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Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.
John Davis Chandler
- Hymie Weiss
- (as John D. Chandler)
Avaliações em destaque
The role of Al Capone, a large and expansive one is one that many actors just love to do. Joining the ranks of players who've essayed Chicago's legendary crime boss is Ben Gazzara. He ranks favorably with such folks as Rod Steiger, Jason Robards, Jr., Neville Brand and Robert DeNiro.
Roger Corman produced this film simply entitled Capone and we see Al Capone from his early days as a hoodlum in Brooklyn going west as Horace Greeley said to seek fame and fortune and he certainly finds it. The Chicago gang wars of the Roaring Twenties have passed into legend and some of those legends are portrayed here if not quite accurately.
In between all the violence is Susan Blakely who bares her all for art in this film. She's a pleasure driven, hedonistic, flapper from the Roaring Twenties and she's the girl who sparks Capone. Not a mention of the fact that he was a married man and also probably tried out all the women who went to work in Capone bordellos. It's no doubt where he got the syphilis that killed him eventually.
The theme of Capone is that one rises in the gangster ranks by the well timed double cross. It's how Capone rises and how he's dethroned. None of the gangster lore that has come down says what you see in the film is how it happened. In fact I doubt a lot of it. But it makes a nice story.
Gazzara is a mesmerizing Capone and young Sylvester Stallone is Frank Nitti who succeeds him as head of his organization. Blakely is one sexy woman and a lot of tongues will be hanging out.
Roger Corman gives us yet another version of Scarface. No doubt we'll see many more.
Roger Corman produced this film simply entitled Capone and we see Al Capone from his early days as a hoodlum in Brooklyn going west as Horace Greeley said to seek fame and fortune and he certainly finds it. The Chicago gang wars of the Roaring Twenties have passed into legend and some of those legends are portrayed here if not quite accurately.
In between all the violence is Susan Blakely who bares her all for art in this film. She's a pleasure driven, hedonistic, flapper from the Roaring Twenties and she's the girl who sparks Capone. Not a mention of the fact that he was a married man and also probably tried out all the women who went to work in Capone bordellos. It's no doubt where he got the syphilis that killed him eventually.
The theme of Capone is that one rises in the gangster ranks by the well timed double cross. It's how Capone rises and how he's dethroned. None of the gangster lore that has come down says what you see in the film is how it happened. In fact I doubt a lot of it. But it makes a nice story.
Gazzara is a mesmerizing Capone and young Sylvester Stallone is Frank Nitti who succeeds him as head of his organization. Blakely is one sexy woman and a lot of tongues will be hanging out.
Roger Corman gives us yet another version of Scarface. No doubt we'll see many more.
I have seen many actors hamming it up.But Ben Gazzara plays Al Capone in Al Jolson mode.I swear he was going to sing Mammy before the end.This is a really tacky movie made because The Godfather was such a hit.Avoid like the Plague.1 out of 10
Never one to be concerned with realism, historical accuracy or taste, Roger Corman took on the now legendary story of gangster Al Capone. Corman is on production duties here, but the film has his trademarks all over it. Capone (played by Ben Gazzara, a little more convincingly than Jason Robards in the enjoyable The St. Valentine's Day Massacre) is jailed and questioned after beating up two policemen, to be bailed out by Frankie Yale (John Cassavetes) and Johnny Torio (Harry Guardino) who hold a growing influence over the police department. Capone is then taken under Torio's wing, as they try to distribute alcohol in Prohibition-era Chicago, while trying to calm the ongoing gang wars that are getting increasingly bloody.
As stated earlier, don't expect The Godfather. This is a gangsters tale, exploitation style. The film seems to want to tell Capone's story without getting bogged down in the details, and instead going for maximum entertainment value. And it does work to a certain degree - Ben Gazzara's ludicrously over-the-top performance is a lot of fun, and the fact that he's a genuinely very good actor adds a bit of class to the role. But I feel Corman's earlier gangster effort, The St. Valentine's Day Massacre (which he directed) was a lot more fun. That had a lot more going on to hold the attention, while the episodic nature of this film does get a bit repetitive after a while. Also, the majority of this film is not just a mere spin on the truth, it's outright lies. However, it's worth watching for Gazzara alone, and an early performance from Sylvester Stallone as Frank Nitti.
www.the-wrath-of-blog.blogspot.com
As stated earlier, don't expect The Godfather. This is a gangsters tale, exploitation style. The film seems to want to tell Capone's story without getting bogged down in the details, and instead going for maximum entertainment value. And it does work to a certain degree - Ben Gazzara's ludicrously over-the-top performance is a lot of fun, and the fact that he's a genuinely very good actor adds a bit of class to the role. But I feel Corman's earlier gangster effort, The St. Valentine's Day Massacre (which he directed) was a lot more fun. That had a lot more going on to hold the attention, while the episodic nature of this film does get a bit repetitive after a while. Also, the majority of this film is not just a mere spin on the truth, it's outright lies. However, it's worth watching for Gazzara alone, and an early performance from Sylvester Stallone as Frank Nitti.
www.the-wrath-of-blog.blogspot.com
Cheaply-made and over-simplified account of the life and times of the most notorious gangland figure of The Roaring Twenties; clearly intended as exploitation - with liberal doses of nudity and foul language to embellish the typical blood-soaked exploits - the Fox film was produced by Roger Corman (who was associated with any number of similar genre efforts, released in the wake of BONNIE AND CLYDE [1967] and which became an even greater commodity after THE GODFATHER [1972]).
