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IMDbPro

O Sequestro do Metrô

Título original: The Taking of Pelham One Two Three
  • 1974
  • 16
  • 1 h 44 min
AVALIAÇÃO DA IMDb
7,6/10
39 mil
SUA AVALIAÇÃO
POPULARIDADE
4.155
1.322
Walter Matthau and Robert Shaw in O Sequestro do Metrô (1974)
In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?
Reproduzir trailer2:27
1 vídeo
99+ fotos
AlcaparraComédia de humor negroAçãoCrimeSuspense

Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?

  • Direção
    • Joseph Sargent
  • Roteiristas
    • John Godey
    • Peter Stone
  • Artistas
    • Walter Matthau
    • Robert Shaw
    • Martin Balsam
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    39 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.155
    1.322
    • Direção
      • Joseph Sargent
    • Roteiristas
      • John Godey
      • Peter Stone
    • Artistas
      • Walter Matthau
      • Robert Shaw
      • Martin Balsam
    • 253Avaliações de usuários
    • 130Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 prêmios BAFTA
      • 3 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Fotos117

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    Elenco principal77

    Editar
    Walter Matthau
    Walter Matthau
    • Lt. Garber
    Robert Shaw
    Robert Shaw
    • Blue
    Martin Balsam
    Martin Balsam
    • Green
    Hector Elizondo
    Hector Elizondo
    • Grey
    Earl Hindman
    Earl Hindman
    • Brown
    James Broderick
    James Broderick
    • Denny Doyle
    Dick O'Neill
    Dick O'Neill
    • Correll
    Lee Wallace
    Lee Wallace
    • The Mayor
    Tom Pedi
    Tom Pedi
    • Caz Dolowicz
    Beatrice Winde
    • Mrs. Jenkins
    Jerry Stiller
    Jerry Stiller
    • Lt. Rico Patrone
    Nathan George
    Nathan George
    • Ptl. James
    Rudy Bond
    Rudy Bond
    • Police Commissioner
    Kenneth McMillan
    Kenneth McMillan
    • Borough Commander
    • (as Kenneth Mc Millan)
    Doris Roberts
    Doris Roberts
    • Mayor's Wife
    Julius Harris
    Julius Harris
    • Inspector Daniels
    Cynthia Belgrave
    • The Maid
    Anna Berger
    Anna Berger
    • The Mother
    • Direção
      • Joseph Sargent
    • Roteiristas
      • John Godey
      • Peter Stone
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários253

    7,639.4K
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    Avaliações em destaque

    9bkoganbing

    "Pelham 1-2-3 is in motion"

    One of my favorite films from the seventies is The Taking of Pelham One, Two Three because it's so New York. Of course the film was shot entirely on location in The Big Apple including the interiors which helped greatly. But more than that, the characters have all the New York flavor about them with one exception.

    The cat of course is led by Walter Matthau who plays a Transit Police Lieutenant. His character is a kind of combination of Archie Bunker and Detective Lennie Briscoe from Law and Order, in many ways not terribly admirable. He's also a transit cop and at that time the Transit Police were a separate entity. They were merged into the regular NYPD during the Giuliani administration.

    There's no real glory in the Transit Police, these guys were mostly charged with dealing with drunks and kids with loud boom boxes. If a homicide ever occurred the NYPD quickly took it over as they would in most situations. But this ongoing crisis on a train on the Lexington Avenue Local occurs on his watch and it's career make or break case that Matthau is very aware of. And he proves fully capable during the crisis.

    The crisis is four men, Robert Shaw, Earl Hindman, Hector Elizondo, and Martin Balsam mount a carefully planned assault on a subway train out of Pelham Bay station in the Bronx in mid-Manhattan and hold it and the passengers for ransom for a million dollars. The outsider to New York is Robert Shaw in one of his best roles, a former British army officer and mercenary. During the course of the robbery they kill a station supervisor played by roly poly Tom Pedi, one very quintessential New Yorker and their coldblooded villainy is established.

    In fact the whole cast is a microcosm of the ethnic strains of New York City which makes the film so enjoyable, especially to one who lived there, the first 49 years of his life. Even the mayor is portrayed as a weak, fumbling nonentity and back then our mayor was one Abraham D. Beame who was just that, probably one of the worst mayors the city ever had. Tony Roberts has a very good role as the tough as nails Deputy Mayor concerned about both his boss's political career and resolving the crisis.

    The Taking of Pelham One Two Three once the hijack is done is suspense filled and doesn't let up for a moment. I can't give the ending away, but the final shot of Walter Matthau's face as the end title music starts and the credits begin to roll is priceless.
    8M_Brown

    This was meant to be Carry On At Your Convenience...

    ... Thank Goodness it wasn't!

    I switched on me TV last night after an evening out and the opening credits of Pelham was just finishing. Not knowing the name of this film (the Carry On listing was clearly not being shown, perhaps the Producer-dude had a revelation of taste!) I began to watch it half-heartedly, whilst prostrate on the sofa.

    By the end of the movie, and that glorious last look from Matthau, I was sitting blot-upright with the biggest grin I've had on my face at 2am for a long time!

    What a flick! What a film! How good was this simple, little, under-rated, under-stated movie? Very.

