handful of scenes - a singer trapped in a coffin, high class and moneyed fops dealing with the low class entertainers, and the horrors of ridiculous costumes and friends knifing friends. If you like Uriah Heep, UFO, or any band who played a festival at Wolverhampton, this id worth the accents. If you think rock and roll is too loud, pass. But this is rock at its most basic. Loud, dirty, and important for the most unimportant reasons possible.
The flick is full of authentic and believable characters. The small time manager, the pirate DJ, and the hippy dippy groupies all make the film seem as real as your own life. If you've seen Spinal Tap, you'll see more than a handful of scenes - a singer trapped in a coffin, high class and moneyed fops dealing with the low class entertainers, and the horrors of ridiculous costumes and friends knifing friends. If you like Uriah Heep, UFO, or any band who played a festival at Wolverhampton, this id worth the accents. If you think rock and roll is too loud, pass. But this is rock at its most basic. Loud, dirty, and important for the most unimportant reasons possible.
The British Glam Rock kings of the 1970's never quite made the impact they should have in the states. Probably David Bowie is the only one of the bunch that most Americans have even heard of. The Sweet had only a few hits. Marc Bolan only managed one Top 40 record. Now that's a shame. Roxy Music was a cult group. Status Quo is virtually unheard of; a one-hit wonder whose only hit was their first single from 1967, "Listen to the Flower People," er, I mean, "Pictures of Matchstick Men." Slade shifted some LPs, but had no hit singles. But they did make this film, which can finally now be seen here in the USA on DVD. Interesting to watch from the American perspective, but anyone who's at all a fan of such British cultural touchstones as The Beatles or Monty Python should find plenty to enjoy here.
The group acquits themselves as actors quite well in this somewhat true-to-life tale of a rock band's rise and fall in England. The story starts in the mid/late 1960's, which helps to separate the real life Slade from the fictional Flame.
Although somewhat of a gritty drama, there are a large number of hilarious anecdotes (which all supposedly really happened, though not to Slade but to different bands) about the singer getting stuck on stage in a coffin (Spinal Tap pod incident, anyone?), the attack on the pirate radio station, and dealings with posh types on a train and shopping for a Rolls-Royce at a snooty dealership.
Overall, one of the better rock and roll films, if one of the lesser heralded ones. Worth watching for rock music fans or fans of 60's/70's pop culture. Just listen carefully, fellow Americans! You'll have a hard time sussing out some of the dialog with those Midlands accents. In fact, Noddy Holder said that when the film showed in St. Louis in the 70's, it was actually subtitled! Too bad that option is not provided on this DVD, but other than that, I don't have much to complain about here.
The group acquits themselves as actors quite well in this somewhat true-to-life tale of a rock band's rise and fall in England. The story starts in the mid/late 1960's, which helps to separate the real life Slade from the fictional Flame.
Although somewhat of a gritty drama, there are a large number of hilarious anecdotes (which all supposedly really happened, though not to Slade but to different bands) about the singer getting stuck on stage in a coffin (Spinal Tap pod incident, anyone?), the attack on the pirate radio station, and dealings with posh types on a train and shopping for a Rolls-Royce at a snooty dealership.
Overall, one of the better rock and roll films, if one of the lesser heralded ones. Worth watching for rock music fans or fans of 60's/70's pop culture. Just listen carefully, fellow Americans! You'll have a hard time sussing out some of the dialog with those Midlands accents. In fact, Noddy Holder said that when the film showed in St. Louis in the 70's, it was actually subtitled! Too bad that option is not provided on this DVD, but other than that, I don't have much to complain about here.
The rating (7+ at the time of writing) on IMDB might lead you to expect an undiscovered classic. In fact, it is a modest low-budget effort which has stood the test of time pretty well.
The film concentrates on the more mundane aspects of the rock and roll lifestyle: the rehearsals, the on-stage jealousy, the back-stage bickering, having to deal with "the men in suits" who want to package the band like a packet of fish fingers. We also see lots of "it's grim oop north" staples, such as terraced houses, pigeon lofts, dirty canals and a steel foundry. Given the budget, this was a wiser move than attempting to capture Slade in all their foot-stomping grandeur at the height of their fame.
