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IMDbPro

A Tragédia de Belladonna

Título original: Kanashimi no Beradonna
  • 1973
  • 18
  • 1 h 26 min
AVALIAÇÃO DA IMDb
7,3/10
8,8 mil
SUA AVALIAÇÃO
Aiko Nagayama in A Tragédia de Belladonna (1973)
Trailer for Belladonna of Sadness
Reproduzir trailer1:32
1 vídeo
99+ fotos
AnimaçãoAnimação desenhada à mãoAnimação para adultosAnimeDramaFantasiaTragédia

Um senhor feudal malvado estupra uma moça em sua noite de núpcias e continua a arruinar sua vida e a de seu marido. Após ser finalmente banida de sua aldeia, a menina faz um pacto com o diab... Ler tudoUm senhor feudal malvado estupra uma moça em sua noite de núpcias e continua a arruinar sua vida e a de seu marido. Após ser finalmente banida de sua aldeia, a menina faz um pacto com o diabo para ganhar habilidade mágica e se vingar.Um senhor feudal malvado estupra uma moça em sua noite de núpcias e continua a arruinar sua vida e a de seu marido. Após ser finalmente banida de sua aldeia, a menina faz um pacto com o diabo para ganhar habilidade mágica e se vingar.

  • Direção
    • Eiichi Yamamoto
  • Roteiristas
    • Jules Michelet
    • Eiichi Yamamoto
    • Yoshiyuki Fukuda
  • Artistas
    • Aiko Nagayama
    • Chinatsu Nakayama
    • Masaya Takahashi
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    8,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Eiichi Yamamoto
    • Roteiristas
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Artistas
      • Aiko Nagayama
      • Chinatsu Nakayama
      • Masaya Takahashi
    • 37Avaliações de usuários
    • 88Avaliações da crítica
    • 70Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos1

    Belladonna of Sadness
    Trailer 1:32
    Belladonna of Sadness

    Fotos135

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    Elenco principal20

    Editar
    Aiko Nagayama
    • Jeanne
    • (narração)
    • …
    Chinatsu Nakayama
    • Narrator
    • (narração)
    Masaya Takahashi
    • The Lord
    • (narração)
    Masakane Yonekura
    Masakane Yonekura
    • The Priest
    • (narração)
    Katsuyuki Itô
    • Jean
    • (narração)
    • (as Katsutaka Ito)
    Shigako Shimegi
    Shigako Shimegi
    • The Lord's Mistress
    • (narração)
    Masaaki Tsukada
    • Walla
    • (narração)
    Hatsuo Yamaya
    Hatsuo Yamaya
    • Walla
    • (narração)
    Reiko Niimura
    • Walla
    • (narração)
    Akio Hayashi
    • Walla
    • (narração)
    Masakazu Yamaguchi
    • Walla
    • (narração)
    Yozo Isozaki
    • Walla
    • (narração)
    Masashi Ishibashi
    • Walla
    • (narração)
    Orio Yoshiro
    • Walla
    • (narração)
    Machiko Ito
    • Walla
    • (narração)
    Hitoshi Gôko
    • Walla
    • (narração)
    Kikuchi Kenyukai
    • Walla
    • (narração)
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Devil
    • (narração)
    • Direção
      • Eiichi Yamamoto
    • Roteiristas
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários37

    7,38.7K
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    Avaliações em destaque

    8max4movie

    Brilliant Art Come To Life For A Gruesome Story

    Full Review on my blog max4movies: Kanashimi no Belladonna (international title: Belladonna of Sadness) is an experimental animation movie for an adult audience. Its plot focuses on Jeanne, a young and beautiful woman, who after being raped, has visions of the devil. It features extreme graphic content, like naked women, rape scenes, and an orgy with animals. This, alongside with Jeanne being mostly naked and the omnipresence of phallic imagery, will be appalling to some - although the movie never indulges in voyeuristic pleasures like other erotic movies. Still, the movie features undeniably beautiful images with a unique art style, ensuring that the colorful depictions of rape and torture not only fascinate but also highlight the rich underlying thematic concepts, like open sexuality, criticism against religion, and a social commentary about totalitarian regimes.
    10Stay_away_from_the_Metropol

    Shocked that this masterpiece only has 20 reviews on here

    I had first heard of this when Cinefamily of Los Angeles started screening a new restored version of it around 2015/2016 and even involved themselves in a new Blu-Ray release of it. I finally watched the Blu-Ray of it last week and it not only lived up to the hopes I had for it after seeing the trailer, but surpassed my expectations through it's fully singular themes, animation style, innovative structure, and commitment to surrealism.

