AVALIAÇÃO DA IMDb
7,8/10
7,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA good-natured but unlucky Italian is constantly getting into difficult situations, but never loses his positive mood.A good-natured but unlucky Italian is constantly getting into difficult situations, but never loses his positive mood.A good-natured but unlucky Italian is constantly getting into difficult situations, but never loses his positive mood.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Dino Emanuelli
- Megaditta Employee
- (as Bernardino Emanuelli)
Nani Colombaioni
- New Year Party Waiter
- (as Arnaldo Colombaioni)
Avaliações em destaque
It's true, Fantozzi is such a cult in Italy that unless you've actually watched at least one movie you're going to miss most jokes by your fellow Italian as at least three out of ten are related to a fantozzi movie somehow:) if you're unlucky or clumsy you are 'fantozzi' and people can pretend to be fantozzi's boss: 'fantozzi, is it you'? One of fantozzi's most popular answers (usually to his boss's magnanimous decision to move him to the basement and increase his shifts from 5 to 8) is to say: "Thank you you are so human" so every time anybody says something evil or mean you can reply jokingly and say 'you're so human':) also his name is hilariously and constantly misspelled 'fantocci' 'bambocci' etc.
but unless you know the fantozzi quotes you won't get the gist of it and you'll be lost to most other who watched the movie(s) lots of times..
enjoy!
but unless you know the fantozzi quotes you won't get the gist of it and you'll be lost to most other who watched the movie(s) lots of times..
enjoy!
The Fantozzi saga in Italy is something you can not do without. A lot of quotes are common use in everyday life of people. Paolo Villaggio, who is the author of the original books of Fantozzi, is also the perfect cast for the part, but also all the other characters are outstanding representations of the real life working environment (I personally enjoy very much "Geometra Calboni" interpreted by Giuseppe Anatrelli).
I happened to think, and more then once, that these movies are not to be lost, they are a portrait of Italian life in the 70s and they are an example on how you can laugh (and laugh loud!) with a very low level (especially in the first and second episodes) of vulgarity. I'll take for me VHS or DVD collection to show them to my children's, with the hope that their generation will enjoy them as much as mine.
I happened to think, and more then once, that these movies are not to be lost, they are a portrait of Italian life in the 70s and they are an example on how you can laugh (and laugh loud!) with a very low level (especially in the first and second episodes) of vulgarity. I'll take for me VHS or DVD collection to show them to my children's, with the hope that their generation will enjoy them as much as mine.
Despite the absence of an actual plot (the movie is more or less a sequence of sketches), Fantozzi is probably the last hooray of the Italian-style Comedy. Sure, the general tone is much lighter if compared to classic Italian-style Comedies, but nonetheless the fire of a merciless socio-cultural criticism still burns under the see-through veil of the farce.
Accountant Ugo Fantozzi embodies every possible stereotype of your Average middle-class Italian of the 70s. Stuck in a frustrating job, exploited and made fun of by his coworkers, designated victim of his bosses, unhappy and disheartened family man (married to an unbelievably ugly and dull wife, and with a simian daughter), he always seems to draw the shortest straw. No matter what he does, and how hard he tries, Lady Luck will always turn her back on him. Better if after having given him some hope.
But mind you, behind all the improbable situations and the over-the-top comedy stuff, the message is indeed deeper. Everything Fantozzi wishes for is the so-called Italian Dream: after the economical boom of the late 50s, every Italian dreamt about landing a good 9-to-5 job, buying himself a house and a car, living a nice and quiet family life with summer holidays, plenty of hobbies etc. And, should things have gone very well, maybe a mistress too...
Instead, poor Fantozzi is stuck in a rut: he has a second-rate version of all of that... And the more he tries to attain "happiness", the worse it ends.
Clearly, the comedy aspect is prominent, and the movie is also enjoyable for its slapstick comedy, for its sketches and for its caricatural portrait of Italian lower/middle-class. But once the funny parts are an "acquired taste", you can see past it and the sadness of the characters appears, offering a whole new dimension to the movie.
In origin Fantozzi was a literary character, created by Paolo Villaggio himself (who'll star as Fantozzi in all the subsequent movies), and on the written page the social criticism was much heavier. The cinematic version made the satire more enjoyable, probably less sharp, but for sure not less noticeable.
