Truck Stop Women

After the infamous bubble bath slaughter sequence, TRUCK STOP WOMEN begins.

Rose (Claudia Jennings) is just a fun-loving gal, working for her mom, Anna (Lieux Dressler) at her truck stop / brothel.

Uh oh!

Mob types are trying to muscle in for a piece of the action! They can't resist the allure of the truck stop industry. Also, it seems that Rose has joined forces with these gangsters!

Now, it's the sex-starved country folk vs. The malevolent mafia! Much naked frivolity ensues.

If topless lasses are your forte, then you've just pulled into heaven! If instead, you're looking for a deep film, full of philosophical discussions, then you should have looked more closely at the title!

Fans of Ms. Jennings rejoice! She appears, and the angels doth sing! Is it hot in here?

PLUS: The theme song and soundtrack music are toe tapping awesomeness! And, who among us would pass up a chance to see any movie with Dennis Fimple in it?

EXTRA POINTS FOR: Anyone who can count the number of times the mobster known as Smith says, "Fuggettaboutit!"...

As these movies go, this one has it all. The basic plot is that a couple monsters are moving on the territory of a Truck Stop Brothel owner/hijacking operation manager and her daughter. Lots of corny dialogue, overacting, gratuitous t & a, and unrealistic shootouts. Strangely, the chase scenes and crashes are actually pretty good. I found it more entertaining than some similar era and style movies like caged heat.

I can't think of any titles that fit 1970s drive in movies better than "Truck Stop Women". It immediately brings to mind women, trucks, and bad acting. If it were not for Claudia Jennings, this film would have been long buried with the thousands like it. Besides the snappy title and Claudia Jennings, the movie does have some lively country and western songs, but that's about it. You get the expected nudity and truck chases, but surprisingly no explosions (guess it wasn't in the budget). "Truck Stop Women" is truly a 1970s curiosity, that has somehow survived. This will never be confused with a good movie, but is watchable right up to the surprise ending, due to the presence of Claudia Jennings. - MERK

this movie falls in to the"its so bad its good catergory" bad acting,terrible corny dialog,a first class laugh riot!! pick it up if you get a chance.

this film is blessed by the presence of the great john martino, and i couid never figure out why he disapeared after just a handful of movies,i thought he was great in this film,and as joey amato in capone, and of course paulie gatto in the godfather.

This is a pretty decent 70's drive-in flick featuring the undisputed queen of 70's drive-in cinema, Claudia Jennings. Claudia and her hard-as-nails mother run a truck-stop brothel in New Mexico which they use as a base to get information on valuable loads that they can later hijack by pretending to be stranded female motorists (the sight of Jennings in short-shorts or hot pants is obviously enough to make any male driver slam on his brakes), hitting the poor guys over the head, and stealing their trucks. Jennings grows tired of her domineering mother, however, and teams up with a slick East Coast Mafioso who is trying to take over the operation. This leads to a violent show-down between the rural hicks and the "citified" urban mobsters.

This movie contains a lot of violence, exciting car chases (actually semi-truck chases) and general rural mayhem. There is plenty of topless-ness (if an unfortunate dearth of bottomless-ness) by Claudia and her female cohorts. For some reason the main mobster played by John Martino is named "Smith" (perhaps because this was the era of the so-called "Italian-American Anti-Defamation League",ironically created by infamous mob boss Joe Colombo), but he is nevertheless still the complete Italian Mafia stereotype("Fuggedbaboutit"!). Busty bimbo Uschi Degert has her best role ever--she isn't fully dressed for one minute of it but doesn't utter a word of dialogue (lest viewers wonder what a thickly-accented Swedish immigrant is doing in rural New Mexico). Director Mark Lester does a good Cormanesque job of combining feisty feminism with gratuitous sexism (and frankly it's a lot more believable to see a woman like Jennings use her feminine wiles so she can conk a guy over the head with a crowbar than it is to see Peta Wilson or some other 100 lb. fashion model beating up musclebound guys three times their size with martial arts like in today's version of these faux feminist movies).

I would recommend ANY movie with Claudia Jennings, but this is one of her best