Trauma

Writer Paul Martin (Udo Kier) is holed up in his house (on Straw Hill) and needs an assistant to type his dictation. So he hires Linda Hindstatt (Linda Hayden), who seems pleasant enough. But Linda is a strange character, and her motives might not be as legit as they seem.

I really enjoyed this film, and I want to make that clear up front. It wasn't a fantastic horror story, the plot wasn't very strong and it wasn't even that thrilling. But it's purpose was never any of these things: it was exploitation, and I think the writer/director did a marvelous job in achieving this kind of production.

There's dirty sex (including latex gloves for some unexplained reason), plenty of nudity, females who enjoy their own bodies, a scene that may or may not be rape (the victim doesn't seem to mind). I don't know if this is art, but it made for a film that can hold your attention.

The tone is somewhat darker than your average film, but not too dark. The copy I watched came on a videotape with a preview for "The Stuff". After that, I was thinking this might be a rather cheesy or b-grade film, but that is not at all so (although some of the blood has an unusual orange tint).

The theme shouldn't be new to anyone who's seen plenty of movies. The "writer in solitude" theme is pretty standard -- "The Shining", "Misery", "Secret Window" all instantly come to mind (and those are just King films). There are two additional characters -- harassers and possible rapists -- who really add a new flavor to the piece. Their motives are unclear and they are so one-dimensional that it seems they've come from a comic book. One of them is wearing a shirt that seems to say "I am a vampire" (though I couldn't make it out clearly).

This is a good movie if you crave some exploitation. Don't expect an amazing plot, and don't try to impress your girlfriend with it (unless she's really odd). There seems to be some clamor online calling for a nice DVD transfer of the film, and I support them on that. I would happily own the DVD of "House on Straw Hill" (as my copy is titled). Kier's finest since "Mark of the Devil".

EXPOSE, aka THE HOUSE ON STRAW HILL, is a one-time video nasty now consigned to be forgotten by the weight of years. The truth is that it's a grotty little low-budget thriller that borrows some of the rape-revenge material of STRAW DOGS and turns it into a unique but only semi-successful tale of madness and murder.

The tale features a dubbed Udo Kier playing a writer who retires to his remote country home in order to work on his latest novel. While there, he must contend with the antics of his randy mistress Fiona Richmond (a one-time softcore starlet) and youthful secretary Linda Hayden (BLOOD ON SATAN'S CLAW).

Nothing much actually happens in this movie, and the expected bloodshed and sexual material is relatively tame by modern standards; certainly it has been eclipsed by far more explicit stuff in the past couple of decades. It's hard to see what all the fuss was about, really. Saying that, the film does boast a good performance from Hayden, at least, and it contains curios unique to its era: cameos from future stars Karl Howman and Vic Armstrong, and a genuinely sleazy, unsettling atmosphere straight out of the 1970s. No classic for sure, but well worth a look for fans of the material and the era.

Writer Paul Martin has scored a massive hit with his first novel and has retreated to a remote cottage in the heart of the English countryside to concentrate on his follow up.He's accompanied by his new secretary Linda Hinstatt,a housekeeper Mrs Aston and occasionally his lover Suzanne.However there is something strange about Linda and soon the bodies begin to pile up."Exposé" along with "Xtro" was classified as a video nasty in the UK.Admittedly it has a few sex/nudity scenes and a little bit of bloody violence,but there is not enough exploitative elements for my liking.Udo Kier is decent as a highly unlikeable writer and Linda Hayden is excellent as his secretary.She openly masturbates few times and has a great lesbian encounter with Fiona Richmond.The violence is quite tame except for the bathroom murder scene which is pretty nasty.The direction is lifeless,the characters are unpleasant and the film is slightly dull.Still I enjoyed it and you should too,if you like exploitation cinema.7 out of 10.

I may be on my own with this one, but if you ask me; The House on Straw Hill is an excellent little film. Considering that it's a thriller, the film doesn't feature a great deal of tension or suspense - but the action is kept engaging by the way that it sets up the storyline. The film moves slowly, but in doing so is allowed time to let its characters grow and the plot to build. The film is set mostly in a house surrounded by a cornfield. I'm not sure why these sorts of films always have to take place in distinguished houses, but this location actually provides a good base for this story. The field in which the house is situated ensures that the action always feels isolated from society, and there's something sinister about farm houses in the country anyway. The plot follows a paranoid writer (played Udo Kier) who is about to write a new book. He hires a beautiful blonde to be his secretary to aid with the writing, but this turns out to be a big mistake as the young woman has more of interest in the man than just helping him to write a book.

This film was included on the infamous 'Video Nasty' list back in the eighties under the title, 'Exposé'. Like a lot of films on the list, this one doesn't feature a great deal in the way of gore and it's a wonder why it ever got banned. House on Straw Hill does have a handful of bloody sequences, but nothing enough to warrant it's banning in my opinion. Udo Kier takes the lead role and delivers another of his bizarre, paranoid performances. It's debatable as to whether or not Kier actually has any acting talent, but he certainly has screen presence and for that reason alone, his films are always worth seeing. He is joined by a distinctly feminine cast, which includes Linda Hayden in the role of the secretary and seventies sex symbol Fiona Richmond as Kier's girlfriend. You'll no doubt be glad to know that the two 'hook up' in one of the movie's central scenes. House on Straw Hill pulls off a great double bluff with the identity of the maniac, and this provides the film with its main backbone. It has to be said that the conclusion is a bit silly, but it's one of the few suspense sequences in the film and you can't expect a film like this to be without silly moments. On the whole, I can see why this isn't widely liked; but I'm definitely a fan.

Kier is a fine, photogenic actor, but he's miscast (his voice is dubbed although this could've been intentional) in this otherwise suspenseful psychological thriller playing a deeply insecure and frustrated novelist whose next book is proving challenging to write, leading to the employment of Hayden as his typist. Hayden is initially a lot more relaxed but this soon changes when she begins to exploit her employer's fragile mood and psychological weaknesses.

Well photographed on location with a taut narrative and minimalist dialogue, first time director Clarke cultivates a general unease that's gripping but sporadically distracted by the superfluous titillation which seems to have no genuine plot justification other than for commercial purposes (note Richmond's appearances, most of her dialogue consists of moaning).

Mysterious and sensual it's also extremely bloody (burgundy not claret as Kier insists) with well-paced tension and a few decent shocks at regular intervals to hold the wandering attention. There would've been a dozen different ways to resolve the plot, and whilst it answers most of the lingering questions, it's not the most satisfying conclusion ever conceived. Better than average, but never really reaches its full potential.