    Simply put, this is one of the most psychedelic, out-there, impressive animated films I have ever seen. Due to the themes and the content it is extremely heavy & dark, so it's not for everyone, but it takes things that are fully depraved and atrocious and portrays them with beauty through visual surrealism. If you can understand the point of portraying evil in a gorgeous way, then you will likely find this film completely magical. At some point, the movie takes a much more familiar theme which has been covered in many, many films and digs into the psychological aspect of it in a way that I have never seen done before - it really kind of hit me hard when I realized what I was witnessing. This film is not for the weak hearted or overly moral.

    Do not let the the first 20-30 minutes turn you off. The animation holds a very slow-burning, disciplined style for the first act, which asks for your patience. But once you finish the first act, you will cannoned into a kaleidoscope of unpredictability and stimulation to the fullest order. There is nothing like this wonder - see it.
    6DonaldDooD

    Underwhelming, But Unique

    When I started the film, I was lured in by its bleak narrative and erotic imagery. If it weren't for the language, Belladonna would be unrecognizable as anime, with its realistic proportions, faded colors, sexual themes, and psychedelic imagery/soundtrack. I quickly emphasized with our lead's suffering, and the allure of Satan himself when all joy and hope is dead.

    Unfortunately, while the initial premise was fascinating and sensual, Belladonna lacks the depth to make it a masterpiece. There is no real development. There are no likable characters. Jean doesn't ascend from her demons. Her downfall isn't particularly evocative. Its half emotional torture porn, half stoner fuel.

    The animation is also kind of bad. Heck, most of the time, you're only given stills. Some shots are beautiful, but others seem very cheap. Others are nonsensical, immature pieces of graffiti that somehow snuck into an art film.

    Belladonna seems disjointed between two opposite demographics and isn't good enough for either one. I wish someone could do this story better justice. But it was an interesting movie, especially for its time. Because of a few scenes and overall unique place in animation, I'd recommend it to those who are into more "art house" film. I wouldn't to those who want strong character and narrative.
    10fallenletters

    A Masterpiece, but not for everybody

    This film is a masterpiece. There are very few animation films that cross the territory into high art, but this is one. Calling it anime is kind of a disservice as it is more rooted in animated art films than it is anime. This may be Japans first animated masterpiece. But it was not done in a style many of us understand to be anime. It is deeply surrealistic in both imagery and approach. While some scenes are not animated, but rather hand painted still frames which are panned and edited together, but this never detracts from the overall context of the film. The animation itself is a blend of styles throughout the film, but the heavy use of watercolor lends well to the new 4K restored version.

    This is a very adult film. It is highly sexual in nature. As an art film though from this era, it is actually not out of bounds. With that being said, art films, especially foreign ones, are not for everybody.

    This is a feminist film, but it may be a difficult film to watch for some. So a bit of a trigger warning for those who care. The themes do deal deeply with sexual trauma and violence, and recovering from it. It is also though about finding independence in a patriarchal system, and ownership of ones own sexuality.

    So beyond all that, if you do want to experience something different and beautiful, this film is something to behold. Everything from the great psychedelic rock, and free jazz soundtrack, to the mix of animation and artistic styles, we have a film that stands out even to this day. It is unique in what it offers. It's restoration should be celebrated.

    On a side note, I have to credit AFI Silver in Silver Spring, MD for screening this film. It remains one of the best cinema's in the country as otherwise forgotten films find new audiences. This really has not been screened much in the US.

    My hope is this does make it to blu-ray or some other media format. For now the credit is to the new distributors, but also arts cinemas like AFI Silver that are currently screening the film. It is a rare treat to see a film like this.
    9rdoyle29

    A beautiful, disturbing masterpiece

    In medieval France, young couple Jean and Jeanne marry, but on the wedding night, an attempt to pay the required tribute to their lord results in a group sexual assault on Jeanne. Shattered by this, Jeanne is visited by Satan in the form of a very small penis man, who offers her the power to strike back against her abusers in exchange for her soul. Jeanne initially resists, but succumbs in stages, each resulting in penis Satan becoming a bit larger and Jeanne gaining some power over the lord, but ultimately facing greater setbacks. When she is at her lowest, she gives in completely and soon must be dealt with by the lord.

    The first thing to note about this film is that it is exquisitely animated. Anime pioneer Eiichi Yamamoto, who had a hand in "Astroboy" and "Kimba the White Lion", forgoes any semblance of contemporary anime style and forges a psychedelic and deeply transgressive style based in modernist European watercolors. A lot of the animation is just still watercolor paintings that the camera pans across, but there's also a fair amount of animation. It's an absolutely gorgeous film.

