Duas Ovelhas Negras

One of the best of the cop-buddy-movie genre. Although there is just enough realism to keep the story's premise afloat, Director Richard Rush makes sure that this film doesn't take itself too seriously. Alan Arkin turns in a first-rate performance as the "Bean", the straight guy (with a couple of kinks of his own) against James Cann's maverick "Freebie" character.

There are a few surprising twists, even though a flick this funny doesn't really need much of a plot.

With a strong supporting cast including Valerie Harper and Loretta Swit, I found this feature outrageously funny when I saw it in the theater in 1975, and it's still just as good today. There is a scene with Alex Rocco as the "D.A.", at which my dad, a real-life D.A. at the time, nearly fell out of his seat laughing.

If you can find this classic, by all means watch it. As long as you remember that it's just a spoof, no more a serious look at policing than "Police Academy" was, you'll enjoy yourself. If we're lucky, maybe a DVD release is in the cards.

This is the biggest WTF ever. The way I would describe it is a movie you don't want to see, that you are dragged into, and realize that is exactly who the film was made for. It starts as one thing and then it feels like they gave up and just made it up as they went. Like imagine The Naked Gun but as a serious movie.

With San Francisco locales and Laslo Kovacs lensing this all becomes an outright surreal fever dream. I am also reminded of Richard Lester films, how he thinks in comic vignettes but isn't necessarily a comic director. Like, when violence happens it's brutal, suddenly it's like Dick Tracy. The characters yell at each other start to finish but they don't hate each other, it's just how they communicate. The director is doing a madcap comedy, Kovacs is filming for an oscar, the writers are doing like a Neil Simon Dragnet, and the actors think they're making the French Connection.

People should study this movie if they get into filmmaking or screenwriting, it will change how you see movies, because every element is disparate, they're all making a different movie in their heads, but it works. You imagine them writing it off, saying they just made a flop, pointing fingers, but then it came out perfectly. It isn't doing those Pauline Kael big zeitgeist things, it is almost sending them up which is endearing. Its modest ambition may take points off compared to its class, but who cares, it is certainly a classic to me. I only take a half point off because you have two choices, give it an F or give it an A minus.

Before Riggs and Murtaugh, or even Starsky & Hutch, there's Freebie and The Bean, most in-your face buddy team of the police force. Maybe they are the laughing stock of the police force. These team make Dirty Harry want to change his ways of handling crime. These guys put the P.B. in Police Brutality! But in a funny way! Other than attacking the perpetrators they attack each other. Freebie(James Caan) is a hot-head and practical joker, while Bean(Alan Arkin) is calm in some ways just as the same as Freebie. Ford really put themselves in high gear with their vehicles, and the famous white LTD, took a lot of punishment through the movie. My favorite scenes is where the car leaped off the bridge, and made a window in someone's apartment. Calling a tow truck? HA! You better call a crane instead. While most cops work out their differences, Freebie and the Bean handle their way, they go at each others throats! This movie is funny, scary, and adventurous all together, with the choice of stars, everything was pulled off great. And how. What a comedy! While you have a chance. 4 out of 5 stars.

A fairly atypical off the wall love-hate relationship between two cops as they try to bring down a tongue-in-cheek bad guy. The story centres around the wacky verbal and non-verbal relationship between Alan Arkin and James Caan more than it does the fairly week plot. This is the whole point of the movie - the story line is in fact incidental! The scene where Freebie steals Bean's gun is a classic example of this, as is the button ripping scene earlier in the film. To add to the drama Bean thinks his wife is having an affair and Freebie offers advice...terrific stuff. Perhaps those of you who gave it a poor review should find the time to watch it again - a little more closely - and savour the unique banter between these two excellent actors.

A mainstay on cable in the 70's, Freebie and the Bean is by no means "great" but it certainly is thoroughly entertaining to anyone who doesn't let political correctness stand in their way.

This is no doubt a film that can offend; the two cops (especially Caan) use muscle whenever they can; a crossdresser is treated horribly and insulted; there's some racial humor. But hey, this was made in 1974 when people simply weren't as uptight as they are now.

It's a goofy movie, it has goofy music, goofy comedy and a goofy script. The goofiness, violence and non-political correctness of this flick make for an odd mix, but it's an entertaining mix. Cann and Arkin are great in their roles, and show geniune affection and friendship for each other as they try to keep a criminal alive to break a case.

Car chase fans especially like this movie, and there are some classic chases here! The highlight chase shows the duo chasing after a blue car with some truly amazing stuntwork.

All in all if you aren't the easily offended type, and like some goofy comedy mixed with action, it's worth a spin, if only to see how movies were made when not under a watchdog's microscope.