From a technical viewpoint, the sound is a bit iffy and the lighting in many scenes seems designed to conceal rather than illuminate. Tom Conti sleepwalks through his first big-screen role, but then his character (high powered marketing executive with no interest in pop music) is fairly one dimensional, anyway. Johnnie Shannon, however, as the low-life agent who dumps the band and then tries to get his hooks back into them when they make it big, is excellent as the thug with a friendly face.
Surprisingly, the members of Slade make a decent fist of the acting, and the soundtrack contain two bona fide classics among the more bog-standard 12-bar fare. Don Powell has a couple of decent slapstick moments, Noddy and Jim have some good confrontation chemistry going, and Dave Hill plays an annoying buck-toothed twot with a stupid haircut ...
Though it is probably no better than a decent episode of "Aud Wiedersehen, Pet", its saving graces are its gritty authenticity and the songs. I particularly enjoyed the machine gun assault on the pirate radio station in the Thames Estuary (Radio City) - it impressed my kids no end when I told them this actually happened in real life and it was later confirmed by Noddy Holder in the "extra features" interview.
The film concentrates on the more mundane aspects of the rock and roll lifestyle: the rehearsals, the on-stage jealousy, the back-stage bickering, having to deal with "the men in suits" who want to package the band like a packet of fish fingers. We also see lots of "it's grim oop north" staples, such as terraced houses, pigeon lofts, dirty canals and a steel foundry. Given the budget, this was a wiser move than attempting to capture Slade in all their foot-stomping grandeur at the height of their fame.
From a technical viewpoint, the sound is a bit iffy and the lighting in many scenes seems designed to conceal rather than illuminate. Tom Conti sleepwalks through his first big-screen role, but then his character (high powered marketing executive with no interest in pop music) is fairly one dimensional, anyway. Johnnie Shannon, however, as the low-life agent who dumps the band and then tries to get his hooks back into them when they make it big, is excellent as the thug with a friendly face.
Surprisingly, the members of Slade make a decent fist of the acting, and the soundtrack contain two bona fide classics among the more bog-standard 12-bar fare. Don Powell has a couple of decent slapstick moments, Noddy and Jim have some good confrontation chemistry going, and Dave Hill plays an annoying buck-toothed twot with a stupid haircut ...
Though it is probably no better than a decent episode of "Aud Wiedersehen, Pet", its saving graces are its gritty authenticity and the songs. I particularly enjoyed the machine gun assault on the pirate radio station in the Thames Estuary (Radio City) - it impressed my kids no end when I told them this actually happened in real life and it was later confirmed by Noddy Holder in the "extra features" interview.
What a brilliant film! This film is a must to watch, not only if you are a Slade fan, but if you like to take a sneak-peek into the seedy and gritty world of pop/rock 'n' roll. The hard cutting realism of the life of a working band rising to short fame during the 70's. The film encapsulates the lives of the band and individual band members that come from ordinary every day life, working through working mens clubs to concerts and star status. you get a shear sense of being there and what it means to work in those circles, (It's not all, 'Glitter 'n' Glam). It's a cut throat world between band and managers, eat or be eaten. There are some great songs in the film to, which everyone from that era will remember. It's not surreal, the film holds up well along with 'That'll be the day' and 'Stardust' and compliments them. Buy it you will not be disappointed. Well done Nod, Jim, Dave & Don, lets have a revival or a sequel eh! Allan.
Você sabia?
- CuriosidadesAlan Lake was sacked on the first day of filming, after getting drunk at lunchtime. He was only reinstated after his wife, actress Diana Dors, undertook to keep him sober during the film's shoot.
- Citações
Jack Daniels: [shouts over the din of a poor drum solo audition] Not your actual Gene Krupa is he?
Barry: Who's she?
Jack Daniels: Before your time.
- Cenas durante ou pós-créditosAt the end of the film black and white stills of each actor are shown with their name.
- ConexõesFeatured in It's Slade (1999)
- Trilhas sonorasHow Does it Feel?
Performed by Slade
(uncredited)
Principais escolhas
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- How long is Slade in Flame?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 81.609
- Tempo de duração
- 1 h 31 min(91 min)
- Mixagem de som
- Proporção
- 2.35 : 1
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