Cleópatra Jones e o Cassino de Ouro

'Cleopatra Jones and the Casino of Gold' is even more enjoyable than 'Cleopatra Jones' (if such a thing is possible!), because it realizes that the best thing about the first movie was its sense of fantasy. The sequel doesn't even attempt to be realistic or socially aware, it goes for trashy Bond-like entertainment, and is all the better for it.

Special Agent Cleopatra Jones (the beautiful Tamara Dobson) arrives in Hong Kong after the disappearance of her friends the Johnson brothers (the always amusing Albert Popwell and Caro Kenyatta) in a drug sting gone wrong. She befriends a local street smart girl Mi Ling (Tanny) who helps her track them down. All paths lead to The Dragon Lady (Stella Stevens).

In the first movie Cleo's nemesis Momma was played by Shelley Winters, a drug pushing lesbian. In this movie it's Winters' 'Poseidon Adventure' co-star Stevens, again a drug pushing lesbian. What's up with that? I don't know, but The Dragon Lady beats Momma at her own game, she also runs a gold casino in Macao, has foxier girlfriends, and is pretty nifty with a sword.

This is fantastically entertaining silliness. Cleopatra wears her usual outrageous outfits, talks tough, kicks ass, and never runs out of wise-cracks or loses her cool. The relocation to Hong Kong and the ensuing increase in martial arts is a good thing. Don't ignore this movie if you're a fan of blaxploitation, 'Enter The Dragon' or James Bond. Great fun!

Surprisingly entertaining Blaxploitation film from the 70s with Amazonian Tamara Dobson returning as the hustling, Kung Fu fighting, bizarre fashion plate Cleopatra Jones. This time Cleo needs to help Matthew and Melvin Johnson in Hong Kong to break up a drug ring under control of the Dragon Lady(actually she and her casino are in Macao). Dobson must wear no fewer then ten weird outfits and quips one-liners throughout with the aid of little helper Ni Tien(a most beautiful young lady). The Dragon Lady is played deliciously by the ever delicious Stella Stevens. Stevens actually gives a pretty good performance as one cold-hearted, ruthless woman accustomed to getting what she wants. This movie gives you exactly what you are promised and expect: lots of action, lots of silliness, lots of innuendo and subtle as well as obvious humour, and lots of martial arts. Dobson gives her standard performance and the rest of the cast does as well. Character actor Norman Fell is here as Cleo's governmental contact and lends the film some credibility. You got to love the 70s action sequences, the outlandish costumes, and that groovy soundtrack.

In CLEOPATRA JONES AND THE CASINO OF GOLD, Tamara Dobson is back in the title role. This time, Cleo's in Hong Kong, where she's been brought in to bring down the drug empire of the Dragon Lady (Stella Stevens) and her army of kung fu cohorts. With her new partner, Tanny (Ni Tien), at her side, the duo kick, chop, punch, and shoot their way through the HK underworld.

Ms. Dobson fills her character with grace and attitude, making her an imposing figure. Ni Tien adds some extra vigor, especially during her big fight sequences. Ms. Stevens plays up her sadistic role well, coming across as menacing and ruthless. This sequel is arguably better than the original film, making the best of its new location and utilizing some excellent chase scenes.

This all culminates in a memorable, rip-roaring, final confrontation...

Follow-up to 1973's far better "Cleopatra Jones" has statuesque black actress Tamara Dobson returning to her signature role as chic, super-tough narcotics agent, here busting a heroin ring in Hong Kong. Cross-pollination of blaxploitation action-flick and kung-fu B-movie is fun at the outset but eventually flags. The shoot-out finale is right off the assembly-line, and Dobson herself seems less energetic than before (she's still sexy, and she puts a unique spin on her comically-stilted dialogue, but these surroundings may have been too much of one thing for her--she's jaded). Stella Stevens plays the villainess this time; she's good, but can't match Shelley Winters in the predecessor. ** from ****

Made in the midst of the seventies and the era just before the explosion of the horror genre. Just before that exploitation was the independent thing. And of course black actors wanted to have their own exploitation. Here we have a very good example what we call blaxploitation. But this here is really good. Naturally the main leads are black people but the one to look out to is Tamara Dobson. She was a natural beauty but sadly she became sick and stopped making movies in 1984. She died of her disease which was MS in 2006. Here she's Cleopatra Jones, let's just say a black 007. But look how the feature was made, back in those days they knew how to do their stuff, no CGI or other stupid effects, here's it's the real stuff but here it's effects in the attacks and the many fights. Don't think that you will see a serious amount of blood, no it doesn't. But of course for the seventies nudity was a normal thing and it contains some nudity. But also have a look at Cleopatra's clothes and the way they put some make-up on her. The score, pure seventies, this is excellent stuff. I can't say anything that I didn't like in it. The chases with the cars and motorcycles, it goes on for minutes. You can guess it, one to watch