AVALIAÇÃO DA IMDb
6,6/10
8,3 mil
SUA AVALIAÇÃO
Os azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a n... Ler tudoOs azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a namorada de Larry, se junta a eles no passeio.Os azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a namorada de Larry, se junta a eles no passeio.
- Direção
- Roteiristas
- Artistas
T.J. Castronovo
- Steve
- (as Tom Castranova)
James W. Gavin
- Helicopter Pilot
- (as James Gavin)
Edna MacAfee
- Seller at Swapmeet
- (as Edna Macafee)
Avaliações em destaque
with a little senseless fun? I love movies like this, where you don't have to think too hard and try and figure out what's going on, just sit back and enjoy!
i'd say this kicks Smokey & the Bandit's tail!
i'd say this kicks Smokey & the Bandit's tail!
Okay, Dirty Mary Crazy Larry is basically a car chase movie. However, this movie is nicely paced and well crafted for the this genre. Peter Fonda is the focal point as Larry, and he alternates between manic and gloomy, punctuating the action with humorous comments and a devil may care attitude. Adam Roarke as his mechanic/sidekick is the anti-Larry, a guy who is dealing with his own demons and is ready to step in when Fonda's character goes too far. Susan George is the wildcard in this movie. She latches on to Fonda and proves that she is not to be underestimated. The scene-stealer of the movie is Vic Morrow as the sheriff, who produces some of the best lines in this movie. When he gets in the chopper, the pilot says, "I just take orders" and Vic replies "Good, cause I give lots of 'em...let's go!". If this sounds like nothing special, check out this movie and you will see the other element which stands out, the atmosphere. Drawbridges, apple orchards, a small town flea market, dusty roads, big trucks etc. This is no "Dukes of Hazzard" mindless kind of car chase movie. There is a lot of intelligence and humor in the script, and it is well-paced and directed. An enjoyable movie to kill a couple of hours. I never said it was Citizen Kane!
If you're an aspiring writer/director or just a fan of the cinema? Then you have to watch, "Dirty Mary, Crazy Larry". The movie isn't just another 70's Drive-In exploitation car chase flick. It's the 70's Drive-In exploitation car chase flick to end all other 70's Drive-In exploitation car chase flicks that came before it. Movies like Vanishing Point, White Lightening and The Seven Ups.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
I saw it on DVD one hour ago, i really enjoy it as I did 40 years ago, these kind of movies are totally awesomes, nostalgics, I would never get tired to watch it again, it was a great rest time for me
I too watched DMCL again last month after a period of many years, and I have to say that I love it, even though it's truly crap. The dialogue's hackneyed, the plot's over-simplistic and filled with randomly-inserted chunks of juvenile self-indulgence and Susan George's performance tends to make me claw at my ears like a mangy dog but if, like me, you hate what the computer age has done to the car chase, you can't help but enjoy it.
The fact is, you've got a bright yellow '69 Charger at full pelt, outrunning a bunch of genuine Mopar pursuit cars and being rammed by a helicopter - filmed on a road, with a camera. What more do you want? In terms of real action, with no digital effects, speeded-up film or dodgy miniatures, it's up there with The Gumball Rally. And yes, the scene with Vic Morrow standing at that crossroads as the helicopter swoops down to meet him does have a certain resonance.
This film is pretty poor, make no mistake, but as an example of how cars were crashed in the good old days I reckon it should be in a museum...
The fact is, you've got a bright yellow '69 Charger at full pelt, outrunning a bunch of genuine Mopar pursuit cars and being rammed by a helicopter - filmed on a road, with a camera. What more do you want? In terms of real action, with no digital effects, speeded-up film or dodgy miniatures, it's up there with The Gumball Rally. And yes, the scene with Vic Morrow standing at that crossroads as the helicopter swoops down to meet him does have a certain resonance.
This film is pretty poor, make no mistake, but as an example of how cars were crashed in the good old days I reckon it should be in a museum...
Você sabia?
- CuriosidadesVic Morrow, playing 'Franklin', insisted on a $1 million life insurance policy before he would film any scenes involving the helicopter, and said that if he wouldn't be insured, he would walk off the picture. His wish was granted, and he very reluctantly agreed to fly in the chopper. When asked why he wanted the policy, Morrow replied "I have always had a premonition that I'll be killed in a helicopter crash!" Of course, on July 23, 1982, Morrow was indeed killed, along with two children, when a helicopter was brought down by special effects explosions, right on top of them while they were filming No Limite da Realidade (1983). Morrow was decapitated by the helicopter's main rotor, as was one of the children. The other child was crushed to death. Incidentally, famed stunt coordinator Gary McLarty, who was one of the passengers inside the helicopter that killed Morrow, also appears in this movie as a State Trooper.
- Erros de gravaçãoThe first getaway car is repeatedly referred to as a 1967 or 1968 Chevy by the police. It is actually a 1966 Impala and the differences between the model years are obvious.
- Cenas durante ou pós-créditosThe 20th Century Fox logo plays without the fanfare.
- Versões alternativasSeveral scenes cut from the original theatrical release were re-inserted for some television cuts of the film: Among these is a scene in the walnut grove after the collision with the fruit truck where Mary (Susan George) chides Larry (Peter Fonda) about not being literate enough to understand a quote from a book. Another occurs where four hoods at the swap meet are being interviewed by the police after Larry, Mary, and Deke tear off in the souped up Dodge Charger. The houdlums stall the officer's questions by commenting back and forth about what kind of engine was in the Charger.
- ConexõesEdited into Duro na Queda (1981)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Dirty Mary Crazy Larry
- Locações de filme
- 130 West Stockton St., Sonora, Califórnia, EUA(supermarket)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.140.000 (estimativa)
- Tempo de duração1 hora 33 minutos
- Cor
- Proporção
- 1.85 : 1
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