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If this film is examined closely, it's a bit sad. It is detailed enough to touch upon very real problems children, who grow up in poor, dysfunctional environments. Yet, it retains it's comedic value, with spirited performances by Diahann Carroll and James Earl Jones. The sadness lies in the struggles and dysfunction of the mother (Carroll), who cannot truly help her children, not because she doesn't want to, or try, but because, it's obvious she doesn't know how. Remember, this is a comedy, but if you've never seen this, or if you have, watch this film and see the humanity, in the characters. Good film.

I LOVE this movie....one of my all-time favorites!!! This was the first big screen movie my mom took me to see when I was 9. I highly recommend it to every african-american. This story is about love, trust, challenges, and everyday life of a black family. All the actors worked well together. I wish it was on video, but as of yet, it is not available that I know of. I caught it on television a few years ago, and recorded it, so whenever I get the urge to watch it...I have it! The soundtrack is awesome too! A must-see!

This well crafted film stands as an " American classic" in every sense of the word .We have the images of an Afro American family long before Cosby made it fashionable.And this film has the details which make it grittily realistic and believable .Oh! how I love those genuine NYC locations .Though made not so long after the civil rights era peaked, it dose'nt seem dated at all.The cast remarkable ,one must ask what became of these kids.The direction flawless ,James Earl is such a mighty presence in films and here he is young and strong.Watch him fight against the racist system .No doubt this is a movie for everyone no matter the race ,and what is color any way ?? I had seen this a few times but only recently obtained the videotape through sources that I found in the area .We really need more movies like this ,genuine wit , intelligent ,and touching emotions ,maybe our society would be a little better place.

"Claudine" is a unique insight into the life of the average poor urban black family of the early 1970s. And, it has some exceptional acting. So, despite some flaws (which I'll talk about in a bit), the film is well worth your time.

Claudine (Diahann Carroll) is a mother on welfare who works on the sly in order to support her six kids. She works very hard at low-paying jobs and has little time for anything other than her kids and work. However, when she meets a vivacious garbage collector, Roop (James Earl Jones), she is swept off her feet and they immediately start sleeping together (if guns have a three day waiting period, shouldn't there be a similar system for sex?). Soon, however, it goes from casual sex and good times to something serious--and that's when troubles begin. It seems that the welfare system is designed to prevent women from having families--and destroying marriage. What's to become of this couple and the six kids? See the film and find out for yourself.

The acting is the best thing about this film. In addition to Carroll and Jones' great acting, Lawrence Hilton-Jacobs has a very auspicious film debut as Claudine's angry and mixed-up oldest son. The film also has a lot of great insights into the stupidity of the welfare system and what it was like to grown up at that time. However, and I know some folks will think I am a jerk for saying it, but I also couldn't help but feel that some of the problems were CLEARLY caused by the characters. Claudine has six kids she cannot take care of and then jumps into bed with Roop on their first date!! Morality aside, this is insane behavior and shows a nutty unwillingness to accept reality. Despite this dumb mixed message, the film, on balance, is well worth seeing.

I have seen this movie since I was a little girl, and being from New York and remembering how people lived back then brought back a lot of good memories. This movie is not just about wanting a fairy tale ending but understanding the struggles of becoming a better person, woman, and provider Claudine attempted to be. It was about the welfare system putting women in a binding situation. It was about the injustice of a system that invaded and put demands on a family to stay afloat. Diane Carroll was nominated for an Oscar for this role, and it was well deserved. If you want to experience a strong family with conflicting but wonderful bonding moments, enjoy Claudine. Your goal as a viewer is to keep an open mind, and understand the overall frustration.

Calaudine (Diahann Carroll) is 36, unmarried and has six children and is trying to raise them all on welfare. Garbage truck guy Roop (James Earl Jones) starts romancing her. Her kids don't trust him and she doesn't trust herself. This movie chronicles how she deals with her relationship with Roop and how to deal with her six kids--two who are teenagers and starting to fight back.

I've never even HEARD of this movie until FXM showed it one night. It seems to have disappeared and that's too bad. It's easily got to be one of the most honest and accurate portrayals about growing up poor and black in the city. I'm not black but I've read books on the subject and had some friends who lived like this and this movie hits the subjects right on. Also this is one of the few movies where the kids act and talk like kids--not like little adults. The language is strong (there's plenty of casual swearing and sex talk) but that's how people act and talk. Also this film doesn't shrink from Claudine and Roop having sex--it presents it in a matter of fact way. The script is OK but tries to cover all the bases of being poor and struggling with kids--that's WAY too much for one movie. Also it seems to pile one disaster after another on Claudine. It's gets to be overkill. I also didn't buy the happy shots during the closing credits. Still this is an exceptional movie that seems to have fallen between the cracks. The acting is great--Carroll and Jones are so young and full of life and energy. Carroll was nominated for an Oscar for this film. Also, among her kids, is Lawrence Hilton-Jacobs who went on the star in the TV series "Welcome Back Kotter".

