007 Contra o Homem com a Pistola de Ouro

The year after Roger Moore first appeared in the role of James Bond in 1973's "Live and Let Die", marking the beginning of his twelve-year stint in the role, he returned for the ninth film in the franchise, and his second of seven. Recently, knowing that this wasn't the most widely praised of all the official Bond films, I watched it with fairly low expectations, but I think my expectations were at least slightly surpassed. Like the first film starring Moore, this one didn't blow me away consistently, but I found a lot of it entertaining, mostly later in the film (if it wasn't for that, I doubt I could rate it any more than a 6/10).

Francisco Scaramanga is a renowned hit-man who uses a golden gun with golden bullets, which is why he is known as "the man with the golden gun"! MI6 receives a golden bullet with "007" on it, which suggests that James Bond is Scaramanga's next target! Because of this threat, M decides to dismiss Bond from his duties until the problem is solved. Nonetheless, Agent 007 sets out in search for Scaramanga, and during his search, he witnesses the assassination of a man who turns out to be a scientist creating a device that can harness the sun's power! Bond must track down this machine, and on his mission, he must go through Andrea Anders (Scaramanga's mistress), and Nick Nack (the hit man's servant), as he is assisted on the mission by Mary Goodnight, a mission which eventually leads to a showdown between the secret agent and his main foe!

Like "Live and Let Die", this one has some tedious moments, unsurprisingly, and for a while, it seemed to me that it was turning out to be slightly inferior to Moore's first Bond film, but like I said, I was more impressed later in the film, with a decent amount of suspense and humour. They brought back Sheriff J.W. Pepper, the stereotypical Southerner introduced in "Live and Let Die", for comic relief in this movie. The character made me laugh in the 1973 Bond film, once again gave me some laughs this time, and as I stated in my comment on the first film featuring him, I don't see why I should feel guilty for finding Sheriff J.W. Pepper amusing if I'm willing to laugh at Canadian stereotypes. One very memorable sequence is where Bond chases after a car with Pepper inside with him, which is both suspenseful AND humorous (humourous thanks to the presence of Pepper). After that, a lot of suspense takes place on the island.

Like "Live and Let Die", this second Bond film starring Roger Moore is rather polarizing with Bond fans, but both films, while not the best, I have found to be reasonably satisfying, and in my opinion, while Moore can't quite match Sean Connery (the first actor to play Ian Fleming's famous character, as I'm sure you know), he was a decent replacement, unlike George Lazenby, who was only in one film in the franchise (1969's "On Her Majesty's Secret Service"), in between Connery's last two (1967's "You Only Live Twice" and 1971's "Diamonds Are Forever"). Christopher Lee is also impressive as the main villain in this particular movie. So, while I wouldn't watch "The Man with the Golden Gun" expecting to be blown away, I would say it's worth watching, though some would obviously disagree.

I first saw this in the early 90s on a vhs n enjoyed it then, specially with the inclusion of Lee as the villain, living extravagant lifestyle on a secluded island. The duel/showdown kinda reminded me of the western films i grew up on. Revisited it recently n found it to be entertaining.

This is the ninth in the Bond series and the second to star Roger Moore as James Bond. This time Bond is temporary relieved of his duties by M due to the threat to Bond's life by an assassin known as Scaramanga (Christopher Lee) but Bond sets out unofficially to locate Scaramanga n on a mission to recover Solex Agitator, a breakthrough technological device crucial to solving the energy crisis with solar power.

This time Bond faces a dangerous assassin, Scaramanga n his all-round personal assistant, butler, housekeeper, chef n trusted henchman known as Nick Nack. Bond also faces several kung fu fighters.

This time Bond gets to cool off with Britt Ekland, a dumb blonde with amazing tight abs n luscious lips n Maud Adams. He also gets to cool off his eyes when he flirts with a completely naked Francoise Therry in a swimming pool n gets to kiss the toned belly of Carmen du Sautoy.

Some info about Scaramanga from the book, he worked as an enforcer for the Spangled Mob, worked as a pitboy at the casino of Tiara Hotel in Las Vegas, while in fact he was executioner of cheats and other transgressors within and outside the gang. In the book he is nicknamed as Pistols n also called Paco. In the book, it is also hinted that Scaramanga is a latent homosexual but in the movie he is shown to have an attractive mistress around.

The killer Scaramanga (Christopher Lee) uses a special golden gun for his assignments and has a rare birthmark on his chest. That's about the only things the movie has in common with the novel which played in the Caribbean region whereas the movie takes us to Thailand where Scaramanga secretly works with solar energy. Casting Herve Villechaize was an attempt to create a sidekick for Scaramanga like Oddjob had been to Goldfinger - a bit too silly in the end. Being a child of its time, "The Man With the Golden Gun" couldn't resist some kung fu - you see better martial arts in Hong Kong productions, though. Somehow parts of the movie seem too artificial, especially the mirror labyrinth where Scaramanga likes to practice the art of killing. But the beautiful islands will stick to your memory, and there is the most fabulous car stunt so far! There's an interesting promo photo for the movie, by the way: Lee and Moore back to back, gun in hand. This is not just a duel, this is also illustrating the idea of Scaramanga being a "dark Bond", his mirror image as a bad guy with the same skills, but different ideology. "We have so much in common, Mr Bond", Scaramanga says. "Ours is the loneliest profession."