    This provides even more power to the film's very sexual, hallucinatory and transgressive images. It's very easy to label a film this explicit as "pornography", but none of the imagery in this film is used with any intention to arouse the viewer. It's very much apiece with the story that quite deliberately does not equate the embrace of "Satan" ... in this story, the embrace of personal, anti-authoritarian power partly via sexuality ... with evil. It's a deeply disturbing film with some of the most bizarre sexual imagery I have ever seen, but I also think it's a quiet masterpiece.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The last film produced by Mushi Production. They went bankrupt shortly after its release.
    • Erros de gravação
      The end of the film references the French Revolution of 1789, but then an image is shown of Eugène Delacroix's famous painting "Liberty Leading the People." That painting - "Liberty Leading the People" - depicts the July Revolution of 1830, not the French Revolution of 1789.
    • Citações

      Jeanne: What ails you little one? Do you want me?

      Page: Jeanne, Don't you recognize me? I'm the Lady's page. She hates you, so I hated you too. I'm the one who slashed your green cloak.

      Jeanne: Your point, little page?

      Page: I did it because... I love her.

      Jeanne: Are you here to kill me?

      Page: I need your help, Jeanne. Hear my plea. I want to make love to her. But... I'm only a lowly page. She'd never consider me.

      Jeanne: Who cares about status?

      Page: God granted us our status. Ignoring that is against God! The Work of the Devil! Hower... I'm willing to sell myself to the devil for my love.

      Jeanne: Enough.

      [Jeanne hug the Page]

      Page: [Page gets scared] Filthy witch! How dare you!

      Jeanne: [Jeanne lauging] Very well, I'll help you.

    • Cenas durante ou pós-créditos
      There are no ending credits or a 'THE END' title; all the credits are at the beginning. The opening theme is reprized over a blank screen after the final scene. The 2015 restoration adds a copyright byline and credits for the restoration.
    • Versões alternativas
      According to the liner notes booklet contained with the Japanese DVD of the film, there are six known versions of the film.
      • The first was a draft version that was hastily created to meet a deadline that the film had to be shown to the distributor, Nippon Herald, for their perusal by August 1972. This version, which contains temporary placeholder shots made by a team separate from the main crew, has never been shown to the public.
      • The second version was completed by the end of 1972, and premiered at the 1973 Berlin International Film Festival. Aside from the placeholder shots of the first version being replaced with material created by the main team, the scene in which Jeanne makes her pact with the Devil was immediately followed by a 5-minute live-action montage shot by Daido Moriyama depicting sexual acts performed in parks and red light establishments. This version also ends with the Devil laughing in the crowd after Jeanne's execution. Because this ending was poorly-received at the Festival, Eiichi Yamamoto decided to alter it in later versions.
      • The third version was used early on during the film's Japanese theatrical release. It omitted Moriyama's live-action montage, but still retained the Devil's laughter at Jeanne's death.
      • The fourth version, created partway through the Japanese theatrical run, removed the Devil's laughter, and featured an instrumental version of the film's theme song over the ending. An edited presentation of this version was used for some TV broadcasts.
      • The fifth version was edited for an attempted 1979 re-release. In an effort to appeal to female college students, Yamamoto cut 8 minutes' worth of material from the original camera negative, removing most of the film's scenes of sexual violence. This version also made alterations to the film's ending: a newly-animated shot of female bystanders at Jeanne's execution, whose faces morph into Jeanne's visage, was added, as well as a final montage of title cards describing the role of women in the 1789 French Revolution, with the film's final shot being of Eugène Delacroix's painting "Liberty Leading the People". Some revisions were also made to the film's opening credits roll. This version was released on VHS by Pony Canyon in the early 1980s.
      • The sixth version was created in 1986 for the film's VHS re-release and first release on LaserDisc. Although otherwise based on the 1979 re-release, it reinstates all of the sexual content omitted from that version. This is the version that has remained in circulation since, and was restored in 4K for its 2016 re-release.
    • Conexões
      Featured in MsMojo: Top 10 Animated Movies That Were Ahead of Their Time (2024)
    • Trilhas sonoras
      In the Pale Mirror
      Lyrics by Chinatsu Nakayama

      Music by Masahiko Satô

      Performed by Chinatsu Nakayama

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    Detalhes

    Editar
    • Data de lançamento
      • 30 de junho de 1973 (Japão)
    • País de origem
      • Japão
    • Idioma
      • Japonês
    • Também conhecido como
      • Belladonna of Sadness
    • Locações de filme
      • Tóquio, Japão(Mushi Production)
    • Empresas de produção
      • Mushi Production
      • Nippon Herald Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Orçamento
      • JP¥ 80.000.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 378
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 26 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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