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IMDbPro

O Sequestro do Metrô

Título original: The Taking of Pelham One Two Three
  • 1974
  • 16
  • 1 h 44 min
AVALIAÇÃO DA IMDb
7,6/10
40 mil
SUA AVALIAÇÃO
POPULARIDADE
4.191
698
Walter Matthau and Robert Shaw in O Sequestro do Metrô (1974)
In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?
Reproduzir trailer2:27
1 vídeo
99+ fotos
AlcaparraComédia de humor negroAçãoCrimeSuspense

Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?Homens armados em Nova York sequestram um vagão do metrô e exigem resgate aos passageiros. Mesmo que seja pago, como eles poderiam fugir?

  • Direção
    • Joseph Sargent
  • Roteiristas
    • John Godey
    • Peter Stone
  • Artistas
    • Walter Matthau
    • Robert Shaw
    • Martin Balsam
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    40 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.191
    698
    • Direção
      • Joseph Sargent
    • Roteiristas
      • John Godey
      • Peter Stone
    • Artistas
      • Walter Matthau
      • Robert Shaw
      • Martin Balsam
    • 254Avaliações de usuários
    • 130Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 prêmios BAFTA
      • 3 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Fotos117

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    Elenco principal77

    Editar
    Walter Matthau
    Walter Matthau
    • Lt. Garber
    Robert Shaw
    Robert Shaw
    • Blue
    Martin Balsam
    Martin Balsam
    • Green
    Hector Elizondo
    Hector Elizondo
    • Grey
    Earl Hindman
    Earl Hindman
    • Brown
    James Broderick
    James Broderick
    • Denny Doyle
    Dick O'Neill
    Dick O'Neill
    • Correll
    Lee Wallace
    Lee Wallace
    • The Mayor
    Tom Pedi
    Tom Pedi
    • Caz Dolowicz
    Beatrice Winde
    • Mrs. Jenkins
    Jerry Stiller
    Jerry Stiller
    • Lt. Rico Patrone
    Nathan George
    Nathan George
    • Ptl. James
    Rudy Bond
    Rudy Bond
    • Police Commissioner
    Kenneth McMillan
    Kenneth McMillan
    • Borough Commander
    • (as Kenneth Mc Millan)
    Doris Roberts
    Doris Roberts
    • Mayor's Wife
    Julius Harris
    Julius Harris
    • Inspector Daniels
    Cynthia Belgrave
    • The Maid
    Anna Berger
    Anna Berger
    • The Mother
    • Direção
      • Joseph Sargent
    • Roteiristas
      • John Godey
      • Peter Stone
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários254

    7,639.6K
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    Avaliações em destaque

    8Xstal

    The Best Laid Plans...

    A subway train is hijacked by armed gang, Mr. Blue's the boss, he has an English twang, there's also Grey and Brown and Green, in car one they all convene, uncoupling the rest, that leaves eighteen. A dialogue begins, with those up top, Lt. Garber is a New York transit cop, who's informed by Mr. Blue, of the ransom they pursue, one million dollars is the price for hostage swap.

    Still a wonderful piece of filmmaking, Robert Shaw perfectly cast as Mr. Blue, the exchanges between him and Walter Matthau as Garber outstanding, all encompassed in a more than believable story that travels without interruption, all the way to the end of the line.
    8jckruize

    Much imitated, never bettered.

    Modern tough-guy filmmakers like Quentin Tarentino acknowledge their debt to this pedal-to-the-metal thriller, directed by Joseph Sargent from John Godey's bestseller. Walter Matthau is a hoot as the savvy NY transit cop who's smarter than he looks, well-matched by Robert Shaw as the icy mercenary whose gang has hijacked a subway car for a one-million-dollar ransom.

    This film's been imitated so often because its makers were really at the top of their game. Owen Roizman (THE FRENCH CONNECTION) handled the gritty location photography; scripter Peter Stone contributed terse, funny dialogue; scene-stealers like Martin Balsam, Jerry Stiller, Dick O'Neill and others made their roles indelible; and David Shire's percussive score set a standard for the genre.

    The ending is classic. When you have Matthau as your star, this is how to end your movie.
    9ntvnyr30

    Another example of why the 70's was the finest decade for films.

    It is my belief that the finest era for films was the 1970's. Consider all the classics that were produced in that era (Godfather I and II, Patton, The Sting, Jaws, Mean Streets, The Exorcist, The French Connection, Star Wars etc). My belief was recently validated by Jodie Foster, who essentially said the same thing. One of the reasons why the films were great was that the directors were ostensibly in control of the films, rather than by a committee of the usual Hollywood "insiders" who think they know what people want to see, but rarely make the correct decisions.

