AVALIAÇÃO DA IMDb
7,8/10
5,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaVarious MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.Various MGM stars from yesteryear present their favorite musical moments from the studio's 50-year history.
- Prêmios
- 2 vitórias e 1 indicação no total
June Allyson
- June Allyson
- (cenas de arquivo)
Kay Armen
- Clip from 'Hit the Deck'
- (cenas de arquivo)
Ray Bolger
- 'Hunk'
- (cenas de arquivo)
- …
Virginia Bruce
- Clip from 'The Great Ziegfeld'
- (cenas de arquivo)
Jack Buchanan
- Clip from 'The Band Wagon'
- (cenas de arquivo)
Leslie Caron
- Lise Bouvier
- (cenas de arquivo)
- …
Carleton Carpenter
- Clip from 'Two Weeks with Love'
- (cenas de arquivo)
Avaliações em destaque
Extremely entertaining compilation film that looks back at classic MGM musicals. If I had any real complaint it would be the clips are mostly very short and it leaves you wanting to see more. Must have been even more frustrating in 1974 when that wasn't an option. It was nice seeing some of the (literally) old stars introduce the clips. It was especially nice to see the great MGM backlot one last time before it was torn down. But man, the sight of it in such disrepair made me kind of sad. The same sadness could be seen on the faces of some of the old stars as they walk around the lot, talking about how the old place doesn't look quite the same as when they made movies there. There's a wistful feeling throughout the film. Yes, it's a celebration of these great musicals but there's also this feeling of mourning for a bygone era.
This got big notice when it came out in the mid '70s. With the advent of VHS, you could provide the public with something like this: a collection of great song-and- dance scenes from classic films. In this edition (there were two more to come), we see highlights of MGM musicals from the 1920s through the 1960s. Most of them were the '30s through the '50s.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
MGM had many of the musical stars but not all, so you don't get Shirley Temple, Ruby Keeler, Dick Powell, Julie Andrews and others. However, you do get a ton of great performers like Fred Astaire, Judy Garland, Gene Kelly, Frank Sinatra, Mickey Rooney, Esther Williams and others. To use a cliché, this is a must-have for music fans. In addition to the above stars, who are remembered in some of their best scenes, you have the incredible sets of the Busby Berkeley movies.
At over two hours, there is a lot of great material in here.
In the mid-seventies, when MGM as a producing force in studio history was pretty much dead, a couple of researchers started to put together a compilation of the greatest moments from the birth of the talkie to Gigi's glut of Academy Awards at the end of the 1950s. The idea of this first 'That's Entertainment!' was to showcase the cream of the musicals, using a number of MGM's former contact stars (Frank Sinatra, Gene Kelly, Fred Astaire, Elizabeth Taylor, Mickey Rooney et al) to link segments together.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
The result was so breathtaking and brilliant that two further sequels followed; one almost immediately, and the third after a gap of twenty years, in time for MGM's seventieth birthday. This first compilation shows us sequences from 'An American In Paris', 'Singin' In The Rain', 'The Harvey Girls', 'Hollywood Revue', and on, and on. It has special segments devoted to Astaire, Kelly, Garland, Garland with Rooney, and, er, Esther Williams. It should give any viewer the appetite to seek out full movies they haven't seen, and to reflect with affection on those they have.
For anyone who longs to experience some of the great movie musical moments again, "That's Entertainment" is a Godsend. For anyone who hasn't seen many, or any, of the great MGM musicals and wants to know what made them great, "That's Entertainment" is a revelation. Either way, it's an entertainment extravaganza that can't be beat, and it's easy to see why it was the surprise movie hit of 1974.
In fact, I remember the first time I saw it. I was sixteen, and I saw it at a matinee showing, with my Mother, at the now-defunct Cooper Theater in Denver, Colorado. I think what amazed us the most about the film was that, after almost every number, the audience burst into prolonged applause. You'd think it was a concert instead of a movie! But that's the appeal that these timeless musical moments have. You don't just watch this movie, you're PART of it.
As Frank Sinatra says at the outset of the film, "You can wait around and hope, but you'll never see the like of this again."
An affectionate tribute to the great movie musicals that became a great movie musical itself. See it! See it! See it!
In fact, I remember the first time I saw it. I was sixteen, and I saw it at a matinee showing, with my Mother, at the now-defunct Cooper Theater in Denver, Colorado. I think what amazed us the most about the film was that, after almost every number, the audience burst into prolonged applause. You'd think it was a concert instead of a movie! But that's the appeal that these timeless musical moments have. You don't just watch this movie, you're PART of it.
As Frank Sinatra says at the outset of the film, "You can wait around and hope, but you'll never see the like of this again."
An affectionate tribute to the great movie musicals that became a great movie musical itself. See it! See it! See it!
I saw this movie occasionally on PBS when I was a kid and I bought the collector's edition of the entire series in '98 and each time I watch it I feel more and more nostalgic about the old Hollywood musicals-a genre of which we'll never see an equal. Gene Kelly, Judy Garland, Fred Astaire, Cyd Charisse, Leslie Caron, Eleanor Powell and Ann Miller are the stars who really show off their great talents in this production of selected clips which include highlights of "Broadway Melody of 1938", "The Wizard of Oz", "Meet Me in St. Louis", "An American in Paris", "Singin' in the Rain", "Seven Brides for Seven Brothers" and "High Society" among others. There's also a whole roster of legendary guest stars: Frank Sinatra, Elizabeth Taylor, Peter Lawford, James Stewart, Mickey Rooney, Donald O'Connor, Debbie Reynolds, Gene Kelly, Fred Astaire, Bing Crosby and even Liza Minelli just at the start of her career. They introduce some of the greatest moments in the history of the MGM Musical genre. It's great fun for anyone who loves the musicals of a gone-forever age.
Você sabia?
- CuriosidadesThe film was a revelation at the time of its release. The majority of the pre-1936 MGM film library had rarely been released to television, so clips from films such as Jeca de Hollywood (1930) and Hollywood Revue (1929) were shown for the first time since their original theatrical releases. For years, films such as Agora Seremos Felizes (1944) and Sinfonia de Paris (1951) had only been shown via worn, badly spliced prints late at night on independent TV stations. For this film, the vintage footage was meticulously restored and remastered for 70mm projection, making it look better than they did upon their original releases.
- Erros de gravaçãoAt the beginning of the film, Frank Sinatra says Hollywood Revue (1929) is the "first all-talking, all-singing, all-dancing movie ever made". In fact, it wasn't; the first was Melodia da Broadway (1929), which was released in February, nine months before "The Hollywood Revue" was released. Indeed, by the time of Era Uma Vez Em Hollywood, Parte III (1994), narrator Gene Kelly was now calling The Hollywood Revue of 1929, "one of the first all-talking, all-singing, all-dancing movies."
- Citações
Liza Minnelli: Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he?" or, "Who was she?" or, "What made them so good?" I think a piece of film answers that question better than any words I know of.
- Cenas durante ou pós-créditosProducer Jack Haley Jr.'s credit appears over a still image of his father, Jack Haley, as the Tin Man in the Wizard of Oz.
- Versões alternativasSome TV prints extend Bing Crosby's segment by adding the musical number "True Love" from "High Society" (1956).
- ConexõesEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- Trilhas sonorasThat's Entertainment
(1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
Performed by the M-G-M Studio Orchestra Conducted by Henry Mancini
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- How long is That's Entertainment!?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 3.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.890.200
- Faturamento bruto mundial
- US$ 26.890.729
- Tempo de duração
- 2 h 15 min(135 min)
- Cor
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