AVALIAÇÃO DA IMDb
6,6/10
3,8 mil
SUA AVALIAÇÃO
Os detetives da polícia de São Francisco, Freebie e Bean, estão determinados a prender o chefe do crime local, Red Meyers, a qualquer custo, mesmo que isso signifique destruir toda a cidade ... Ler tudoOs detetives da polícia de São Francisco, Freebie e Bean, estão determinados a prender o chefe do crime local, Red Meyers, a qualquer custo, mesmo que isso signifique destruir toda a cidade no processo.Os detetives da polícia de São Francisco, Freebie e Bean, estão determinados a prender o chefe do crime local, Red Meyers, a qualquer custo, mesmo que isso signifique destruir toda a cidade no processo.
- Prêmios
- 1 vitória e 2 indicações no total
Charles Bail
- Cadillac Salesman
- (as Chuck Bail)
Eddy Donno
- Bag Man
- (as Eddie Donno)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Although it's story is a letdown, Caan and Arkin' make a great teaming of "throw the book out the window cops", I'm prepared to forgive this. They're two of the most unruly cops I've ever seen. They're methods of questioning are mostly exorcised by physical violence and threats of intimidation. They total three squad cars in three days, would you believe, one of the cars going off a speed ramp and crashing through a wall of a elderly couples home is a classic. The couple, sitting up in bed, sharing milk and cookies, just have stunned looks. These cops are tailing this old codger, who's involved in racketeering, where there's a good chance he's gonna be hijacked. This leads us to wonder why our dynamic duo are so wasting their time on this clown. They even trawl threw a boot of garbage, fishing out a list, they present to their superior, who tells them "They're not fit to guard the fish at the aquarium". This movie works, thanks to Caan, and especially Arkin, who I loved in this. One interrogation scene, involving a gay guy in a bath, was funny too, wanting the two to rough him up, where Caan says "Let's get out of here before this freak starts drinking the bathwater". Valerie (Rhoda) Harper lends great support as Arkin's wife, while Loretta "Hot lips Hoolahan" Swit pops up as the old codger's mistress. I love this movie every time I watch it. It one of those rare buddy cop movie's where, the cops are so out of line, it's not funny. Sometimes they are like kids, causing an ambulance to topple over at it's end, or chasing each other through a playground while on surveillance of that joker. Don't miss this opportunity view.
The Daddy of 'em all. The original & still the best. Arkin & Caan are on top form as (you saw it here first) mis-matched, loose-cannon cops, who leave a trail of destruction (oh, beautiful destruction!) in their wake. With it being the 70's, the language is somewhat 'colourful', which just adds to Caan's character. Foul-mouthed 70's cops, don't you just love 'em? The stunts are top-notch and spectacular, not to mention highly original and almost comic book (The car pile-up scene & 'that' scene where they crash the car)
Rush's direction is excellent as well. He only made this because he couldn't get 'The Stunt Man' off the ground! (which is another corker) Altogether an very, VERY enjoyable romp (COP-romp, that is) The film was virtually remade as Lethal weapon 4 (not to mention 1, 2 & 3!)
My favourite scene is the ludicrous fight in the restaurant kitchen, where Rush must've just said 'try to destroy everything you can in this scene, boys'. Which they did. Brilliant.
Rush's direction is excellent as well. He only made this because he couldn't get 'The Stunt Man' off the ground! (which is another corker) Altogether an very, VERY enjoyable romp (COP-romp, that is) The film was virtually remade as Lethal weapon 4 (not to mention 1, 2 & 3!)
My favourite scene is the ludicrous fight in the restaurant kitchen, where Rush must've just said 'try to destroy everything you can in this scene, boys'. Which they did. Brilliant.
Most buddy cop films are just that, a pair of mismatched boys in blue in pursuit of an evil bad guy. "Freebie and the Bean" has a bad guy, however he is neither important or particularly bad. What is important about this movie is not the story itself, it is all about James Caan and Alan Arkin's deadpan humor while crashing police cars . There certainly have been longer police chases. There certainly have been more crashed vehicles. There never has and never will be a more hilarious chase than in "Freebie and the Bean". The chemistry between Caan and Arkin seems so natural, that it can't all have ben scripted. So forget plot inconsistencies and take a ride with the best buddy cop film ever. Highly recommended. - MERK
10welchar
A fairly atypical off the wall love-hate relationship between two cops as they try to bring down a tongue-in-cheek bad guy. The story centres around the wacky verbal and non-verbal relationship between Alan Arkin and James Caan more than it does the fairly week plot. This is the whole point of the movie - the story line is in fact incidental! The scene where Freebie steals Bean's gun is a classic example of this, as is the button ripping scene earlier in the film. To add to the drama Bean thinks his wife is having an affair and Freebie offers advice...terrific stuff. Perhaps those of you who gave it a poor review should find the time to watch it again - a little more closely - and savour the unique banter between these two excellent actors.
A mainstay on cable in the 70's, Freebie and the Bean is by no means "great" but it certainly is thoroughly entertaining to anyone who doesn't let political correctness stand in their way.
This is no doubt a film that can offend; the two cops (especially Caan) use muscle whenever they can; a crossdresser is treated horribly and insulted; there's some racial humor. But hey, this was made in 1974 when people simply weren't as uptight as they are now.
It's a goofy movie, it has goofy music, goofy comedy and a goofy script. The goofiness, violence and non-political correctness of this flick make for an odd mix, but it's an entertaining mix. Cann and Arkin are great in their roles, and show geniune affection and friendship for each other as they try to keep a criminal alive to break a case.
Car chase fans especially like this movie, and there are some classic chases here! The highlight chase shows the duo chasing after a blue car with some truly amazing stuntwork.
All in all if you aren't the easily offended type, and like some goofy comedy mixed with action, it's worth a spin, if only to see how movies were made when not under a watchdog's microscope.
This is no doubt a film that can offend; the two cops (especially Caan) use muscle whenever they can; a crossdresser is treated horribly and insulted; there's some racial humor. But hey, this was made in 1974 when people simply weren't as uptight as they are now.
It's a goofy movie, it has goofy music, goofy comedy and a goofy script. The goofiness, violence and non-political correctness of this flick make for an odd mix, but it's an entertaining mix. Cann and Arkin are great in their roles, and show geniune affection and friendship for each other as they try to keep a criminal alive to break a case.
Car chase fans especially like this movie, and there are some classic chases here! The highlight chase shows the duo chasing after a blue car with some truly amazing stuntwork.
All in all if you aren't the easily offended type, and like some goofy comedy mixed with action, it's worth a spin, if only to see how movies were made when not under a watchdog's microscope.
Você sabia?
- CuriosidadesThe film became an action-comedy after Alan Arkin and James Caan met for improvisational sessions in which they explored a more comedic approach to the characters' relationship.
- Erros de gravaçãoDuring the first car chase (with the white van), Bean straps on a police helmet for his safety. In the very next shot of the car, Bean isn't wearing the helmet.
- Cenas durante ou pós-créditosDuring opening credits, as people walk in front of the camera their names appear.
- Versões alternativasUK cinema and video versions were cut by 29 seconds by the BBFC to remove a face kick and to reduce the number of shots fired into the transvestite from 5 to 2. The version shown on Film Four is uncut and intact.
- Trilhas sonorasTitle Theme: You and Me
Vocals by Bobby Hart
Music and lyrics by Dominic Frontiere, Bobby Hart, Danny Janssen
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- How long is Freebie and the Bean?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Dos contra todos
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Tempo de duração
- 1 h 53 min(113 min)
- Mixagem de som
- Proporção
- 2.39 : 1
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