AVALIAÇÃO DA IMDb
6,8/10
11 mil
SUA AVALIAÇÃO
Sinbad e o vizir de Marabia, seguidos pelo mago do mal Koura, procuram as três tábuas de ouro que lhes permitem acessar o antigo templo do Oráculo.Sinbad e o vizir de Marabia, seguidos pelo mago do mal Koura, procuram as três tábuas de ouro que lhes permitem acessar o antigo templo do Oráculo.Sinbad e o vizir de Marabia, seguidos pelo mago do mal Koura, procuram as três tábuas de ouro que lhes permitem acessar o antigo templo do Oráculo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
Grégoire Aslan
- Hakim
- (as Gregoire Aslan)
David Garfield
- Abdul
- (as John D. Garfield)
Ferdinando Poggi
- Sailor with Sinbad
- (as Fernando Poggi)
Robert Shaw
- The Oracle of all knowledge
- (não creditado)
Avaliações em destaque
Ah, yes; Ray Harryhausen and Sinbad. This is my favorite of the Sinbad films. Yes John Phillip Law is not an a-list actor; but, for once, he's not bad. Tom Baker is outstanding as the evil wizard. Carolie Munro is the breast, er, best sight in the film.
Harryhausen really captures the atmosphere of the Arabian Nights. There is adventure, mystery, terror, love, comedy, and some pretty good sword fights. I'll put the six-armed Kali up against the skeleton from the Seventh Voyage of Sinbad any day. And Tom Baker's wizard is far more evil.
Look, forget about CGI and enter the world of Dynamation! You'll have a good time. Now, where's that scene where Caroline Munro.........
Harryhausen really captures the atmosphere of the Arabian Nights. There is adventure, mystery, terror, love, comedy, and some pretty good sword fights. I'll put the six-armed Kali up against the skeleton from the Seventh Voyage of Sinbad any day. And Tom Baker's wizard is far more evil.
Look, forget about CGI and enter the world of Dynamation! You'll have a good time. Now, where's that scene where Caroline Munro.........
This film was a big hit in 1974 and many other Sinbad films have been made and there is no comparison to our new films today, it was a great success in the 70's and is enjoyable to view and enjoy the great acting of John Phillip Law (Sinbad) and his woman companion, Caroline Munro(Margiana) who battle all the evil spells and evil powers that Tom Baker,(Koura) tries to use against Sinbad. Every time Koura uses the Evil Powers, his face begins to look like an old man and he even gets weaker and weaker. There is clashing of swords and deep pits of hell Sinbad falls into and he still manages to fight the bitter struggles of Evil vs. Good. Caroline Munro gives a great supporting role and Tom Baker is completely in control of his role as a very EVIL Demon. Enjoy this Sinbad from the Past, it is worth watching.
How can you not love this film .. it's difficult to imagine that anyone could pan the astounding performance of John Phillip Law as Sinbad ..
His turn as the beloved Arabic pirate is more adventureous than the boring and cardboard studio fave, Kerwin Matthews and far better than the bland and horrific Patrick Wayne ..
The special FX of Ray Harryhausen are his best to date ..
The plot is solid and the talent pull this tale off without a hitch or glint of camp which is generally the norm in a cult film such as this..
This is Saturday afternoon television at its best ...
Onward and upward with John Phillip Law all the way ..
His turn as the beloved Arabic pirate is more adventureous than the boring and cardboard studio fave, Kerwin Matthews and far better than the bland and horrific Patrick Wayne ..
The special FX of Ray Harryhausen are his best to date ..
The plot is solid and the talent pull this tale off without a hitch or glint of camp which is generally the norm in a cult film such as this..
This is Saturday afternoon television at its best ...
Onward and upward with John Phillip Law all the way ..
Ignore pointless comparisons about how it pales in comparison to Lord of the Rings. This isn't Lord of the Rings, nor is it Citizen Kane. Why some fools insist that every movie must be measured by the yardstick of their own personal favorite I will never understand.
If you're so spoiled by state-of-the-art computer graphics where each creature has an entire team of people working on it, and can't appreciate the human creativity and craftsmanship of great stop-motion animation, don't waste your time on this movie, go watch the latest Pixar release.
Harryhausen's work is remarkable not because it's the most realistic animation ever, but because he was able to achieve remarkable things with sculpture and movement on a budget comparable to today's 30 second ad spots.
Tom Baker steals the movie. He's terrific as the evil sorcerer, villainous but with enough humanity to his character to make him at least somewhat sympathetic.
If you're so spoiled by state-of-the-art computer graphics where each creature has an entire team of people working on it, and can't appreciate the human creativity and craftsmanship of great stop-motion animation, don't waste your time on this movie, go watch the latest Pixar release.
Harryhausen's work is remarkable not because it's the most realistic animation ever, but because he was able to achieve remarkable things with sculpture and movement on a budget comparable to today's 30 second ad spots.
Tom Baker steals the movie. He's terrific as the evil sorcerer, villainous but with enough humanity to his character to make him at least somewhat sympathetic.
Boy, I'll tell you that when this was new, it was great. This was before Lucas and Spielberg made it impossible to have a straight ahead adventure film with no winks at the audience.
This was when special effects were more believable because the monsters were so unlike humans.
This was before Arabs became equated with uncontrollable anger, and instead could be seen as mysterious and wise. Indeed, so thorough is our acceptance of the Arabian perspective here that the inner, more primitive (and unrefined) magic is Hindu. A very cool touch.
Ted's Evaluation -- 3 of 3: Worth watching.
This was when special effects were more believable because the monsters were so unlike humans.
This was before Arabs became equated with uncontrollable anger, and instead could be seen as mysterious and wise. Indeed, so thorough is our acceptance of the Arabian perspective here that the inner, more primitive (and unrefined) magic is Hindu. A very cool touch.
Ted's Evaluation -- 3 of 3: Worth watching.
Você sabia?
- CuriosidadesAccording to Ray Harryhausen's early concept art for the project (illustrated in charcoal pencil), the griffin, which fights the one-eyed centaur, originally was going to be a Neanderthal man. The "Neanderthal man" concept later became the Troglodyte in Simbad e o Olho do Tigre (1977).
- Erros de gravaçãoMargiana's costume changes after Sinbad rescues her from the one-eyed centaur.
- Versões alternativas[(at around 49 mins) on the VHS version (PAL time) (and presumably on the original release print)] When Sinbad is helping Margiana from the boat to the sand on the beach, for a a split-second, Caroline Munro's nipple can be seen. On the DVD it's been covered by a digital addition to her hair.
- ConexõesFeatured in Monsters and Magic (1972)
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- How long is The Golden Voyage of Sinbad?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- As Novas Viagens de Simbad
- Locações de filme
- Torrent de Pareis, Mallorca, Balearic Islands, Espanha(Lemuria beach landing)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 982.351 (estimativa)
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