This is Roger Moore's second time portraying Agent 007, where he meets hit man Scaramanga (Christopher Lee), aka the Man with the Golden Gun. Bond decides to go track down Scaramanga and find a device that can make harnessing the sun's energy possible.

Moore continues to give us his own unique brand portraying James Bond, but staying true to the character with his armor of wits, quick one-liners and cynicism. The action scenes are in abundance, and some exciting car chases, including the one in the streets of Bangkok.

Bond had some unforgettable chemistry with Bond girls Goodnight (Britt Eklund) and Andrea (Maud Adams), a trademark role in his seductive yet charming ways with the Bond Girls. Somehow, the writers saw it was fitting to squeeze in the loud-mouth character Sheriff Pepper (Clifton James), whom I thought was out of place for a spy movie. He was borderline annoying, but other more memorable characters like Hip (Soon-Tek Oh) made up for this flaw. And, to cap it off, there is an exciting cat-and-mouse chase leading to the climax of the film, keeping the audience engaged in this two-hour-plus movie.

Overall, another descent Bond film, which I thought wasn't as good as the Live and Let Die (the first 007 adventure with Moore), but certainly one to enjoy on a Saturday night.

Grade B

Often cited as one of the worst James Bond films, THE MAN WITH THE GOLDEN GUN is one of my favorite of the series. Though I've seen every 007 films, some several times, I cannot describe myself as being an avid fan, so I can't be bothered with who was the best Bond and which film was most faithful to the books and which Bond girl was the best, etc. Differentiating one Bond film from the next is almost like differentiating one Twinkie from another Twinkie: simply put, it's formula film-making. With GOLDEN GUN, I can sorta see why some might think it's not up to the usual 007 extravaganza: it just doesn't follow the formula like other Bond films. There are no gadgets here and the ending is not as spectacular as other Bond flicks or some characters (the sheriff) might seem trite but of all other 007 adventures, this is the most down to earth one. I love the fact that there's no huge battle at the climax or ridiculous gadgets (the invisible car in DIE ANOTHER DAY, for example). This a Bond adventure that can actually be described as being sorta believable, which is no mean feat.

What's remarkable about GOLDEN GUN is the cinematography. The composition, the natural colors, the realism of it all. I've just watched the latest DVD edition and the image is clear and beautiful. Gone is the grubby cinematography of LIVE AND LET DIE. But it's also not as super-slick as other Bond made before or after this one. It's an odd thing to cite beautiful cinematography for such a commercial project as this one. The most stunning scenes are at the end, when Bond flies to Scaramanga's secret base.

The other great thing about GOLDEN GUN is casting Christopher Lee as Scaramanga. It's his best role/performance ever. And he's the best villain in any 007 film. Scaramanga is a real character, not a cartoon villain like 90% of Bond villains. The fact that the story is about two men going mano a mano is also a nice change from the tired "villain who wants to dominate the world" plot line. Casting Lee as Scaramanga was a stroke of genius. He's what makes THE MAN WITH THE GOLDEN GUN so memorable.

Lastly, the other memorable element is John Barry's score. It's one of his most evocative for a James Bond film. When I hear it, I can't get it out of my mind.

As Bond girls, Britt Ekland and Maud Adams are absolutely gorgeous. Though Adams' acting can be described as stiff, she's one of the classiest and is the saddest Bond girl ever (her actions propel the story) while Ekland is funny as the ditsy operative. The belly dancer at the beginning was, hmm, scary looking though.

The film's biggest weak points are: the script, which is sorely underwritten in some spots; the re-introduction of JW Pepper character, which even if he's quite funny here, is just too improbable; and the blatant AMC product placement. The last two points almost make GOLDEN GUN "jump the shark" but after the excellent climax, all is forgiven.

But the big glaring mistake in THE MAN WITH GOLDEN GUN, and probably the main reason why so many Bond fans don't like this film, is the fact that Bond doesn't appear before the opening credits. No kick-ass intro action scene with Bond in a jet-pack or falling out of plane without a parachute that sets the tone for the rest of the film. I have to admit that the film seems to be missing something because of that.

Even so, there are still many other reasons why GOLDEN GUN is my favorite: the entire karate school scene, which is the high point of the film. The abrupt "kick to the head" joke was even copied years later with Indy shooting the big man with the big sword in RAIDERS OF THE LOST ARK; the arena scene (excellent direction there); the whole 1970s look; a confident Roger Moore who gives his best performance as 007 and says some of the funniest one liners of the series with impeccable timing. And let's not forget about Herve Villechaize as Nick Nack. He almost steals every scene he's in, which is either good or bad, depending on how you like him. In closing, THE MAN WITH THE GOLDEN GUN has just the right balance of seriousness, action, acting, exotic locations and humor.