A Knife for the Ladies

A Knife for the Ladies (or Jack the Ripper Goes West) is a weird mix of genres. It's a Western with a slasher storyline running through it. A mad killer is slashing the necks of prostitutes in the town of Mescal. The sheriff, Jarrod (Jack Elam) seems incapable of finding the killer, so the town's leaders bring in a private detective named Burns (Jeff Cooper). Can Burns find the killer before Mescal's brothel is left vacant?

Overall, A Knife for the Ladies is one lousy movie. Neither the horror nor the Western elements work. Until the final scene, it's a total failure. Much of the problem comes from the fact that nothing looks real. The town is obviously a set - it doesn't feel "real". The people are obviously actors playing parts. They're not "real" either. Jack Elam's old grizzled hard-drinking sheriff is so over-the-top that he's ridiculous. And Jeff Cooper's Burns is too 1970s to be authentic. A Knife for the Ladies' lone highlight comes in its finale. It's actually a nice twist that I honestly didn't see coming. I could have never guessed the killer's identity. But as nice as the ending may have been, I still can't bring myself to rate A Knife for the Ladies any higher than a 3/10 - and that's being generous.

Finally, one especially annoying aspect A Knife for the Ladies is the way it tries to play the old-school sheriff against the more modern detective. But it's all talk. There's no evidence presented of any real clash between the old vs. new law enforcement techniques. It's as if someone involved with the movie's production thought this conflict would make a good storyline so they threw it into the movie without really adding it (if that makes any sense). Predictably, the old and new get into a completely unnecessary fistfight before they can work together. It's so forced it's painful.

In A KNIFE FOR THE LADIES, a small, old-western town is plagued by a serial-killing maniac. When the hard-drinking sheriff (Jack Elam) fails to catch the perpetrator, a private detective (Jeff Cooper) is brought in to solve the case. Unfortunately, the town roustabouts, led by the saloon owner (Gene Evans), don't want to wait that long.

This movie is a murder mystery with heavy doses of gothic-like horror. In fact, if it had been set in Victorian England, it could have easily been a HAMMER film with the likes of Peter Cushing and Christopher Lee in the lead roles. As it stands, it's a respectable mixed genre effort. Both Cooper and Elam are believable in their roles.

Don't miss the twist finale, and be sure to stick around for the big rock song at the end. It's a hoot!...

A Knife for the Ladies (1974)

1/2 (out of 4)

Mescal is a small Southwest town where not too much happens, which keeps the local Sheriff (Jack Elam) happy. All of this changes when the local prostitutes turn up dead and the locals begin to fear that Jack the Ripper (or a copycat) might be committing the crimes.

This film is out there in two versions with the uncut one being the hardest to find, although it was released to Blu-ray by Code Red. This version here clocks in at 86-minutes and is the uncut theatrical version that went under the title of A KNIFE FOR THE LADIES. The film was much more widely available via countless public domain companies under the catchy title of JACK THE RIPPER GOES WEST but that version clocks in at just 51-minutes. After watching the uncut version I must admit that I would have given anything to see it cut down.

Man, where do you start with a film like this? This movie wants to be a Western, a horror picture, a murder-mystery and I think it also tries to have some black comedy as well. It tries to be a lot of things but sadly it doesn't do anything well and it in facts does nothing but waste the talents of Elam, Ruth Roman and Jeff Cooper. All three people are wasted in their rather silly roles, which is too bad because the idea behind the film is an interesting one and it should have made for a better picture.

The film really kills itself because it just doesn't do anything right. The horror elements are rather watered down and you never once care who the killer is. It also doesn't help that as a Western it feels a lot cheaper than those old B films from the 1930s. There's no sleaze or anything else to hold your attention and in fact the only thing that does hold your attention is just waiting to see how much worse it gets.

I'm not sure what all is missing in the cut version but I'd have to say it would be better to watch since the 86-minute cut just features non-stop dialogue scenes and is a real chore to sit through.

1973's "A Knife for the Ladies" starts out as a whodunit set in the Old West, but it's clearly no Jack the Ripper and its few murder scenes are devoid of both blood and suspense. Old Tuscon is the Arizona location used by screenwriter Seton I. Miller, whose career dates back to 1927, his best horror item the stunning Lionel Atwill vehicle "Murders in the Zoo," which was actually far more gruesome for 1933 than anything seen in this tame release. Jeff Cooper's Edward Burns is a private investigator out to solve a series of stabbings in which the victims are all young women of ill repute, at odds with town sheriff Jarrod Colcord (top billed Jack Elam) for accusing the wrong man of the most recent crime. The killer could be saloon owner Virgil Hooker (Gene Evans), perhaps eager to divert suspicion by lynching an innocent man, or nervous barber/undertaker Orville Ainslie (Richard Schaal), whose behavior puts Burns on the trail of town founder Elizabeth Mescal (Ruth Roman), her late son a former deputy with a passion for the ladies. The promised horror film just isn't here, while the veteran presence of Jack Elam offers an aging character holding on to past glories, finding kinship with Burns and redemption in their success, once they learn how arsenic is used in medication. As offbeat as a Western can be, but spotty distribution through short lived Bryanston Pictures kept it from being widely seen (better known releases were "The Texas Chain Saw Massacre" and "The Devil's Rain"). Director Larry G. Spangler was no stranger to casting NFL players, using Oakland Raiders wideout Fred Biletnikoff here, two years after working with Joe Namath on another Western, "The Last Rebel." Making her final screen appearance is Diana Ewing, one of STAR TREK's most intoxicating beauties in the 1969 episode "The Cloud Minders."

Does this movie wanna be a western, giallo, comedy, mystery, or what? This movie fails in every genre. If it's trying to be a western, it fails entirely because the detective's 70s hairstyle, clothes, and mannerisms will completely jar viewers out of the western setting. If it's trying to be a giallo, it failed because most of the movie is nonsensical filler that distracts from the killings. If it was trying to be comedy, I didn't find anything intentionally funny, even by 70s standards. If it's trying to be a mystery, it fails because the movie gets so boring by the halfway mark that I fell asleep. I woke up exactly when the killer was revealed, right at the end. When the killer was revealed, I thought, "This movie is still on?" because by that point I had lost so much interest in the movie I decided to go to bed rather than waste time rewatching scenes I fell asleep during. In fact, I turned it off before the credits rolled.

Boring, boring, boring, even by 70s standards. Boring characters where I didn't care who lived and who died. A western setting that is painfully obvious it's a movie set. And decided lack of tension or suspense in a movie that touts itself as a murder mystery. All in all, if you wanna fall asleep, put this crap on. If you wanna watch something even the tiniest bit memorable, don't bother with this.