I do have to point out that the language is STRONG in this one and it has flashes of nudity (female). It wouldn't get a PG today--it would get an R. Still it's just being honest and there's nothing wrong with that!

Claudine was one of the very first movies that gave positive role models for both Black men and women. I appreciated this movie even more as I got older. This movie shows that men didn't always turn away from responsibility. An excellent movie I'd always recommend for anyone who appreciates a good inner city love story.

I thought, from the date, and the black cast, that this would be one of the "blaxploitation" films. Maybe some still consider it so, but to me those were horror and/or action flicks. This was a serious film, with themes, character development, drama, etc. Loved the music, by Curtis Mayfield and Gladys Knight and the Pips. I suspect that the filmmakers never really thought this would be seen by many white people, as many of its characters were very similar to the (seen today as racist) stereotypes that were widely held in those days. Even the characters themselves remarked upon this. And there was a lot of surprising candor in the portrayal of the destruction wreaked on the black family structure by the (fairly new, at that time) welfare system. Not bad at all.

Claudine is a movie that is representation of the american system at it's worst. The welfare system was initially set up as a stepping stone for those families who needed that extra hand to get back on their feet.The movie showed an accurate portrayal of how the welfare system breaks down the family unit. In other words if the father or any male figure is in the lives of the women and children their financial support from the system would be jeopardized if not terminated. The struggles of the poor can be seen throughout the world. I would like to see a reproduction of this movie back in the stores for all to rent or buy for their library collection.

An important film in its day, it still holds up well. Claudine was one of the first mainstream American dramas to deal with the struggles of urban poor African-Americans without exploitation, violence or exaggeration on one side, or sugar coating or soft peddling on the other. It has sadness, anger and heartache, but also joy, love and humor. It has two smashing central performances by Diahann Carroll as the mother of six, trying to survive on welfare and an off the books job as a housekeeper, and James Earl Jones as a very charming garbage man who woos her despite the risk their getting together could cut her welfare payments.

Carroll is a wonder. One of the most beautiful actresses of her era, here she manages to be believable as an over-worked, under loved mother in the ghetto. Equal parts pain, pride, vulnerability, smarts and strength she was one of the first African Americans to get an Oscar nomination in a drama. Jones does some of his best film work. Always a great of the American theater, in his early films Jones often came off as too theatrical, larger than life. But here is he subtle, sly, complicated, and very sexy. The young actors playing Carroll's six children are uniformly excellent, often a weak spot in a film like this.

There are problems; some plot turns are predictable, some moments feel a bit 'Hollywood', some of it feels awkwardly dated. But much of it is as relevant as ever, and not afraid to be upsetting and angry along with it's gentle comedy.

Two notes, while often marketed as a 'family' film, this deals with sex and nudity in an honest and realistic way, and it's language is salty and true. Also, sadly, the only available DVD is full screen – too bad since the film was quite nicely shot in its gritty way.

Claudine is a wonderful film about a black mother with six kids trying to make it on public assistance and some off the books work as a domestic. While on her job she runs into sanitation worker James Earl Jones who is a free spirit of sorts and they go on a date. It's love but will the kids accept him?

One thing for certain that was not mentioned is the fact that Jones is a city worker with all the benefits including medical that brings. He's one worthy catch.

Diahann Carroll is in the title role which got her an Oscar nomination for Best Actress. She hits all the right notes in her performance and she has great chemistry with James Earl Jones.

Claudine has quite a critique of the welfare system. Elisa Loti scores well in the role of Carroll's case worker. You really go through hoops for that assistance and seeing Loti go in to 'inspect' Carroll's dwelling criminals have more rights.

Also note Laurence Hilton-Jacobs in his role as Carroll's oldest. Quite a different character than we saw on Welcome Back Kotter back in the day.

Claudine as a film comes highly recommended by me.