    I know that this film was re-made( for TV)--God knows why--but I'm sure if they attempted another film version Matt Damon would be playing the grizzled transit police cop (Matthau's role) and Jude Law would be playing the Robert Shaw role. That's another reason why the original and other films of the 70's were so great: the casting was more believable. Today Hollywood is so incredibly youth-obsessed that actors are completely miscast.

    I am not stating that this is another 70's classic, but even this film is far superior to many of today's films. And yet, I'll bet you couldn't find "Pelham" in your local video store.

    I love several things about this film. The first thing to hit you is that wonderful, funky score that in some parts sounds like controlled chaos. I love the script, which is not completely dark despite the underlying theme, as there are some very funny moments throughout the film: for instance, the chagrined look on Matthau's face when he discovers the Japanese visitors can speak English.

    There are many examples of mistaken identity in this film: the supervisor who is gunned down is called "goombah", but he isn't Italian; Matthau thinks the black police captain is white over the radio; Matthau mistakes the long-haired undercover cop (who was shot on the train tracks) for a female. I also love the character who plays the mayor, who unbelievably bears a striking resemblance to Mayor Koch, who was elected 3 years later!!!! All in all a great action film, and one that will hold up for years.

    Addendum: Well, they're doing it--they're re-making this film because Hollywood is almost completely bereft of new ideas (see "Josie and the Pussycats" "Bewitched" the upcoming "I Dream of Jeannie"). I half-expect they will remake "The Paper Chase" next with P.Diddy as Professor Kingsfield.
    stevenfallonnyc

    Great NYC flick

    I am biased a little with this film to begin with, as I live in NYC and am a big subway fan. So a gritty 70's flick that takes place in a NYC subway sounds good to me! But the truth is, this film is a great film full of extremely talented actors with a dynamite story. Shaw and Matthau are the obvious stars with everyone else putting in a good co-starring role.

    The story takes place on the "6" train no less, which happens to be my fave subway line! It was a great surprise when I found the DVD for only ten bucks, I would have paid a normal price. And the quality of the DVD transfer is VERY nice. The film, though a bit brutal sometimes, even has some decent humor, even the ending is kinda funny, but perfect. I recently watched this on TV, just to compare the two versions and see where all the cuts and edits were. You can't go wrong with this film.
    8M_Brown

    This was meant to be Carry On At Your Convenience...

    ... Thank Goodness it wasn't!

    I switched on me TV last night after an evening out and the opening credits of Pelham was just finishing. Not knowing the name of this film (the Carry On listing was clearly not being shown, perhaps the Producer-dude had a revelation of taste!) I began to watch it half-heartedly, whilst prostrate on the sofa.

    By the end of the movie, and that glorious last look from Matthau, I was sitting blot-upright with the biggest grin I've had on my face at 2am for a long time!

    What a flick! What a film! How good was this simple, little, under-rated, under-stated movie? Very.

    See this film, forgive it for being written in the 70-ties, in fact revel in that non-PC fact (the Chinese/Lady jokes are, retrospectively, quite amusing, in a non-Carry On way).

    They just don't make 'um like this anymore. Simple, sweet, suspense.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In a TVO (Ontario, Canada) interview, the producer said that this film did terrific box office in New York, Toronto, London and Paris--all cities with subways--but was considered a flop in the rest of the world.
    • Erros de gravação
      The relevant section of the Lexington Avenue Line includes curves sharp enough to have speed-controlled signals. As Mr. Green would have known, these cannot be cleared to green in advance of the train's arrival and will not clear if it is running away.
    • Citações

      Lt. Garber: [looking for the inspector] Inspector Daniels?

      Inspector Daniels: [identifying himself] Daniels.

      Lt. Garber: [realizing that Inspector Daniels is Black] Oh, I, uh, thought you were, uh, like a shorter guy or... I don't know what I thought.

    • Cenas durante ou pós-créditos
      Although many of the scenes in this film were taken on transit property, the New York City Transit Authority is not responsible for plot, story and characters portrayed. The Authority did not render technical advice and assistance.
    • Conexões
      Edited into Superman III (1983)

    Principais escolhas

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    Perguntas frequentes22

    • How long is The Taking of Pelham One Two Three?Fornecido pela Alexa
    • Why are the passengers specifically designated in the credits but not in the movie itself?
    • What is 'The Taking of Pelham One Two Three' about?
    • Is "The Taking of Pelham" based on a book?

    Detalhes

    Editar
    • Data de lançamento
      • 2 de outubro de 1974 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • El tomar de Pelham uno dos tres
    • Locações de filme
      • Gracie Mansion, Manhattan, Nova Iorque, Nova Iorque, EUA(mayor's home - exteriors)
    • Empresas de produção
      • Palomar Pictures International
      • Palladium Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 5.000.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 357
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 44 min(104 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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