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IMDbPro

O Porteiro da Noite

Título original: Il portiere di notte
  • 1974
  • R
  • 1 h 58 min
AVALIAÇÃO DA IMDb
6,6/10
16 mil
SUA AVALIAÇÃO
Charlotte Rampling and Dirk Bogarde in O Porteiro da Noite (1974)
Max (Dirk Bogarde) is a night porter in a Vienna hotel in the 1950's. When beautiful Lucia (Charlotte Rampling) checks in, they recognise each other from a terrible past; Max was an SS officer in a Nazi concentration camp who had abused and tortured then teenage Lucia, a prisoner. Lucia is travelling with her husband, an orchestra conductor and when he leaves to continue his tour, Lucia stays behind as she and Max find themselves compelled to renew their former, intense, sadomasochistic relationship. Max is reluctant member of a group of former SS who are ruthlessly covering up their pasts. They soon consider Lucia a threat and urge Max to hand her over. He refuses and hides our with Lucia, while his former comrades enact their threats.
Reproduzir trailer1:07
2 vídeos
99+ fotos
DramaDrama psicológico

Depois de um encontro casual em um hotel em 1957, a sobrevivente do Holocausto Lucia e o oficial nazista Max, quem a torturava, retomam seu relacionamento sadomasoquista.Depois de um encontro casual em um hotel em 1957, a sobrevivente do Holocausto Lucia e o oficial nazista Max, quem a torturava, retomam seu relacionamento sadomasoquista.Depois de um encontro casual em um hotel em 1957, a sobrevivente do Holocausto Lucia e o oficial nazista Max, quem a torturava, retomam seu relacionamento sadomasoquista.

  • Direção
    • Liliana Cavani
  • Roteiristas
    • Liliana Cavani
    • Italo Moscati
    • Barbara Alberti
  • Artistas
    • Dirk Bogarde
    • Charlotte Rampling
    • Philippe Leroy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    16 mil
    SUA AVALIAÇÃO
    • Direção
      • Liliana Cavani
    • Roteiristas
      • Liliana Cavani
      • Italo Moscati
      • Barbara Alberti
    • Artistas
      • Dirk Bogarde
      • Charlotte Rampling
      • Philippe Leroy
    • 116Avaliações de usuários
    • 80Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos2

    Night Porter Trailer
    Trailer 1:07
    Night Porter Trailer
    Il Portiere Di Notte: Bathroom
    Clip 1:10
    Il Portiere Di Notte: Bathroom
    Il Portiere Di Notte: Bathroom
    Clip 1:10
    Il Portiere Di Notte: Bathroom

    Fotos141

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 134
    Ver pôster

    Elenco principal22

    Editar
    Dirk Bogarde
    Dirk Bogarde
    • Max [Maximilian Theo Aldorfer]
    Charlotte Rampling
    Charlotte Rampling
    • Lucia
    Philippe Leroy
    Philippe Leroy
    • Klaus
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Hans
    Giuseppe Addobbati
    Giuseppe Addobbati
    • Stumm
    Isa Miranda
    Isa Miranda
    • Countess Stein
    Nino Bignamini
    Nino Bignamini
    • Adolph
    Marino Masé
    Marino Masé
    • Atherton
    • (as Marino Mase')
    Amedeo Amodio
    • Bert
    Piero Vida
    Piero Vida
    • Day Porter
    Geoffrey Copleston
    • Kurt
    Manfred Freyberger
    • Dobson
    • (as Manfred Freiberger)
    Ugo Cardea
    • Mario
    Hilda Gunther
    • Greta
    Nora Ricci
    Nora Ricci
    • The Neighbor
    Piero Mazzinghi
    • Concierge
    Kai-Siegfried Seefeld
    • Jacob
    • (as Kai S. Seefeld)
    Anthony Forwood
    Anthony Forwood
    • Opera Audience
    • (não creditado)
    • Direção
      • Liliana Cavani
    • Roteiristas
      • Liliana Cavani
      • Italo Moscati
      • Barbara Alberti
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários116

    6,615.8K
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    Avaliações em destaque

    7zetes

    Very flawed but interesting and often beautiful film

    It's easy to dismiss a film like this or Salo or In the Realm of the Senses as garbage. It's too easy, in fact, and not very fair. These films are all very interesting, if you can take them. And, if you can't stand the heat, hey, stay out of the kitchen.

    Among the ranks of what I'll call the Artsploitation flick, The Night Porter is rather tame. There are only a couple of hardcore sex scenes, and there are really only two scenes with nudity.

    What I like about this film is, first and foremost, the performance by Dirk Bogarde. The subtle guilt and shame he projects is simply amazing. He really builds a three dimensional character, and mostly without dialogue. Other performers are weaker. Charlotte Rampling, his captive, gives a very uneven performance. Sometimes it seems on the money, other times it seems forced, or blank. None of the others are really worth mentioning, except for that one actor's ballet dancing, which is quite remarkable.

