AVALIAÇÃO DA IMDb
7,1/10
23 mil
SUA AVALIAÇÃO
Um sádico pede a um antigo quarterback profissional, agora a cumprir pena na sua prisão, que forme uma equipe de reclusos para enfrentar os guardas.Um sádico pede a um antigo quarterback profissional, agora a cumprir pena na sua prisão, que forme uma equipe de reclusos para enfrentar os guardas.Um sádico pede a um antigo quarterback profissional, agora a cumprir pena na sua prisão, que forme uma equipe de reclusos para enfrentar os guardas.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 2 vitórias e 4 indicações no total
James Hampton
- Caretaker
- (as Jim Hampton)
Richard Kiel
- Samson
- (as Dick Kiel)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
You just can't get away with this stuff anymore. In the first ten minutes, Burt Reynolds has beaten his girlfriend, stolen her car, gone on a massive police chase, dumped the sportscar off a bridge, then attacked two cops. Oh, and he's the hero of the movie, too.
Nowadays the remake -- starring Adam Sandler -- is rated PG-13 and he's a total wimp. Back in the '70s you could get away with being vicious, sexist, homophobic and racist and live to tell about it. In 2005, Adam Sandler says the F-word in one of his movies and parents are banning the film companies.
Yup, this film is clearly racist, homophobic and misogynist. Women are treated as sexual objects throughout, from the opening to the part where a prison warden's intern requests sexual favors from Burt Reynolds in return for handing him a movie-reel he needs.
African-Americans are portrayed as racist tough guys who are better than the whites at football, and they call whiteys "honkies" and other such words. In return all the whites are racist towards the blacks and it creates an interesting tension.
The homophobia sneaks into play when it's suggested one of the inmates is in love with Burt Reynolds. Quite a funny scene, actually.
"The Longest Yard" was one of Robert Aldrich's most successful films and many claimed it was him "selling out," but viewed 30 years later this really does stand apart from many of the other sports-comedy films of the decade. What is so special about "The Longest Yard" is probably that it plays like a mix between "Cool Hand Luke," "One Flew Over the Cuckoo's Nest" and "Smokey and the Bandit" -- it's got car chases, it's got sports, it's got funny stuff, BUT it also spends a lot of time developing its characters and creating some very dramatic sequences.
This is well directed, gritty, and fun -- not as much a "comedy" as you might expect, it is actually more serious. By the end of the film we've come to root for a bunch of murderers and rapists and even Burt Reynolds, and let's face it -- when was the last time you saw Burt Reynolds in a movie and actually LIKED his character?! A classic of the genre.
Nowadays the remake -- starring Adam Sandler -- is rated PG-13 and he's a total wimp. Back in the '70s you could get away with being vicious, sexist, homophobic and racist and live to tell about it. In 2005, Adam Sandler says the F-word in one of his movies and parents are banning the film companies.
Yup, this film is clearly racist, homophobic and misogynist. Women are treated as sexual objects throughout, from the opening to the part where a prison warden's intern requests sexual favors from Burt Reynolds in return for handing him a movie-reel he needs.
African-Americans are portrayed as racist tough guys who are better than the whites at football, and they call whiteys "honkies" and other such words. In return all the whites are racist towards the blacks and it creates an interesting tension.
The homophobia sneaks into play when it's suggested one of the inmates is in love with Burt Reynolds. Quite a funny scene, actually.
"The Longest Yard" was one of Robert Aldrich's most successful films and many claimed it was him "selling out," but viewed 30 years later this really does stand apart from many of the other sports-comedy films of the decade. What is so special about "The Longest Yard" is probably that it plays like a mix between "Cool Hand Luke," "One Flew Over the Cuckoo's Nest" and "Smokey and the Bandit" -- it's got car chases, it's got sports, it's got funny stuff, BUT it also spends a lot of time developing its characters and creating some very dramatic sequences.
This is well directed, gritty, and fun -- not as much a "comedy" as you might expect, it is actually more serious. By the end of the film we've come to root for a bunch of murderers and rapists and even Burt Reynolds, and let's face it -- when was the last time you saw Burt Reynolds in a movie and actually LIKED his character?! A classic of the genre.
Burt Reynolds was one of the biggest stars of the '70s, but like a lot of '70s stars (Faye Dunaway, Michael Serrizan, Karen Black, etc.) other decades have not been so kind to him. Here he stars in one of his finest films, "The Longest Yard," made in 1974, directed by Robert Aldrich, and also starring Eddie Albert, Michael Conrad, Ed Lauter, James Hampton, and Bernadette Peters.