The great film of an early urban afro-american family struggling through hard time and racism, this is an emaculate film. I am in love with this particular classic film because it shows reality, its emotion, its funny, and its a urban fairytale. I read the review by Brian Koller and basically he's saying that the film left him confused and without a plot. Well! I think that what he seemed to have missed was the fact that they did indeed get married, yes! the police did take Charles (Lawrence Hilton-Jacobs) to jail and the family went with him in the wagon to jail right after the wedding. To me that meant that the family was sticking together, no matter what the problem or finances were. Also I love the sound track performed by Gladys Knight and the Pips, titled "On and On". I would love to purchase this film, every time it comes on TV, I miss it. This film is truly a classic and should be in every afro-americans home. I wish somebody had some information for me about purchasing this film......Iama

After playing a smartly-dressed working mom on television for years, Diahann Carroll finally gets back to her dramatic roots and triumphs here as "Claudine", a single welfare mother in a houseful of unruly kids who begins seeing a well-meaning garbage collector (nicely played by a low-keyed James Earl Jones). Dated product of the 1970s has all the expected stereotypes, but director John Berry has fun with the convincing urban milieu and gets mileage out of Claudine's monetary predicaments, played for sarcastic laughs. The script brings up some all-too-realistic problems which it hasn't a hope in hell of solving, but the sharp, knowing, wise-ass dialogue lends a bracing quality to these characters--one respects them almost immediately. It's a fairy tale, a black variation on "Cinderella", yet the film is a bit overreaching, hoping to be both a lightweight romp and a diatribe on how we're all victims of the Man. Despite the hardships we presume are to come, the overall absence of malice--coupled with a cast full of brash, wonderful kooks--is ingratiating. **1/2 from ****

The 1970's saw a rise and fall of what we have come to know as "Blacksploitation" Films. The term is a reference to kind of broad catch-all, rather than a true Genre of Film. In short, any comedy, drama, adventure, western or urban cops & robbers shoot-em-up, that are so constructed and so cast as to appeal to the large Urban Black population of the Mid 20th Century. That indeed could embrace the widest type of films, as long as the had a slant toward the inner-city black population.

It appears that the idea of producing these films of particularly keen interest to Black Americans had its genesis with the Eastertime Release of 100 RIFLES (Marvin Schwartz Prod./20th Century-Fox, 1969). In it, former Syracuse University All-American Footballer and Several Times All-Pro Fullback for the Cleveland Browns, Jim Brown, had a Co-Starring Billing. Having appeared in a number of films already, as for example, RIO CONCHOS (1964),THE DIRTY DOZEN (1967), (ICE STTION ZEBRA (1968)* and others, it was beginning to make more sense to the Studios' "Suits" that Jim was a hot property.

Now this 100 RIFLES brings record numbers of Black patrons to the Big Cities' central business districts on Easter Sunday to view Mr. Brown. Why not start to film more of these adventure epics and other types of film with more Black Players and Stars? Why not, indeed.** So we saw a succession of Cops & Robbers, Bad-ass Private Detective Films, Comedies, all going the route. Along the way, we eventually got to some more family oriented, wider appealing films. The movie goers were treated to SOUNDER (1972), THE TAKE (1974), CONRACK (1974)and, ultimately, CLAUDINE (1974).

In CLAUDINE, we find no stigma nor easy classification as being "Blackploitation", as the story is universal, and could easily have been done as a story about people of any descent, any where, and not just in the 1970's USA.

That the story was done of a SINGLE mother, Claudine (Dianne Carroll), struggling to keep a family together after "....two marriages and two almost marriages.", is a far cry from a shoot-em-up Harlem Style. The problems that plague the everyday citizens of our nation are confronted and examined under the ol' sociological microscope.

But we also consider Claudine's psychological and physical needs as a female. For "Woman Needs Man and Man Must Have His MATE",***and we do concede this point. (That's S-E-X that we're talking about, Schultz!) Claudine meets up with a very masculine, broad shouldered, athletic type in Private Scavanger Garbage Man, Ruppert B. Marshall (James Earl Jones) and they go on a date.

The Great Welfare State intervenes with the Couple as Claudine's Welfare Case Worker, Miss Tayback (Elisa Loti), comes snooping around to see just who is this unattached Male, who is suddenly paying so much attention to Claudine's family.

After a humiliating experience with the Welfare Bureau's auditing and "deducting" binge, which would be the norm for the family, the two decide to get married with or without the blessing of Big Brother.

Meanwhile, Claudine's elder son has gotten involved with some big talking but little doing Black Activist group. But, with Ruppert's help, he and they all come through it A.O.K.

It ends on a Happy, Upbeat and Hopeful note. We know that it may not be exactly "...Happily Ever After!", but rather the'll make it all together! If there is a single criticism that we must state it is that sometimes in a movie like this, a misconception is spread to a large portion of Urban Blacks. And that is, the apparent implied myth that all Whites are wealthy, having none of their kind ever in need of a helping hand, out of work or suffering any disabilities.