    Cavani's direction is sensuous. I saw this film for the second time today,

    and I had failed to notice before that it was directed by a woman. Unfortunately, that doesn't affect my reading of the film any, but it is interesting. This definitely seemed like a male project. Cavani's direction has a certain grace, a certain elegance. The film contains several scenes that could be called masterpieces in the midst of a lesser work. My favorite in the entire film is the one where Lucia locks herself in the bathroom, breaks a bottle in front of the door, and then allows Max to run in after her. This scene is so marvelously directed, it would work particularly well when seen as a separate entity. The famous nude cabaret song, the one depicted on the Criterion cover, is also exquisite.

    Technically, it is perfect. The cinematography is beautiful, as I've mentioned. The musical score is also gorgeous. It's possibly one of the greatest. The biggest failure of the film is definitely its script. The story is very difficult to follow. It's never clear exactly what has happened since the war, and what these former Nazis are doing in Vienna. It's also unclear what exactly the trials are that are always being brought up. And I'm not sure what they are afraid of, what they originally plan to do with Lucia, or anything like that. Or why they can't break into Max's apartment again. A lot of this stuff seems silly. I would have also liked Lucia's character better developed. We get the sense that she accepted Max's advances so quickly so that she could get his protection, which she receives in that biblical dance scene. I want more yet. With Max so well developed, Lucia feels somewhat like an object for the plot.

    I rate this a high 7/10.
    nicolegilbert

    I can't get this out of my head!

    I saw this film quite by accident last night on IFC and have been walking around in a state of near tears ever since. What really struck me about the story was not the sadomasochistic aspect which I actually found to be rather minor, (He slaps her around a bit and there is a scene where she is chained to a bed), but rather the tenderness and love shown by Max. He calls her "his little girl" throughout the movie and indeed that seems to be the most accurate description of his feelings. I couldn't help thinking of Lolita and indeed it is a similar idea. In both stories the man is both the tormentor and the tormented. Because he is in a position of absolute power of course he is the exploiter, but also it is almost as though he is held captive by "her", the illusive girl/child/women he want to both take care of the way one would a daughter and also penetrate like a lover. And in both stories this proves of course to be impossible as the mans very nature (in one case he is a pedophile, in another a Nazi) prevents it from being so.
    michelerealini

    Shocking without being vulgar. A gem.

    In some ways this film is still very shocking. Although it is neither violent nor vulgar, the situation is disturbing and violent -actually it's something we DON'T see with our eyes: a psychological violence.

    Some years after the end of Second World War, a woman meets in a hotel her jailer during her concentration camp period. He was an SS officer, now he's a night porter. With him she re-starts a relationship made of attraction and sadomasochism.

    The film is shocking because it describes an insane situation, led by two insane people. These are the disturbing elements of the film, because spectators don't feel well in seeing that. The atmosphere has something very icy and miserable. I think it's precisely Liliana Cavani's goal: a study of insanity, without self-indulgence.

    After 30 years "Night porter" remains a gem. An intelligent movie, full of provocation. Charlotte Rampling and Dirk Bogarde are extraordinary.
    9KuRt-33

    A movie that dares

    Even though I was planning to watch something else that Saturday night, I came across BBC2 where "The Night Porter" was on and saw it once again. The first time I saw the movie I was a bit disappointed. I had heard so much about this movie that the film couldn't live up to my high expectations. But some scenes found a place in the back of my mind and stayed there. The second time I saw it I was intrigued more and more and ever since I see it as the classic it should be.

    If ever there was a difficult movie, it was "The Night Porter". The pace is slow and the characters are all weird. There aren't many movies where you get a homosexual Nazi wanting to be a ballet dancer and a sadistic Nazi still in love with love with a masochistic girl from the camps. (There's more, but I don't want to spoil the plot.) Only a spark of the plot could have been the subject for lots of raunchy exploitation movies, but "The Night Porter" manages to keep its class. The movies is set years after the war. Some Nazis were fortunate enough not to be caught and got on with their lives. Unfortunately one person has survived the camps as well. She immediately recognizes Max (Dirk Bogarde), her cruel S&M-master, and he (now a night porter in a hotel) recognizes her (Charlotte Rampling) as well. The only problem is that the other living Nazis cannot know she's still alive, or they would assassinate her. The passion between Max and his former slave returns and the Nazis find out about their relationship. Max tries to keep her out of their hands, so madly in love that he wants to die for her. (Again, more information would spoil the movie.)

