AVALIAÇÃO DA IMDb
7,2/10
140
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA story of the life of a legendary heroic outlaw.A story of the life of a legendary heroic outlaw.A story of the life of a legendary heroic outlaw.
- Indicado para 1 prêmio BAFTA
- 1 indicação no total
Explorar episódios
Avaliações em destaque
This is one of the best versions of "Robin Hood" I have ever seen and I would love to have it on DVD. It is a complete story as a mini-series, instead of on-going escapades that must always leave the full cast in place at the end of each episode. This is not the cheeriest version of the story but it is indeed one of the most accurate to traditional legends.
The merry men are remarkably well-cast. The villains are believable -- not strictly evil, but power hungry. David Dixon really shines as Prince John, as a weak-willed young man easily led into the plans of stronger men. I really look forward to seeing this one come out again.
The merry men are remarkably well-cast. The villains are believable -- not strictly evil, but power hungry. David Dixon really shines as Prince John, as a weak-willed young man easily led into the plans of stronger men. I really look forward to seeing this one come out again.
This seventies BBC version with Martin Potter and Diane Keen remains one of my favourite adaptations of the Robin Hood legend, but its not without its failings.
Despite the evident attention to historical detail in the matter of costumes and props, there are some jarring anachronisms in the script, such as a Saxon thegn called Kenneth (Gaelic), a Norman henchman called Alaric (Visigothic) and a merry man called Brett (Tuolumne County).
The production is very much of its time. There is a very Seventies cynical edge and lots of speechifying; the script is not frightened of serving up dollops of history and at times borders on the lumberingly expositional. But while the production suffers as a result of the disastrous decision made by the BBC to video all interiors on cardboard sets at Television Centre, the location photography is rather charming - seldom has the greenwood looked greener.
British B movie beefcake Potter is a handsome if far from merry Robin, Keen of course is luminous as Marion, while David "Ford Prefect" Dixon and Paul "Ker Avon" Darrow, as respectively Prince John and the Sheriff, exercise more restraint than one might have thought them capable. Some of the supporting players are pure repertory ham (an old crone is straight out of Blackadder), but William Marlowe and Miles Anderson add Shakespearean heft in their roles as Guy of Gisborne and Will Scarlet.
Tony Caunter had yet to acquire the girth one associates with Friar Tuck, but Conrad Asquith is a booming Little John; Much is played by Johnny Speight's boy Richard and Stephen Whittaker completes the meiny as the hitherto unrecorded outlaw Ralph Gammon. David Ryall enjoys himself as a corrupt abbot.
The action sequences are lame by today's slick, and often graphic, standards, but the climactic broadsword duel between Potter and Marlowe has an earthy vigour. Seldom have you seen two actors looking quite so completely knackered.
Despite the evident attention to historical detail in the matter of costumes and props, there are some jarring anachronisms in the script, such as a Saxon thegn called Kenneth (Gaelic), a Norman henchman called Alaric (Visigothic) and a merry man called Brett (Tuolumne County).
The production is very much of its time. There is a very Seventies cynical edge and lots of speechifying; the script is not frightened of serving up dollops of history and at times borders on the lumberingly expositional. But while the production suffers as a result of the disastrous decision made by the BBC to video all interiors on cardboard sets at Television Centre, the location photography is rather charming - seldom has the greenwood looked greener.
British B movie beefcake Potter is a handsome if far from merry Robin, Keen of course is luminous as Marion, while David "Ford Prefect" Dixon and Paul "Ker Avon" Darrow, as respectively Prince John and the Sheriff, exercise more restraint than one might have thought them capable. Some of the supporting players are pure repertory ham (an old crone is straight out of Blackadder), but William Marlowe and Miles Anderson add Shakespearean heft in their roles as Guy of Gisborne and Will Scarlet.
Tony Caunter had yet to acquire the girth one associates with Friar Tuck, but Conrad Asquith is a booming Little John; Much is played by Johnny Speight's boy Richard and Stephen Whittaker completes the meiny as the hitherto unrecorded outlaw Ralph Gammon. David Ryall enjoys himself as a corrupt abbot.
The action sequences are lame by today's slick, and often graphic, standards, but the climactic broadsword duel between Potter and Marlowe has an earthy vigour. Seldom have you seen two actors looking quite so completely knackered.
I also have found, if vague, memories of watching this on PBS in New York in the early 1980s. These versions of Robin Hood and King Arthur, among other legends, were free of the cheesiness and camp of sword-and-sorcery movies of that time and foreshadowed the low-magic, human-scale dramatic (but not melodramatic) approach of TV and movies such as the more recent "Cadfael" and "King Arthur."
I, for one, would love to see these available on DVD in the U.S., and I'd be happy to sign any petitions, but I don't know how many people are aware of this version of "Robin Hood." The reasonably well-done version of a few years later with Michael Praed and Jason Connery (plus more New Age trappings) is better known.