Well, folks, it just ain't true! NOTE: * At one point, Jim Brown's career was a real hit as a rugged actioner. He was even being tauted as "...The Black John Wayne." NOTE: ** The idea of producing films with All-Black Casts, filmed for All-Black consumption was not a new idea. In the 1920's, '30's and '40's, we saw productions from people like Noble Johnson, Spencer Williams, Jr. and Rex Ingram.

NOTE: *** That's "As Time Goes By", you know, Schultz, it's from CASABLANCA (Warner Brothers, 1942).

Poignant snap of the life of a family in 1970s NYC, almost unbelievably so. Claudine is a single mom supporting six children with her position as a maid in a well-tended burb and as a welfare recipient. Every time the welfare calls the entire family flips the apartment décor ala The Sting. She meets Roop, a charismatic garbage man who loves her but shuns responsibility. I love this great flick; it's got so much. "Curtis Mayfield wrote and produced the film's score and soundtrack, the vocals for which are performed by Gladys Knight & the Pips." That sentence I had to lift verbatim from Wikipedia because it says so much.

I may not be black. I may not be an African American, but I'm a brown woman living in this same world in 2019. Men are men when they stick around. Women are women when we do what we do to be strong for our kids. As a mother to a son, any son who stands up to the person to become the man of our house is a man! God bless this movie and all it stands for! Women who are this strong are rolemodles. And families who are this should be what America truly is!

Films about the Black American experience are still pretty rare now, so think about what a rarity a film like "Claudine" would have been in 1974.

Diahann Carroll earned an Oscar nomination for playing the title character, a single mother of six in Harlem, trying to raise a family on welfare. The movie is part social critique of the welfare system itself, a program that doesn't help enough but puts in place just enough rules and regulations that prevents families from being able to help themselves, and part romance between Claudine and a sanitation worker played robustly by James Earl Jones. It's refreshing to see a movie that gives its audience something other than the standard stereotypes of Black people living within the welfare system, and it's a fascinating slice of life look at Harlem in the 1970s. It's unfortunate that in order to avoid Black stereotypes, the film has to instead make caricatures of the few white people in it. It's as if movies with both Black and white characters don't know what to do with themselves if one of the groups isn't pigeon holed in some way. Maybe we'll get there some day.

"Claudine" is a just a little lightweight to achieve greatness, and a screwball ending is directed poorly and sticks out like a sore thumb. But it's worth a watch for the performances of the two leads.

Grade: B+

I just watched this for the first time and absolutely love this movie. The movie shows a single mom trying to raise her 6 kids and having to deal with "Mr. Welfare" all up in her business. The soundtrack for the movie was just perfect. I will be going out today to see if I can find the movie and soundtrack. I loved the characters and how they made the movie about real life situations, its crazy because they still happen today. The plot was realistic ans easy to follow. Just perfect all across the board!!! I just wished I would have seen this movie sooner. But I'm glad that I was able to catch it when I did. A great movie to watch with your loved ones.

This is a film about Claudine (Diahann Carroll), a black lady (widow or abandoned by her husband(s) or lover(s)) who had six children and must have worked hard to sustain the whole family. Working as a maid in one house she was discovered by a strong black man (James Earl Jones) who worked as a garbageman and felt in love with her. A romantic relationship started between both, which was finally accepted by the Claudine's children. Their honey moon did not last for long because he did not want her to work anymore but money to sustain the whole family were not enough. Economical difficulties combined with some then racial limitations make their lives miserable. The end was a happy one but solutions to the problems were not really given. One may assume that the director John Berry just wanted to present clearly the situation of this couple, which could be the situation of too many in this society at that time and may be even now.

This was a great movie for black people. It showed two people struggling to survive in the big city. It was funny and real and about time!

When I first watched this movie, I immediately noticed that Diahann didn't look as pretty as usual. They had to have intentionally made her look not-so-pretty. Diahann Carroll was a beautiful woman. Such a beautiful woman is not entirely believable as a mother of six, on welfare. Another thing that wasn't believable was James Earl Jones as Claudine's love interest. There was an obvious attempt to tone down Diahann's natural beauty. It didn't exactly work, though. She was a hundred times too nice for Jones. It's a matter of personal taste, but I didn't like very much about the film. The kids were annoying and unlikeable. The story is not entirely convincing, mostly due to Diahann Carroll's casting. She was just too pretty and too classy to be believable in this role. There is one scene that I like alot, however. Diahann is in the bathtub, and we get some flashes of nudity. I loved it! One of the sexiest things I've ever watched. That scene is the reason I gave the movie 7 stars, instead of only 4.