Celas em Chamas

Erica Gavin stars as Jacqueline Wilson, who is sent to jail for between 10 and 40 years. Once inside, she finds herself at the mercy of strict warden Supt. McQueen (Euro horror star Barbara Steele) and perverted Dr. Randolph (Warren Miller), who quietens troublemakers with a spot of lobotomy. Together with some of her cellmates, Erica makes a desperate bid for freedom…

Trashy women-in-prison flick Caged Heat was directed by Jonathan Demme, the same man who, seventeen years later, would win an Oscar for Silence of the Lambs. This being a low-budget exploitation movie from the Roger Corman production stable, there isn't much to suggest the director's future success, his film delivering the expected genre ingredients—lots of nudity (inc. full frontal), (mild) torture, (mild) sexual abuse, a cat-fight etc.—all at a lively pace, but little else of note.

Nowhere near as sleazy as Jess Franco's WIP films, or as memorably fun as Jack Hill's, Demme's film is one for fans who have seen all of the essential titles, but still have a hankering for more babes behind bars action (without scraping the bottom of the genre barrel).

I'm not quite sure what to think of Caged Heat. Don't get me wrong I think Demme is a magnificent director but this…Ugh, I'm not sure what to say. I read that Caged Heat was praised by critics, I could probably see what they saw in comparison to other girls in prison flicks. It didn't have that aspect of a campy movie. It had some style to it which is good. It shows that Demme had some sense of artistic view from the very beginning of his career. You can tell that he took time in planing out shots. The best example of this is when the camera is passing by the prison cells and you can see each inmate doing something different. Those are also signs of good directing. The characters are memorable and well developed. The movie doesn't aim for showing a lot of skin. Sure some of the girls are very attractive (especially the two blond ones), still the movie doesn't rely on sex at all.

I guess you can say this is a decent first attempt. Considering the budget he had to work with, I'd say its pretty good. Its good to see directors work their way up but never forget where they came from. Demme was grateful to be working with Roger Corman and it shows. He gave him a role in Silence of the Lambs. Nevertheless Caged Heat is nice to check out. It's great entertainment that's for sure. And isn't that what films are all about?

Ahhh... 'Caged Heat'! I get a big grin on my face just typing the title! Look, you either dig Women In Prison movies or you don't, and if you do 'Caged Heat' is the second best one ever made, in a tie with Jack Hill's 'The Bird Bird Cage'. (The best for me is still 'Chained Heat' starring Linda Blair and Tamara Dobson, made a few years after this genre is generally regarded as being at its peak). I think the only thing stopping it from being number one is the absence of Pam Grier. If she had played the character of Pandora instead of Ella Reid, 'Chained Heat' would be IT. Funnily enough, three of the major cast members (Juanita Brown, Roberta Collins and Rainbeaux Smith) had co-starred in various Grier vehicles ('Foxy Brown', 'The Big Doll House', and 'Drum' respectively). This is Jonathan Demme's directorial debut after serving his apprenticeship with Roger Corman as a writer and producer, and he really came up trumps. Demme manages to make a tough and tense W.I.P. movie and a playful, tongue in cheek parody of one simultaneously. He has made more accomplished and successful movies since this, but arguably none more entertaining. The cast is an impressive one, not just Brown, Collins, Smith and Reid, but Russ Meyer bitch goddess Erica Gavin ('Vixen!') and horror legend Barbara Steele ('Black Sunday', 'Pit And The Pendulum', 'Night Of The Doomed', 'Shivers',etc.). I also liked the perverted Dr. Randolph played by Warren Miller. 'Caged Heat' is first class trash, and a perfect example of 1960s/70s exploitation movies exemplified by the energetic and fun output of American International and New World Pictures. We will never see their likes again! Enjoy!

When I think 'Women in Prison', my mind often goes to sleazy Italian/Spanish productions by directors such as Jess Franco and Bruno Mattei; and while these films are often very sleazy, they're also very samey and once you've seen one; you might as well have seen them all. I have to admit that these types of films generally aren't my favourites; but in fact the idea of women behind bars has been done very well on several occasions outside of Italy and Spain; and Roger Corman's New World Pictures is responsible for some of the best of them. Caged Heat is the directorial debut of Oscar-winning director Jonathan Demme, and it's a well done little flick with plenty of entertainment value! Naturally, the film centres on the story of a girl who is caught committing crime and sent to a women's' prison where she is introduced to a host of violent inmates. This prison is ruled over by the stuff wheelchair bound Superintendent McQueen; and she takes offence to a play put on by the girls; leading them to plot an escape.