Reynolds plays Paul Crewe, a football player who goes to prison after he hits his ex-girlfriend, steals her car, and runs it into the river. He's a football player with a scandal in his past, when he was suspected of shaving points off of a game.
The sadistic warden (Eddie Albert) wants him to organize a football team for the prisoners so that they can play the guards. The real agenda is that on the football field, the guards will be able to practically beat the prisoners senseless. With the help of Caretaker (James Hampton), Paul chooses a football team and starts training them. On the day of the big game, he gets an offer that he should refuse but might not be able to.
This is a really fine film. I wouldn't call it a comedy, but it's one of those movies where you wind up rooting for the bad guys. Reynolds' character learns self-esteem, pride in his work, and also a sense of camaraderie. The football game itself is very exciting.
"The Longest Yard" is a film that holds up well, and not the usual type of prison movie you'd see today. And Bernadette Peters' hairdo is a no-miss!
Reynolds plays Paul Crewe, a football player who goes to prison after he hits his ex-girlfriend, steals her car, and runs it into the river. He's a football player with a scandal in his past, when he was suspected of shaving points off of a game.
The sadistic warden (Eddie Albert) wants him to organize a football team for the prisoners so that they can play the guards. The real agenda is that on the football field, the guards will be able to practically beat the prisoners senseless. With the help of Caretaker (James Hampton), Paul chooses a football team and starts training them. On the day of the big game, he gets an offer that he should refuse but might not be able to.
This is a really fine film. I wouldn't call it a comedy, but it's one of those movies where you wind up rooting for the bad guys. Reynolds' character learns self-esteem, pride in his work, and also a sense of camaraderie. The football game itself is very exciting.
"The Longest Yard" is a film that holds up well, and not the usual type of prison movie you'd see today. And Bernadette Peters' hairdo is a no-miss!
Tongue and Cheek satire and sports movies generally are not exactly two movies genres that you combine together, however Burt Reynolds did not believe that, and as a result he starred in a movie that manages to be funny, poignant, intense, and everything in-between. I really don't know how the writers, producers and directors came up with something that turned out to be so awesome. The Longest Yard is masterful, it is funny, but it isn't a comedy, there is a lot of football but it is more than a just a sports movie, this is a hard movie to classify and maybe that is the reason it is so good.
Burt Reynolds plays a washed up football player who winds up in the slammer for drunk driving. While there the warden asks him to put together a football team to go up against the prison guards, who play in a semi-professional league. The prisoners are an interesting group of misfits and criminals, played perfectly by the various character actors in the parts. Burt Reynolds manages to be a brilliant lead of all of these crazy cons, and is perfect in this part. This movie is great but it doesn't exactly scream out greatness at first. This is a movie where you will be half way through and you will realize this is just a great movie to watch.
Aside from the fact it is just an off-beat movie it is hard to understand why this movie is so good, I don't know why myself, the jokes are not really laugh out loud hysterical, but it becomes apparent the reason this movie is so good is because it really ventured into areas that few films had, and while there are references to racial problems, homosexuality, although very muted, prison violence, crooked law enforcement officials and other issues rarely discussed on screen.
What I am surprised at is that these issues become prominent, and something you heed in the movie, and at the same time the over the top satire merges with this movie perfectly. Even watching a movie like this as compared to other comedies that raise marginally controversial issues like racism, such as Police Academy, Police Academy sort of makes a comedy out of racism and sexism, and to a lesser degree a movie like Caddyshack, but this movie puts the comedy and the controversial issues together, not making them one, but two completely different facets of the movie. Normally when you have a movie that is as intense as this it is hard to have such satirical elements in a movie and be a good movie, but this movie combines the two elements so effortlessly.
This is definitely an underdog movie, in that the prisoners are supposed to lose, they are a bunch of cons that rarely if ever played football, and have no chance going up against a semi-professional team. The characters, too numerous to name make this movie that much better. The movie also is a prison movie, and is successful at that, this is one of those movies, everything just clicked right, and the result is near perfection. One reason to watch this movie is Eddie Albert, as the ever smiling and smugly pleasant prison warden who is the mastermind of the entire affair, he is just perfect here, so meticulously uttering every word to the point that he looks like he is in pain, and he is perfect in the role. James Hampton also has an excellent part as Reynolds' sidekick in prison. This is just an all around great movie excellent in so many different ways.
I watch a movie like this, and I wonder why there are so few movies like this today, movies so offbeat but funny, movies that actually have decent acting, movies that are this interesting, instead of typical silly fare you would get like a dumb teen movie or a dumb action movie. This movie is priceless in a way. When I first heard of the movie I didn't think it would be that good, but when I watched it I realized why it was Oscar nominated and so well thought of. I don't know why it clicked, but it did, and the result is a film definitely worth seeing, and one of the best of the 1970s.