In the end, Fantozzi is a classic of Italian Comedy, and has had a long-lasting impact on Italian language, comedy and society. Every single character, quote and episode is well known in Italy and can easily be "recycled" in everyday's life, even 35 odds years after its original creation.
Had it been "just another silly comedy", it wouldn't had the same impact.
The only real downside of the movie, and of the whole saga, is you have to watch it in Italian, possibly understanding the language to a decent degree. Otherwise many jokes and situations will go over your head
Accountant Ugo Fantozzi embodies every possible stereotype of your Average middle-class Italian of the 70s. Stuck in a frustrating job, exploited and made fun of by his coworkers, designated victim of his bosses, unhappy and disheartened family man (married to an unbelievably ugly and dull wife, and with a simian daughter), he always seems to draw the shortest straw. No matter what he does, and how hard he tries, Lady Luck will always turn her back on him. Better if after having given him some hope.
But mind you, behind all the improbable situations and the over-the-top comedy stuff, the message is indeed deeper. Everything Fantozzi wishes for is the so-called Italian Dream: after the economical boom of the late 50s, every Italian dreamt about landing a good 9-to-5 job, buying himself a house and a car, living a nice and quiet family life with summer holidays, plenty of hobbies etc. And, should things have gone very well, maybe a mistress too...
Instead, poor Fantozzi is stuck in a rut: he has a second-rate version of all of that... And the more he tries to attain "happiness", the worse it ends.
Clearly, the comedy aspect is prominent, and the movie is also enjoyable for its slapstick comedy, for its sketches and for its caricatural portrait of Italian lower/middle-class. But once the funny parts are an "acquired taste", you can see past it and the sadness of the characters appears, offering a whole new dimension to the movie.
In origin Fantozzi was a literary character, created by Paolo Villaggio himself (who'll star as Fantozzi in all the subsequent movies), and on the written page the social criticism was much heavier. The cinematic version made the satire more enjoyable, probably less sharp, but for sure not less noticeable.
In the end, Fantozzi is a classic of Italian Comedy, and has had a long-lasting impact on Italian language, comedy and society. Every single character, quote and episode is well known in Italy and can easily be "recycled" in everyday's life, even 35 odds years after its original creation.
Had it been "just another silly comedy", it wouldn't had the same impact.
The only real downside of the movie, and of the whole saga, is you have to watch it in Italian, possibly understanding the language to a decent degree. Otherwise many jokes and situations will go over your head
Ugo Fantozzi, a middle-aged accountant, lives in a poorly furnished apartment with an unloved wife and an ugly daughter. His life is full of failures and disappointments, misfortunes pour down on him like a bucket. However, Fantozzi is not without self-irony and self-esteem.
Fantozzi is such a lovely little movie. It narrates the antics of a lower class office worked employed by a faceless corporation. Paolo Villaggio used to work for a large international company and experienced the daily little humiliations and frustrations so often present in large offices. He used this experience to write a bitterly satirical book by the same title as the movie. Masked behind the funny stories of Fantozzi, there are the horrible realities of the daily work life of a humble worker. The movie is far less profound than the book. The slap-stick comedy is so good that everything else is forgotten. The attention to detail is impressive and can only be appreciated after a second or third vision of the movie. All the characters are very real and can be found in every day life. A must see for all those people that can see through the layer of basic comedy and find the bitter satire of a pointless life. Everybody else will enjoy the slap-stick bits. It can be considered as the granddad of modern classics such as `The Office'.
Você sabia?
- CuriosidadesFantozzi's daughter is actually played by a man because the creators wanted to make Mariangela look as ugly as possible, like in the book.
- Citações
Ugo Fantozzi: I didn't mean to kill your dog! I'll kill myself in the fish pond!
[jumps in]
Signorina Silvani: What are you doing?
Ugo Fantozzi: I'm examining the temperature of the fish pond.
Ugo Fantozzi: Behold, all of you. I have given you fish
[holds up two fish]
Ugo Fantozzi: and some fine white rice.
- Versões alternativasThe Italian DVD features a long sequence settled in a beauty farm, which was originally cut out of the theatrical version.
- ConexõesFollowed by Il secondo tragico Fantozzi (1976)
- Trilhas sonorasLa Ballata di Fantozzi
Written by Leonardo Benvenuti, Piero De Bernardi and Paolo Villaggio
Performed by Paolo Villaggio
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 52.519
- Tempo de duração1 hora 48 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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