This film is much lighter on the sleaze than I'm used to in a women in prison flick; but this is more than compensated for by some great action scenes and dialogue and that's what ensures Caged Heat entertains throughout. It does have to be said that the plot is not particularly original or ambitious and basically follows a structure similar to many other women in prison films that came before it; but that's not such a big problem. The film never gets boring and is peppered with standout scenes; including an escape attempt while out working in a field and a bank robbery. The film is helped along by assured direction from the man who would go on to helm the masterpiece The Silence of the Lambs and a great cast with plenty of standouts; including best of all the legendary Barbara Steele in the role of the head prison warden. Overall, Caged Heat may not leave the viewer with much to think about by the end; but it's a brilliantly entertaining little grindhouse flick and anyone that enjoys this type of film will surely want to track it down.

Arguably the finest women in prison (WIP) film ever made, CAGED HEAT proves that even a trash exploitation film can aspire to decent artistic values. Jackie (Erica Gavin), an accomplice in a drug related crime, is sent to a southern penitentiary run by an oppressive, wheelchair-bound warden (Barbara Steele). Jackie's cell mate Lavelle (Cheryl Rainbeuax Smith) suffers from suicidal nightmares while another prisoner, Pandora (Ella Reid), is reprimanded for entertaining her fellow inmates with a mildly lewd vaudeville act and placed in solitary confinement. Her loyal friend Belle (Roberta Collins) begins sneaking through the ventilation ducts to bring her food from the kitchen until she's caught when she surprises an elderly staff member who abruptly dies of a heart attack. Meanwhile, the prison bully Maggie (Juanita Brown) picks a fight with Jackie and gets them both in hot water. Though the warden is a bit stern, the real threat turns out to be the demented prison doctor (Warren Miller). He subjects Jackie and Maggie to illegal electric shock therapy and prescribes a more permanent `cure' for Belle: corrective brain surgery, which he intends to perform with a Black and Decker power drill (!). Jackie and Maggie finally work out their differences and manage to escape in a highjacked prison truck. But Jackie can't bring herself to abandon Lavelle, Pandora, and especially the doomed Belle. With Maggie's help, she plans a daring prison break to rescue her friends.

Jonathan Demme's script provides believable characters and several imaginative dream sequences, and his direction is filled with impressive camera angles and novel wipes and dissolves. He even commissioned an appropriately down and dirty soundtrack from blues legend John Cale. Because of these frequent artistic flourishes, CAGED HEAT is one of the few WIP movies to win the respect of critics. In spite of the abundant exploitation and nudity, the film unexpectedly also won the approval of some feminist groups who praised its positive depiction of `Woman Power.'

A hugely appealing cast helps the movie immeasurably. Ms. Steele earned a reputation as the original `Scream Queen' with her edgy performances in horror classics like Mario Bava's BLACK SUNDAY and Roger Corman's THE PIT AND THE PENDULUM (both 1961). She's cast largely against type here as the prudish warden, but a dream sequence in which she performs a raucous Vegas style dance number wearing glittering tights and sheer stockings reveals her character's repressed eroticism, a quality Steele projected in all her roles. Leading lady Ms. Gavin made her screen debut several years earlier in one of the first hardcore adult features, Russ Meyer's VIXEN! (1968), which was a gutsy career move in an era when many actors were arrested for performing sex acts on film, then still a punishable crime. The petite Ms. Smith enjoyed a busy career in exploitation films during the '70s and early '80s; she tragically died of hepatitis in 2002. But beautiful blue-eyed Ms. Collins, who had already appeared in two previous WIP movies (THE BIG DOLL HOUSE and WOMEN IN CAGES, both made in 1971), steals the show as the endearingly faithful Belle. The character takes considerable personal risk to help her friend Pandora and ultimately suffers for her effort. When we see her molested by the perverted doctor and learn that she's scheduled to become his next lobotomy victim, the news is genuinely shocking and upsetting, which nicely sets up Jackie and Maggie's race against the clock to save her. In other words, Belle ultimately becomes the emotional focus of the entire plot, and Ms. Collins handles the pivotal role with winning charisma and grace. She went on to appear in countless more cult B movies, including a fourth WIP film, VENDETTA (1986).

Demme of course went on to even bigger and better things, becoming one of the most successful directors of his generation. He won a Best Director Academy Award in 1991 for THE SILENCE OF THE LAMBS, which also won the Best Picture Oscar.