Confissões de um Tira

one of films who are more than a good one. because it gives more than good story, inspired performances, tension or credible dialogues. first - it is an admirable thriller. than - the work of Jean -Louis Trintignan is impressive , because he does a not real comfortable role in a subtle manner. the presence on screen, in same film of Ranato Salvatori and Anton Delon reminds the air of Rocco and his brothers by Visconti and that detail is important for a part of public. not the least, it is a real story who has the chance to be presented in the right manner, the atmosphere being recreated in wise manner. a film who has useful demonstration of few legendary actors. and who suggest a kind of portrait's sketch of evil.in same measure, the scenes behind Buisson's catchment and the habits after the moments of Borniche and Buisson are more than interesting.

For those who didn't know the criminal history of France : Emile Buisson, born in 1902, started his robbers' life during the 30's, with his older brother. He get married, but his wife and their child died while he was in jail. And after this tragedy, Buisson became a killer. From jailhouses to asylums, Buisson finally escaped in 1947. For three years, almost 20 people were murdered, coldly, brutally shot by Emile. All victims of robberies, or thieves suspected for betraying Buisson. He was the first one in France to be called "P.E.n°1". It's these three years which are counted in "Flic Story". The young inspector Borniche had a lot of work to do in order to arrest Buisson. And he succeeded in 1950. And that wasn't the end. For four years, every crime was studied, dissected. In 1954, Buisson was condemned to die. Twice. On the dawn of February 28th, 1956, in the Santé Prison, M.Obrecht, the executioner, released the guillotine's chopper on Buisson's neck.

But if Borniche hadn't wrote his book, nobody would even remember about Buisson. The book is really good. So is the movie. Trintignant is probably too cute to play Buisson, but he gives a real performance : a real dead cold assassin. You have to like Delon, of course, even if he is great as Borniche ! (I think he is unbearable !) A good police movie !

The best performances for both Trintignant and Delon, based on a true story dig in the criminal files of the French police. Classical, nothing unexpected but so brilliantly made, pulled by excellent acting and directing. Trintignant told later that he disliked the character he played here, so far from his own sensibility; and that's precisely for this reason that's his performance is awesome. The true definition of a true actor, who can play characters totally different from himself. Don't miss his glance, his terrific and terrifying glance, maybe more terrifying than the real Emile Buisson himself. One of most cold blooded killer that the movie- and not only French - industry has ever shown. Great ending too.

Sitting through this for the first time I was under the delusion it had been directed by Melville, although it didn't seem to be quite his style. Unsurprisingly, it wasn't, but by someone called Deray, whom I'd never heard of. The history of the pursuit, over several years, of a dedicated cop after an unrestrained and ruthless thief and killer, it turns out to be a masterpiece, with depth. Gradually it grows clear that the two men are psychologically related: two sides of one coin. It dawns on the viewer, or it did on this one, that it's to be doubted if there's anything that can be called free will. Both men are creatures of circumstance, who have not really chosen their destinies. There is a curious rapport between them. Cops need robbers, like cowboys need Indians. Each can look on the other and think: there, but for arbitrary fortune, go I. Buisson's use of his gun seems as natural and spontaneous as any of Tarantino's reservoir dogs. Borniche suffers his own harassment and pressures. No man chooses his birth or the pattern of his life. Or does he ? A thought-inducing experience.

As 'Roman-Policiers' go this is pretty good with its muted tones and sense of period and of Jacques Deray's output is the one that comes nearest to the style of Jean-Pierre Melville although one can never beat the original! It stars Alain Delon who made nine films with Deray and filmed the last of his three with Melville in 1972.

Roger Borniche who died last year at 101, utilised his experiences as a Police Inspector to inform his series of crime novels. This film deals with his most famous exploit in which he uses his resourcefulness and unorthodox methods to capture Emile Buisson, France's Public Enemy number 1 of 1950.

Delon is at the height of his popularity here and although far too attractive as Borniche he brings his customary 'edge' and aura of unpredictability to the role which I think is one of his best.

Everyone loves a villain so they say, not least actors(!) and the superlative Jean-Louis Trintignant relishes the role of psychopath Buisson. Being a thoroughly bad boy he naturally exerts a fascination over the female of the species and even Borniche's partner played by Claudine Auger, remarks on his lovely eyes!

As expected there are plenty of interesting 'types' here and mention must be made of Paul Crauchet who impresses as a petty criminal forced to turn informer.

An extra dimension is added here in the relationship that develops between Borniche and Buisson during the lengthy interrogations that take place after Buisson's arrest. It has been suggested that policemen have an inverted criminal mentality and here Borniche certainly adopts some highly questionable methods to get his man. These two characters could be said to represent both sides of the same coin. It is, according to Borniche, the childhood of Buisson that made his life of crime inevitable. The question as to whether it is Nature or Nurture or indeed a combination of both that makes us what we are is unlikely ever to be resolved.