I, for one, would love to see these available on DVD in the U.S., and I'd be happy to sign any petitions, but I don't know how many people are aware of this version of "Robin Hood." The reasonably well-done version of a few years later with Michael Praed and Jason Connery (plus more New Age trappings) is better known.
I saw this on WTTG Channel 5 in Washington early Saturday mornings in the early '80s. Then it resurfaced on A&E about ten years later. Yes, that was the same actor who played Ford Prefect on TV playing Prince John. Then it disappeared again. The other poster was absolutely right. WHEN WILL WE SEE THIS ON DVD??????!!!!!!! (I'm not allowed to shout in the summary,or I would have).
There was also a King Arthur series made in the UK in the 1970s to which the same thing happened. That one had also appeared on "Once Upon a Classic" on PBS; which was a show like "Masterpeice Theater," but for kids, hosted by Bill Bixby. Another show on "Once Upon a Classic" to appear on Channel 5 in the early '80s was "The Prince and the Pauper," but I don't remember that ever being on A&E. A similar miniseries that appeared on A&E in the early '80s was a live-action, taped (not filmed) version of "Ivanhoe" which I don't remember seeing before or since.
There was also a King Arthur series made in the UK in the 1970s to which the same thing happened. That one had also appeared on "Once Upon a Classic" on PBS; which was a show like "Masterpeice Theater," but for kids, hosted by Bill Bixby. Another show on "Once Upon a Classic" to appear on Channel 5 in the early '80s was "The Prince and the Pauper," but I don't remember that ever being on A&E. A similar miniseries that appeared on A&E in the early '80s was a live-action, taped (not filmed) version of "Ivanhoe" which I don't remember seeing before or since.
I have recently been enjoying this on DVD, not having seen it since it was first shown on BBC 1 when I was 12 (you do the math). I was pleasantly surprised at how well it stands up after all this time. It may look a little dated (as much as anything set in the 12th Century can look dated) but what it loses in technical quality compared to the polished productions of today, it more than makes up with how well it treats its subject. As a legend and with no definitive source material, who is to say what is the correct version. But this is probably the closest to what is generally accepted to be the story of Robin Hood, eschewing the mysticism that made the later Michael Praed/Jason Connery version an interesting interpretation. Whatever else, it is certainly better than the most recent BBC version which managed the feat of making the story seem silly and boring at the same time (especially with Keith Allen as a low rent Alan Rickman wannabe).
Martin Potter is good as Robin (although I must have missed the scene which explains how he suddenly adopts the name Robin Hood) and it is a mystery how he never became any better known after this. Diane Keen makes a beautiful and feisty Marion and it was interesting to see Paul Darrow as The Sheriff of Nottingham several years before his star-making turn as Avon in "Blake's Seven". Thankfully Darrow resists the temptation to ham it up in the way that Alan Rickman did in the role years later which unbalanced "Robin Hood - Prince of Thieves" (even though it was entertaining). I have to disagree, however, with those posters who complained that Michael J. Jackson's King Richard was a camp interpretation. It is nothing of the kind and Jackson brings great dignity to the part which is usually only a cameo walk-on appearance.
However, where I would agree with other comments already made on here is about the theme music to this series by Stanley Myers. Like them, I too remembered this theme long after my other memories of this series had faded and it is good to hear it once again.
Accept no substitutes, this is the real deal and now it is on DVD, hopefully others will get to discover what a hidden gem this series is.
Martin Potter is good as Robin (although I must have missed the scene which explains how he suddenly adopts the name Robin Hood) and it is a mystery how he never became any better known after this. Diane Keen makes a beautiful and feisty Marion and it was interesting to see Paul Darrow as The Sheriff of Nottingham several years before his star-making turn as Avon in "Blake's Seven". Thankfully Darrow resists the temptation to ham it up in the way that Alan Rickman did in the role years later which unbalanced "Robin Hood - Prince of Thieves" (even though it was entertaining). I have to disagree, however, with those posters who complained that Michael J. Jackson's King Richard was a camp interpretation. It is nothing of the kind and Jackson brings great dignity to the part which is usually only a cameo walk-on appearance.
However, where I would agree with other comments already made on here is about the theme music to this series by Stanley Myers. Like them, I too remembered this theme long after my other memories of this series had faded and it is good to hear it once again.
Accept no substitutes, this is the real deal and now it is on DVD, hopefully others will get to discover what a hidden gem this series is.
Você sabia?
- CuriosidadesJohn Abineri would appear a decade later in Robin of Sherwood as Herne the Hunter.
- ConexõesFeatured in World of Robin Hood (2006)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Die Legende von Robin Hood
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração50 minutos
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente