Nossa, que Loucura!

This romantic comedy from 1974 features Barbra Streisand as she was reaching her stride as an acting and comedy talent. Her husband is 1970's star Michael Sarazzin as the tall, long-haired, bell bottomed jeans taxi driver who fills the role as the romantic interest. The other talent on display is Estelle Parsons as the social climbing sister-in-law who delivers a long list of catty remarks aimed at putting the couple down; no doubt resulting from jealousy over their hot sex life. The 1970's produced a lot of great movies, including comedies, and this is certainly one of them. It is full of belly laughs from start to finish. Streisand is the harried housewife trying to make ends meet in the inflationary 1970's. Her interactions with her friends and business people in her Brooklyn neighbourhood will delight viewers. When she gets involved in a crazy scheme to raise money for her husband's foray in the futures market, the gags come in rapid succession. Lots of fun, it's a look back at the 1970's with anxieties that now seem somewhat homespun by today's standards. I saw it when it first came out and seeing it again was well worth the time.

Although I have been aware of this film for a long time, it was only after watching its amusing theatrical trailer – on THE OWL AND THE PUSSYCAT (1970) DVD – that I became eager to watch it. The end result proved to be a patchy affair but, nevertheless, it does have its fair share of belly-laughs and, in any case, watching Streisand in kooky mode is always fun; Estelle Parsons and William Redfield are her hubby (Michael Sarrazin)’s well-to-do and snobbish relatives who particularly look down on Streisand.

It clearly emulates the screwball style of WHAT’S UP, DOC? (1972), parodies THE FRENCH CONNECTION (1971) – the underground station cat-and-mouse chase between Gene Hackman and Fernando Rey is performed here by a disguised Streisand and a persistent police dog! – and it also homages Buster Keaton’s GO WEST (1925) in the urban cow stampede sequence and Luis Bunuel’s BELLE DE JOUR (1967) in the role-playing encounters during Streisand’s disastrous stint as a call-girl! British action director Yates was surprisingly roped in for this, but he seems to have enjoyed the experience as his next project was on similarly zany lines – the black comedy MOTHER, JUGS AND SPEED (1976; which I’ll be watching presently).

Another notable sequence sees the heroine involved, unbeknownst to her, in terrorist activity (she’s asked to deliver a package in disguise to a similarly-dressed woman) – which eventually rebounds on her shady brother employers! Similarly, one of the best lines has Streisand’s nonchalant black maid (she hires a Hispanic woman to do her own cleaning-up!) who, admiring the former’s tenacity, tells her: “Girl, you could even sell a Confederate flag in Harlem!”

Barbra was 31 when she made this film. Her hair (a poor short-haired wig) was done by her then boyfriend,

Jon Peters, and her outfits remind me of her "stoney end" phase (remember that?). This movie was released in 1974. Her co-star is 'ok' but he's no Brad Pitt. He does have one sexy bathtub scene. If you look quickly when he pulls Babs into the tub you'll see he is wearing a pair of white bikini briefs (poor editing, they should have cut that).

Now a little outdated (I'm writing this in the year 2000) the film is funny overall with some greater funny moments.

Barbra shows a real flair for comedy. I wish she had done more character acting in other films because in this one she dons a blond curly wig, big yellow hat and oval sunglasses then screams and runs like a little girl. She literally had me laughing uncontrollably several times.

The plot is sort of hokey: her husband's brother and pompous wife insinuate Babs (Henry) conned her husband into an early marriage which robbed him of a good college education and a decent job (he's a taxi driver). They get an inside stock tip on 'pork bellies' and she borrows $3,000 from the mob. The tip doesn't pay off at first and her contract is sold to more and more crooks - and with each sale she screws up her assignments. She goes to work for a little old lady (Mrs. Cherry) who sends men clients to her apartment and Babs accidently breaks the nose of her first client then nearly kills the second, a judge who is taxi'd to the N.Y. apt by her husband. This second client is hidden in a trunk and revived in the back of a flower delivery truck then placed back in the taxi when Henry's husband isn't looking.

The whole movie goes on like this - and she ends up in several funny situations, even unwittingly carrys a bomb (the wig, hat and glasses). She turns the package over to an undercover cop and is promptly arrested but runs away screaming through Central Park claiming he is a pervert (the cop is dressed in identical women's clothing)

Eventually her contract is sold to a cattle rustler who fills up a motor-home with stolen cattle for delivery in downtown N.Y. She has an accident and the one lone bull and all the cows get lose running through New York streets and into shops. By the end of the picture the stock tip pays off and they end up rich and happy.

If you like Barbra you'll like this movie. I say 'thumbs up'!

This is one of the funniest comedies that Barbara Streisand ever made. To me this is an updated version of "I Love Lucy" only updated to fit the 1970's. Also, the assortment of mobsters, madames and underworld types makes this film even more funny. Also, Estelle Parsons role as Pete's bitchy sister in law is a scream. Too bad Henrietta didn't just pop her one.

Pete (Michael Sarrazin) and Henrietta Robins (Barbra Streisand) are a Brooklyn couple with money problems. Cab driver Pete hears a tip on pork bellies from his dispatcher and the couple decides to buy the futures. Nobody is willing to lend them the money and Henrietta goes to a loan shark in secret. When the debt comes due, she has to work in increasingly weirder jobs while hiding it from her husband.

It starts poor. Henry is not particularly that appealing. The pork bellies McGuffin does not taste good. I didn't like this movie at first and didn't know where it was going. Then it starts to get edgier and then it gets weirder. The silliness gets funny. Streisand is able to do stupid comedy and she eventually gets there. The movie should start silly and forget about the pork bellies. Pete is a bit of wet blanket but he does get into a funny screwball situation with a judge. This is good for a few giggles in the second half.