Trauma

Your reaction to 'House On Straw Hill' will depend on how big a fan of Udo Kier you are. If like me you think he's one of the coolest actors in the history of cinema you'll find this to be a fascinating piece of 70s exploitation. Udo plays Paul Martin, an arrogant and cold best-selling novelist having trouble completing his latest opus. After several aborted attempts around the globe he ends up in a secluded country house in England. When he hires a new secretary (Linda Hayden) he gets more than he bargained before. She is polymorphously perverse and is harboring a secret. In between dictation sessions Udo gets all hot and bothered with this mysterious newcomer. Meanwhile corpses begin to appear in unexpected places. Who is this woman and what does she want? Watch 'House On Straw Hill' and all will be revealed. A pretty cool movie all round with a strong performance from (an apparently dubbed) Kier, and plenty of nudity to satisfy smut fans.

Before conducting any research I automatically assumed this film would be a blatant rip-off of the contemporary popular Rape & Revenge exploitation movies. Especially considering the alternate and much more savory-sounding title "House on Straw Hill", I honestly thought it would be a cheap and even sleazier rehash of both "Last House on the Left" and "Straw Dogs". Wrong …though not entirely! Basically, this IS some sort of sex and revenge movie, but not one that is playing in the same type of 70's league. "Exposé" is a more stylish, psychological and ambitious variant on the retaliation-theme, with a slow atmospheric building up and a lot of attention given to decors, locations and choreography. Makes sense, actually, as this is a prominent British production with a decent budget and proper cast including cult B-movie legend Udo Kier ("Flesh for Frankenstein", "Blood for Dracula") and Linda Hayden ("Blood on Satan's Claw", "Madhouse"). Paul Martin is a struggling writer, who's put under a lot of pressure to deliver a second novel because his debut novel was such an unexpectedly immense hit. Paul moved to a quiet and isolated countryside mansion for inspiration, but still struggles with writer's block and personal issues like nightmarish hallucinations when he makes love to his girlfriend. His agent arranges for a typist to come over and help him, but there's something dark and dangerous about this girl. Linda masturbates practically all the time and seems to have come to Paul Martin with a personal vendetta to settle. Try and avoid reading synopsis's around here on the website, as most of them bluntly reveal Linda's intentions and motivations. The story of "Exposé" is simplistic yet highly effective and compelling – albeit a little predictable – and it's an astonishingly beautiful movie to look at. Quite surprising fact that is, seeing the film got included in the infamous list of Video Nasties at one point. The settings and scenery are delightful and James Kenelm Clarke's direction is much more sophisticated than you would expect from this type of cinema. Certain sequences literally ooze with suspense, like when Paul drives his malfunctioning car down a mountain at high speed whilst the mysterious Linda seduces his girlfriend back at the mansion. The body count is rather limited, but the few moments of carnage are quite gruesome. The sex footage is lewd and gratuitous but nothing too extreme. Udo Kier is one handsome looking dude and Linda Hayden is one indescribably hot looking cult siren. Together, they form a fantastically enticing duo. Naturally, there also are a couple of obvious defects and shortcomings, like the underdeveloped character of Suzanne and the disappointing anti-climax in the cornfield.

EXPOSE, aka THE HOUSE ON STRAW HILL, is a one-time video nasty now consigned to be forgotten by the weight of years. The truth is that it's a grotty little low-budget thriller that borrows some of the rape-revenge material of STRAW DOGS and turns it into a unique but only semi-successful tale of madness and murder.

The tale features a dubbed Udo Kier playing a writer who retires to his remote country home in order to work on his latest novel. While there, he must contend with the antics of his randy mistress Fiona Richmond (a one-time softcore starlet) and youthful secretary Linda Hayden (BLOOD ON SATAN'S CLAW).

Nothing much actually happens in this movie, and the expected bloodshed and sexual material is relatively tame by modern standards; certainly it has been eclipsed by far more explicit stuff in the past couple of decades. It's hard to see what all the fuss was about, really. Saying that, the film does boast a good performance from Hayden, at least, and it contains curios unique to its era: cameos from future stars Karl Howman and Vic Armstrong, and a genuinely sleazy, unsettling atmosphere straight out of the 1970s. No classic for sure, but well worth a look for fans of the material and the era.

Writer Paul Martin has scored a massive hit with his first novel and has retreated to a remote cottage in the heart of the English countryside to concentrate on his follow up.He's accompanied by his new secretary Linda Hinstatt,a housekeeper Mrs Aston and occasionally his lover Suzanne.However there is something strange about Linda and soon the bodies begin to pile up."Exposé" along with "Xtro" was classified as a video nasty in the UK.Admittedly it has a few sex/nudity scenes and a little bit of bloody violence,but there is not enough exploitative elements for my liking.Udo Kier is decent as a highly unlikeable writer and Linda Hayden is excellent as his secretary.She openly masturbates few times and has a great lesbian encounter with Fiona Richmond.The violence is quite tame except for the bathroom murder scene which is pretty nasty.The direction is lifeless,the characters are unpleasant and the film is slightly dull.Still I enjoyed it and you should too,if you like exploitation cinema.7 out of 10.

Writer Paul Martin (Udo Kier) is holed up in his house (on Straw Hill) and needs an assistant to type his dictation. So he hires Linda Hindstatt (Linda Hayden), who seems pleasant enough. But Linda is a strange character, and her motives might not be as legit as they seem.

I really enjoyed this film, and I want to make that clear up front. It wasn't a fantastic horror story, the plot wasn't very strong and it wasn't even that thrilling. But it's purpose was never any of these things: it was exploitation, and I think the writer/director did a marvelous job in achieving this kind of production.

There's dirty sex (including latex gloves for some unexplained reason), plenty of nudity, females who enjoy their own bodies, a scene that may or may not be rape (the victim doesn't seem to mind). I don't know if this is art, but it made for a film that can hold your attention.

The tone is somewhat darker than your average film, but not too dark. The copy I watched came on a videotape with a preview for "The Stuff". After that, I was thinking this might be a rather cheesy or b-grade film, but that is not at all so (although some of the blood has an unusual orange tint).

The theme shouldn't be new to anyone who's seen plenty of movies. The "writer in solitude" theme is pretty standard -- "The Shining", "Misery", "Secret Window" all instantly come to mind (and those are just King films). There are two additional characters -- harassers and possible rapists -- who really add a new flavor to the piece. Their motives are unclear and they are so one-dimensional that it seems they've come from a comic book. One of them is wearing a shirt that seems to say "I am a vampire" (though I couldn't make it out clearly).

This is a good movie if you crave some exploitation. Don't expect an amazing plot, and don't try to impress your girlfriend with it (unless she's really odd). There seems to be some clamor online calling for a nice DVD transfer of the film, and I support them on that. I would happily own the DVD of "House on Straw Hill" (as my copy is titled). Kier's finest since "Mark of the Devil".