Get Christie Love!

"Get Christie Love!" is included in many DVD packages along with "TNT Jackson", and the two films do have a lot of things in common: most importantly, they both have black female action leads who have the right attitude for their roles down pat, but their actual fight scenes leave a lot to be desired. "Get Christie Love" doesn't have nearly as much action as "TNT Jackson", but Teresa Graves is a better actress than Jeanne Bell, and (in my opinion at least) prettier as well. However, this film is hurt by the flat direction, a dreary pace and an uninteresting plot that wastes far too much time with an investigation about an adopted kid. And I have to agree with a previous reviewer, the DVD transfer is pretty bad. You turn the volume almost all the way up and you still can't listen to the dialogue clearly. (**)

It's sad this TV Movie & later a TV series never made it. It was better than some other cop shows that were on at the time. The beautiful Teresa Graves had lots of charm & charisma and made this worth watching. Watered down compared to the Pam Grier movies of the era. Funniest scene is the beginning of this TV movie where Teresa is a cop posing as a hooker and when she tells a "John" her price is $100 he calls her a nigger and she responds with "nigger lover". Try doing that today! Surprising this was 1974. Louise Sorel is a standout as a gangster's girlfriend who gets into a tussle or two with "Christie". I remember how cool I thought Teresa Graves was at the time driving around in her VW Convertible kicking men's butts and karate chopping men taller than she was. The later TV series was just as good, I don't know why it was cancelled, it was more fun than Barnaby Jones or Petrocelli or any of those other shows starring white men (how cliche). I hope they do a remastered DVD of this, the cheapie I have looks like a bad TV print transferred to DVD (snap, crackle, pop!)

I recently watched Get Christie Love! (1974) on Prime. This TV movie, which later launched a television series by the same name, follows a charismatic police detective in search of her next big break. She believes she's found it when she uncovers clues leading to a drug lord. Can she bring down the drug lord and finally gain recognition for her work?

Directed by William A. Graham (Return to the Blue Lagoon), the film stars Teresa Graves (That Man Bolt), Harry Guardino (The Enforcer), Louise Sorel (Days of Our Lives), and Darlene Conley (The Bold and the Beautiful),

Set in the heart of the blaxploitation era, alongside the peaks of icons like Pamela Grier and the Cleopatra Jones pictures, "Get Christie Love!" aligns with the content of its time. Graves, though strikingly beautiful, delivers an inconsistent performance, and her fight scenes lack authenticity, failing to resonate, especially when facing male opponents. In comparison to Grier, she falls short. Additionally, the film lacks compelling car chases and shootouts, with a notably poorly executed "fall" scene adding to its flaws.

In conclusion, Get Christie Love! Boasts a beautiful lead actress but little else. I would rate it a 4/10 and recommend it solely to dedicated blaxploitation enthusiasts.

Taking an honored place among the black exploitation characters of the Seventies is Teresa Graves and the indelible character she created in Get Christie Love. When she walked away from the series and later from show business all together she certainly was never forgotten.

I do remember her as a regular on Rowan&Martin back in the day and she was a talented woman with the ability to take herself not too seriously. Until she decided to become a Jehovah Witness. That was taking in to the max.

Christie Love is a LAPD policewoman who's real handy both with weapon and with fighting skills. When we first meet her she's taking down a serial rapist all by herself because her backup didn't get there on time to be of assistance. But her supervisor has bigger plans for her.

Harry Guardino playing the supervisor wants Graves to go undercover to find a ledger that drug kingpin Paul Stevens is supposed to have. Since the days of Al Capone those things are kept under the tightest of hoodlum security. Stevens certainly has one tightly secured operation. In these days before computers nothing is down on paper. All that they can learn for a while is that Louise Sorel has something to do with the books.

Teresa Graves was not alone or unique in putting religion first. Dolores Hart left movies to become a nun in the 60s. Later on Kirk Cameron made the same kind of demands on the producers of Growing Pains when he got into fundamentalist Christianity. Only Kirk came back using his celebrity for evangelism. Both Graves and Hart took a more private and more respectful approach to religion.

This was a television pilot, nothing spectacular or great about it except for Teresa Graves. She was unforgettable, RIP Teresa Graves.

Christie Love's friends, enemies, and co-workers live in an alternate-reality world that attempts to depict Los Angeles in the early 1970's. Not the way it really was, but the way the scriptwriters wanted it to be. Along the way, expect Ms Love to blatantly flip off her boss and get away with it, for him to make advances to her when there's no apparent chemistry, and for her to behave like Superwoman "with emotions". One of the bad guys simply lets himself be flipped out an upper-story window. It doesn't matter that he weighs over twice what she does, if you look closely enough, he's actually helping her. What a guy! Did I say that almost everyone she knows in this movie dies? Ms. Graves also appears to be in a contest with everyone else to see who can be the worst actor. It's fun watching who's worse, it pays to actually have a scorecard. You can rank Harry Guardino first for the bad opening, and then keep notes from there.

This movie actually succeeds in points, despite itself. They put a bit of money into it, there are some good production values - I mean the now-vintage cars sometimes project better than the humans, but hey, the scale I'm using refers to television, not the cinema. You won't be crying with the actors as much as laughing at them, but you won't be turning this show off, either.

I had no trouble with the volume on my copy. But, at two DVD's for a dollar in my local supermarket, I don't feel ripped off either.