As Capone, Ben Gazzara chews more than the scenery - as he obviously has placed something in his mouth to help 'authenticate' his delivery! Similarly, so as to give the impression of realism, the script continuously precedes scenes with the date and year when the event depicted is supposed to have happened; still, this doesn't prevent the film from appearing clichéd most of the time! Curiously, the film ends with Capone on parole going mad in some luxurious mansion - a turn of events which, as far as I know, is completely fabricated.
With the various real-life characters and myriad factions on display, one is prone to lose track of who's killing who and why - but, for all that, the carnage is constant and moderately well-staged (though, at one point, Corman inserts footage from his own film THE ST. VALENTINE'S DAY MASSACRE [1967], also a Fox production!). The cast is made up of veterans like Gazzara, Harry Guardino and a cameo by John Cassavetes, and newcomers such as Sylvester Stallone (a pretty good pre-stardom role as Capone's right-hand man who eventually has his boss ousted!), regular baddie Martin Kove (as a thug from a rival clan) and lovely Susan Blakely as Capone's young but free-spirited moll.
Needless to say, the film doesn't do justice to the character (seen in countless other gangster pics, the most significant impressions perhaps being those given, Method-style, by Rod Steiger in AL CAPONE [1959] and Robert De Niro in THE UNTOUCHABLES [1987]) - but neither is it the disaster Leonard Maltin claims, having slapped a BOMB rating to it! By the way, while the print on Fox's R2 DVD is O.K., the audio is pretty lousy (often displaying a distracting hiss).
As Capone, Ben Gazzara chews more than the scenery - as he obviously has placed something in his mouth to help 'authenticate' his delivery! Similarly, so as to give the impression of realism, the script continuously precedes scenes with the date and year when the event depicted is supposed to have happened; still, this doesn't prevent the film from appearing clichéd most of the time! Curiously, the film ends with Capone on parole going mad in some luxurious mansion - a turn of events which, as far as I know, is completely fabricated.
With the various real-life characters and myriad factions on display, one is prone to lose track of who's killing who and why - but, for all that, the carnage is constant and moderately well-staged (though, at one point, Corman inserts footage from his own film THE ST. VALENTINE'S DAY MASSACRE [1967], also a Fox production!). The cast is made up of veterans like Gazzara, Harry Guardino and a cameo by John Cassavetes, and newcomers such as Sylvester Stallone (a pretty good pre-stardom role as Capone's right-hand man who eventually has his boss ousted!), regular baddie Martin Kove (as a thug from a rival clan) and lovely Susan Blakely as Capone's young but free-spirited moll.
Needless to say, the film doesn't do justice to the character (seen in countless other gangster pics, the most significant impressions perhaps being those given, Method-style, by Rod Steiger in AL CAPONE [1959] and Robert De Niro in THE UNTOUCHABLES [1987]) - but neither is it the disaster Leonard Maltin claims, having slapped a BOMB rating to it! By the way, while the print on Fox's R2 DVD is O.K., the audio is pretty lousy (often displaying a distracting hiss).
Very few people remember this film (why is beyond me, it is one of the better acted gangster films--Even Sly Stallone does a decent job). But to the few of us that really remember this, it is because of a relatively unknown actress called Susan Blakely.
This is the first time from a major motion picture studio that an actress spread her legs (while completely nude, by the way) and showed us her very blond "Delta of Venus"--absolute motion picture history that, unfortunately should have catapulted her to the Sharon Stone level, but didn't.
I had to order from Great Britain and convert it from PAL to NTSC, but it was worth it!
Thanks forever, Susan!
This is the first time from a major motion picture studio that an actress spread her legs (while completely nude, by the way) and showed us her very blond "Delta of Venus"--absolute motion picture history that, unfortunately should have catapulted her to the Sharon Stone level, but didn't.
I had to order from Great Britain and convert it from PAL to NTSC, but it was worth it!
Thanks forever, Susan!
Você sabia?
- CuriosidadesSusan Blakely's nude open crotch shot is reportedly one of the first instances of such a thing for a leading actress in a mainstream Hollywood film. It wouldn't be so graphically repeated until Sharon Stone's notorious scene in Instinto Selvagem (1992) 17 years later.
- Erros de gravaçãoAl Capone's scar was not caused by broken glass from a window, but by a knife wound in an argument with Frank Gallucio over a remark he made to Gallucio's sister Lena at the Harvard Inn on Coney Island in 1917.
- Cenas durante ou pós-créditosOpening credits prologue: BROOKLYN MAY 6, 1918
- Versões alternativasMost versions are missing an explicit nude scene by Susan Blakely, probably due to the fact that bootleg copies are sourced from TV prints.
- ConexõesEdited from O Massacre de Chicago (1967)
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- US$ 970.000 (estimativa)
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