AVALIAÇÃO DA IMDb
7,1/10
10 mil
SUA AVALIAÇÃO
Dois bandidos assediam, assaltam, roubam, assassinam, Marie-Ange, uma cabeleireira exausta e passiva, junta-se a eles como amante, cozinheira e mãe confessora, em sua própria busca de prazer... Ler tudoDois bandidos assediam, assaltam, roubam, assassinam, Marie-Ange, uma cabeleireira exausta e passiva, junta-se a eles como amante, cozinheira e mãe confessora, em sua própria busca de prazer sexual aparentemente inalcançável.Dois bandidos assediam, assaltam, roubam, assassinam, Marie-Ange, uma cabeleireira exausta e passiva, junta-se a eles como amante, cozinheira e mãe confessora, em sua própria busca de prazer sexual aparentemente inalcançável.
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Avaliações em destaque
I originally saw this film years ago during Cinemax Friday after dark series(back when the cable box was built like a keyboard),and it intrigued me. Even though there is a pointless aspect to the film it is well acted.The performances of Depardieu & Dewaere are very enjoyable.They have a good chemistry together & Miou-Miou makes a pink fur look breathtaking.A movie like this probably wouldn't be made in these politically correct times(at least not in the US), since it seems to sensationalize things like violence,robbery,& casual sex. This movie proves that with a talented cast & also talented directing a good movie is a good movie no matter the subject.It saddened me to find out Patrick Dewaere committed suicide & in the near future I,ll will check him out with Depardieu & Miou-Miou in Get Out Your Hankerchief.
Not so many people like the movies of Bertrand blier simply because they don't understand them. Simply because they are different kinds of people.
If you have not been living under a deep desperation intertwined with great personal hope it may be hard for you to enjoy the humor blier shown here.
And also the film of blier cannot be classified easily as black-comedy or cult etc. like those of pulp fiction etc. Because there is this delicacy which the audience of north-america frequently fail to appreciate.
When I looked at these two `hooligans' dining with Jeanne moreau in the seaside restaurant, I felt they were more gentil than any gentleman can have been.
The urge to make love wildly like these is the normal reaction we feel under the unbearable pressure of meaningless being-symbolized by the camion suddenly emerges at the Carrefour.
SO, les valseuses is much better a name than going places. To dance a valse you need to be elegant, but going places you don't.
If you have not been living under a deep desperation intertwined with great personal hope it may be hard for you to enjoy the humor blier shown here.
And also the film of blier cannot be classified easily as black-comedy or cult etc. like those of pulp fiction etc. Because there is this delicacy which the audience of north-america frequently fail to appreciate.
When I looked at these two `hooligans' dining with Jeanne moreau in the seaside restaurant, I felt they were more gentil than any gentleman can have been.
The urge to make love wildly like these is the normal reaction we feel under the unbearable pressure of meaningless being-symbolized by the camion suddenly emerges at the Carrefour.
SO, les valseuses is much better a name than going places. To dance a valse you need to be elegant, but going places you don't.
This is one a most famous movies of the French sexual empowerment of the seventies, starring Gerard Depardieu and Patrick Dewaere in extremely sarcastic roles. It is also one of the many dark psychological dramas of the seventies/eighties, such as "Serie Noire", "Buffet Froid", "Beau Pere", all realized by Blier.
However, I would like to correct the previous comment that was posted on the movie: the translated title in English is very far from the French version. It is true that both protagonists are "going places", but the title in French could be literally translated by "the waltz dancers", which is a metaphor for the movement of the testicles...
However, I would like to correct the previous comment that was posted on the movie: the translated title in English is very far from the French version. It is true that both protagonists are "going places", but the title in French could be literally translated by "the waltz dancers", which is a metaphor for the movement of the testicles...
I only lasted through fifteen minutes of this. The first scene has the two main characters - big strong guys - chasing a middle-aged woman around a block of flats and finally cornering her. The woman is prim and prissy and no-one I'd want to know. Her behaviour is as childish as theirs. But there's two of them and only one of her, and they're stronger than her. It really disturbs me that so many people seem to find this scene, and the ones that follow, funny. I think there's a big difference between being bourgeois and having some basic compassion for the human condition. In fact the emptiness of the main characters strikes me as at least as bourgeois in its way as the people who are into glossy cars and so on. Too bad, since I love Stephane Grappelli.
There will be people who are able to fully identify with our two main actors (and/or the main female in this), but there may also be some who can't really get their deal entirely. I don't think the characters are or should be role models. On the other hand, the struggle is real. If you are not able to see or have a goal, what do you do? Where do you go? How do you achieve satisfaction? (very much pun intended in this case).
Now having said that, the acting is more than rock solid and while there are cringe worthy scenes (some things feel like at least sexual harassment, until the female involved caves in, like in the train), viewers may experience them differently. Especially considering the free loving decade this was shot and made in. There's a vibe here that you have to accept. Some things are easier to swallow others not so much. But while there is a lot of innuendo and a lot of sexual situation (including a lot of nudity), this is not so much titilating as it is funny. Still more of a road movie/drama, this is quite the experience and voyage one takes with those mischiefs/small time crooks ...
Now having said that, the acting is more than rock solid and while there are cringe worthy scenes (some things feel like at least sexual harassment, until the female involved caves in, like in the train), viewers may experience them differently. Especially considering the free loving decade this was shot and made in. There's a vibe here that you have to accept. Some things are easier to swallow others not so much. But while there is a lot of innuendo and a lot of sexual situation (including a lot of nudity), this is not so much titilating as it is funny. Still more of a road movie/drama, this is quite the experience and voyage one takes with those mischiefs/small time crooks ...
Você sabia?
- CuriosidadesThe original French title is slang for "balls" (the testicular variety).
- Erros de gravaçãoTodas as entradas contêm spoilers
- Versões alternativasDespite being already rated "18" the German version is heavily cut, removing the following scenes:
- The rape of "Ursula" and the fight/chase sequence with the locals afterwards.
- The fight with the vigilantes after meeting Marie-Ange.
- Between getting a new car from the mechanic and looking for a doctor there's a sequence missing when Marie-Ange has sex with the mechanic.
- Hitting and driving over the store detective.
- The theft of two bikes from a farmhouse.
- Jean-Claude having sex with Pierrot just before leaving the beach house (this is later referred to by Pierrot when he says: "You surprised me, you bastard!")
- A longer sex scene between Jeanne, Jean-Claude and Pierrot after she starts to get down on Pierrot.
- In-between cuts of Marie-Ange being "educated" by Jacques, while Jean-Claude and Pierrot wait and fish outside the farmhouse.
- Jacqueline being "educated" by Jean-Claude, Pierrot and Marie-Ange.
- ConexõesFeatured in Drugoe Kino: Les valseuses (2006)
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- How long is Going Places?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 771.540
- Tempo de duração1 hora 58 minutos
- Mixagem de som
- Proporção
- 1.66 : 1
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