    "The Night Porter" is one of the few movies where S&M-relationships aren't immediately reduced to a bunch of idiots and losers playing around with whips and leather masks. It also dares to show you other Nazis than the Pavlovian dogs you normally get to see. And above all it stars Charlotte Rampling as Lucia. Watch her as she performs the dance of Salomé and gets a present from Max (know your Bible and have an idea of what's to come). Watch her face and her near-skeletonlike body very closefully: that is how you should act disgust. Watch her as she locks herself in the bathroom and tries to hurt Max's foot with some glass. Listen to the music, the perfect addition to this murky movie.

    Due to the difficulty of the movie it'll never raise above its status as cult classic and actually that's a shame. Be brave and try it.
    Fannygirl

    This film explores the mystery of human relationship in extraordinary circumstances

    On the surface, THE NIGHT PORTER will be at a minimum, politically incorrect to some, repugnant and perverse to others. How can one find redeeming virtue in the sado-masochistic affair between a former S.S. Officer and concentration camp survivor who chance to encounter one another after the war and resume their "affair?" But indeed, the power of this film is in that very choice. Charlotte Rampling's postwar concert pianist is beautiful, refined, successful and married. Dirk Bogard's former S.S. officer is resigned to quietly living out his days incognito as a night porter in a hotel, secretly preserving his true identity and trying to avoid detection by authorities. In his servile role as a night porter, it's hard to believe he was ever in a position of power over anyone else. But we see in flashbacks what he became when he did have that power, and it isn't pretty. Yet, as E.M. Forster said, "Only connect." And therein lies the mystery. For no matter how one points a finger at these lovers and declares them to be "sick," they are indeed lovers and their attraction to one another compels them to act in spite of the danger to both of them. I believe this is one of the most intriguing stories of human connectedness you will ever see! If you can get past the impulse to respond like the rest of the pack, you may get a glimpse at the mystery of the human condition.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Sir Dirk Bogarde considered retiring from acting after making this movie, which he found to be a draining experience.
    • Erros de gravação
      In the flashbacks, Max is wearing the War Merit Cross First Class with Swords upside down on his SS uniform.
    • Citações

      Hans: I'm only here to ask you some questions on behalf of myself and the others, and to have a look at you. Look, I could have come at another time to see him too, but, I don't need to speak to him. I don't need to speak to him... in front of you. Useless. With this business of the trial, he's... become too diffident.

      Lucia: He's right.

      Hans: What do you mean?

      Lucia: Because then for the first time he saw you all clearly. Nothing's changed, has it?

      Hans: You're wrong. We've all had our trials. Now we are cured and live in peace with ourselves.

      Lucia: There's no cure.

      Hans: It is you who are ill. Otherwise, you wouldn't be with somebody who made you...

      Lucia: That's my affair.

      Hans: Very well. But nevertheless, your mind is disturbed. That's why you're here, fishing up the past.

      Lucia: Max is more than just the past.

      [Lucia crawls under a table]

      Hans: Listen. Why don't you go to the police? If you want to, I'll take you. Hm?

      Lucia: Dr. Fogler, I remember you so well. You gave a lot of orders.

      Hans: Then you can't have forgotten that your Max was an obedient Sturmscharführer. Remember?

      Lucia: I don't remember.

      Hans: I certainly can't oblige you to remember if you don't want to.

      [clears his throat]

      Hans: I'm only here to ask you to testify, to find out... if the situation in which you find yourself is of your own choice.

      Lucia: I'm all right here.

      Hans: Yes. You both want to live in peace, right? One lives in peace... when one is in harmony with one's close friends, when one respects an agreement. Tell Max that. We could have denounced him to the police for the murder of Mario. But we didn't. Max is ill. He mustn't be too far away from us! He's locked you up here. We could go to the police about that, too, no?

      Lucia: I'm here of my own free will. This chain is because of you, so none of you can take me away.

      Hans: If we wanted to carry you off, would this chain stop us? You poor fool. A chain can be cut. None of us is thinking of violence.

      Lucia: Hmm, I know how your, your witnesses end up. Max told me.

      [Lucia crawls out from under the table, away from Hans]

      Hans: Max doesn't know what he's saying or doing. His mind is disordered.

      Lucia: [crawling into the bathroom] Get out. Go away. Go away!

      [slams the door]

      Hans: If you change your mind, if the chain grows heavy... call me.

    • Conexões
      Edited into Bellissimo: Immagini del cinema italiano (1985)
    • Trilhas sonoras
      Don Juan
      (uncredited)

      Music by Christoph Willibald Gluck

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    Perguntas frequentes17

    • How long is The Night Porter?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 3 de abril de 1974 (França)
    • Países de origem
      • Itália
      • França
    • Idiomas
      • Inglês
      • Alemão
      • Latim
    • Também conhecido como
      • Portero de noche
    • Locações de filme
      • Via Tuscolona, Roma, Lazio, Itália(concentration camp)
    • Empresas de produção
      • Lotar Film Productions
      • Les Productions Artistes Associés
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 633.298
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 58 min(118 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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