Burt Reynolds plays a washed up football player who winds up in the slammer for drunk driving. While there the warden asks him to put together a football team to go up against the prison guards, who play in a semi-professional league. The prisoners are an interesting group of misfits and criminals, played perfectly by the various character actors in the parts. Burt Reynolds manages to be a brilliant lead of all of these crazy cons, and is perfect in this part. This movie is great but it doesn't exactly scream out greatness at first. This is a movie where you will be half way through and you will realize this is just a great movie to watch.
Aside from the fact it is just an off-beat movie it is hard to understand why this movie is so good, I don't know why myself, the jokes are not really laugh out loud hysterical, but it becomes apparent the reason this movie is so good is because it really ventured into areas that few films had, and while there are references to racial problems, homosexuality, although very muted, prison violence, crooked law enforcement officials and other issues rarely discussed on screen.
What I am surprised at is that these issues become prominent, and something you heed in the movie, and at the same time the over the top satire merges with this movie perfectly. Even watching a movie like this as compared to other comedies that raise marginally controversial issues like racism, such as Police Academy, Police Academy sort of makes a comedy out of racism and sexism, and to a lesser degree a movie like Caddyshack, but this movie puts the comedy and the controversial issues together, not making them one, but two completely different facets of the movie. Normally when you have a movie that is as intense as this it is hard to have such satirical elements in a movie and be a good movie, but this movie combines the two elements so effortlessly.
This is definitely an underdog movie, in that the prisoners are supposed to lose, they are a bunch of cons that rarely if ever played football, and have no chance going up against a semi-professional team. The characters, too numerous to name make this movie that much better. The movie also is a prison movie, and is successful at that, this is one of those movies, everything just clicked right, and the result is near perfection. One reason to watch this movie is Eddie Albert, as the ever smiling and smugly pleasant prison warden who is the mastermind of the entire affair, he is just perfect here, so meticulously uttering every word to the point that he looks like he is in pain, and he is perfect in the role. James Hampton also has an excellent part as Reynolds' sidekick in prison. This is just an all around great movie excellent in so many different ways.
I watch a movie like this, and I wonder why there are so few movies like this today, movies so offbeat but funny, movies that actually have decent acting, movies that are this interesting, instead of typical silly fare you would get like a dumb teen movie or a dumb action movie. This movie is priceless in a way. When I first heard of the movie I didn't think it would be that good, but when I watched it I realized why it was Oscar nominated and so well thought of. I don't know why it clicked, but it did, and the result is a film definitely worth seeing, and one of the best of the 1970s.
The chase scene in the beginning of this film is still one of my favorites of all time.
Oh, and the rest of the film ain't bad either... 👌
Oh, and the rest of the film ain't bad either... 👌
After seeing this flick again last year after I don't know how long, at first I wondered why I used to really like this film. But after watching the whole thing to the end, I remember why. This is one of those films that generated a whole bunch of "copy-cat" movies, none which are even worth remembering (or seeing). Sure, it's a macho-man movie, but it works, and to see the talent (both actors and ex-pro ball players) on the screen, this is a movie you can watch over and over. By the way, it was refreshing to see the widescreen DVD version which was just released.
Você sabia?
- CuriosidadesSports Illustrated's Rick Telander wrote in the Oct. 17, 1988 issue: After the cast and crew of "The Longest Yard" departed from Georgia State Prison, the inmates played Georgia State Troopers using the equipment left behind by the film crew. The game quickly got out of hand, with inmates pummeling the out-of-shape troopers for their alleged arrogance. The game was called at the half, with the inmates ahead 66-0. End of prison football in Georgia.
- Erros de gravaçãoMelissa warns Paul not to touch her Maserati. The car was sold in the US as a Citroen/Maserati SM, a Citroen with a Maserati engine. The owner would be more likely to refer to it as Maserati.
- Citações
Paul Crewe: My, you have lovely hair. You ever find any spiders in it?
- Versões alternativasThe 1995 VHS USA re-release does not feature the song "Saturday Night Special" by Lynyrd Skynyrd during the chase scene. Instead, there is no music during the chase.
- Trilhas sonorasSaturday Night Special
Written by Ronnie Van Zant and Edward King (as Edward Calhoun King)
Performed by Lynyrd Skynyrd
Recording Supervised by Al Kooper
Courtesy of Sounds of the South/MCA Records
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Golpe bajo: El juego final
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.900.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 43.008.075
- Faturamento bruto mundial
- US$ 43.008.075
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