    See this film, forgive it for being written in the 70-ties, in fact revel in that non-PC fact (the Chinese/Lady jokes are, retrospectively, quite amusing, in a non-Carry On way).

    They just don't make 'um like this anymore. Simple, sweet, suspense.
    8GregCnAZ-1

    My favorite crime drama of the '70s. Maybe ever.

    With all the other plot summaries written here, I won't go into what this film is all about. I just want to say that I don't believe this genre has been done better, either before or since. I first saw "Pelham 1,2,3" when I was 14 at a drive-in theater in Northern CA. It holds a memorable place for me as the first R rated movie I ever saw, as well as the first time I ever heard the "F" word in a movie. But way beyond that, I was so completely sucked into the story even at my young age. Now all these years later, I still am. I own the movie and must see it periodically. I'm so glad, reading all the other user comments, to find that I'm just one of many who absolutely love this film. Walter Matthau, Robert Shaw, Martin Balsam, and the rest of the cast are all brilliant. The comedy in the film is also outstanding and never out of place within the storyline. It simply serves to make the film more realistic. And last but not least, David Shire's score is the coolest. I only wish they had put a soundtrack out for this film. When I watch this movie, the music must be cranked.

    Don't bother catching this film on TV. It's always completely hacked up. Rent it or buy the DVD. It will remind you just how much fun movies used to be.
    8BA_Harrison

    Next stop: excitement and tension.

    The Taking of Pelham One Two Three is one of those films plundered by movie magpie Quentin Tarantino, the director stealing the whole 'criminals with colours instead of names' idea for his debut Reservoir Dogs. It's easy to see why Pelham would appeal to QT: it's a gritty '70s thriller with a cool cult following, focusing on a group of violent ne'er-do-wells who carry out a daring hijack on a New York subway train. The dialogue is snappy, the cast is excellent, and David Shire's music is big, bold, brassy and badass.

    Leading the hijackers is Robert Shaw, whose cold, calculating Mr. Blue is truly chilling; on the side of the law is Transit Police Lt. Zachary Garber, played by Walter Matthau, whose job it is to converse with the criminals whilst trying to figure out who they are and how they plan to make their escape. Much of the movie consists of exchanges of dialogue between the two men, but don't make the mistake of thinking this is a dull blab-fest: the tension runs high throughout, the race to deliver the ransom money against the clock being a particularly exciting highlight. And with one of the hijackers a dangerous loose cannon (Hector Elizondo's Mr. Grey, surely the inspiration for Michael Madsen's Mr. Blonde), the potential for the loss of innocent life is ever present.

    A thrilling final act sees the train speeding out of control with the terrified passengers still on board, the gang having disembarked between stations. Meanwhile, Garber and his men tighten the net, and one-by-one the hijackers pay for their crime, with one death proving very shocking indeed. The fun continues right up to the final frame, an amusing ending that is nothing to be sneezed at.
    8Xstal

    The Best Laid Plans...

    A subway train is hijacked by armed gang, Mr. Blue's the boss, he has an English twang, there's also Grey and Brown and Green, in car one they all convene, uncoupling the rest, that leaves eighteen. A dialogue begins, with those up top, Lt. Garber is a New York transit cop, who's informed by Mr. Blue, of the ransom they pursue, one million dollars is the price for hostage swap.

    Still a wonderful piece of filmmaking, Robert Shaw perfectly cast as Mr. Blue, the exchanges between him and Walter Matthau as Garber outstanding, all encompassed in a more than believable story that travels without interruption, all the way to the end of the line.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In a TVO (Ontario, Canada) interview, the producer said that this film did terrific box office in New York, Toronto, London and Paris--all cities with subways--but was considered a flop in the rest of the world.
    • Erros de gravação
      The relevant section of the Lexington Avenue Line includes curves sharp enough to have speed-controlled signals. As Mr. Green would have known, these cannot be cleared to green in advance of the train's arrival and will not clear if it is running away.
    • Citações

      Lt. Garber: [looking for the inspector] Inspector Daniels?

      Inspector Daniels: [identifying himself] Daniels.

      Lt. Garber: [realizing that Inspector Daniels is Black] Oh, I, uh, thought you were, uh, like a shorter guy or... I don't know what I thought.

    • Cenas durante ou pós-créditos
      Although many of the scenes in this film were taken on transit property, the New York City Transit Authority is not responsible for plot, story and characters portrayed. The Authority did not render technical advice and assistance.
    • Conexões
      Edited into Superman III (1983)

    Principais escolhas

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    Perguntas frequentes22

    • How long is The Taking of Pelham One Two Three?Fornecido pela Alexa
    • Why are the passengers specifically designated in the credits but not in the movie itself?
    • What is 'The Taking of Pelham One Two Three' about?
    • Is "The Taking of Pelham" based on a book?

    Detalhes

    Editar
    • Data de lançamento
      • 2 de outubro de 1974 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • El tomar de Pelham uno dos tres
    • Locações de filme
      • Gracie Mansion, Manhattan, Nova Iorque, Nova Iorque, EUA(mayor's home - exteriors)
    • Empresas de produção
      • Palomar Pictures International
      • Palladium Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 5.000.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 357
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 44 min(104 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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