O Mundo em Guerra

It's been a quarter-century since this series made its debut, and I wanted to briefly comment on Carl Davis' towering soundtrack score. The theme and opening titles are unexpected and make a terrific impact upon the viewer, coming as they do after a low-keyed prologue narrated by Laurence Olivier. With their work, and with the superb scripts (and their author(s) have not received the accreditation due), I can't imagine how the telling could ever be improved upon in any subsequent productions. No, I think this will remain the definitive World War II anthology. Highly recommended - though a cautionary is called for throughout the Holocaust sequences. (There was much trepidation at its debut over televising that episode.)

Even thirty years later this documentary has lost none of its power. Quite the opposite. It serves as a superb introduction, for those born after WWII, to an enormous conflict that radically re-shaped the world around us and subjected our grandparents/parents to dreadful hardship.

The series begins slowly, with an episode on Hitler's and the Nazi party's rise to power. It does skip a great deal of material on the origins and growth of National Socialism... but I suppose that is only to be expected. Despite being an epic thirty-two hours in length there is only so much time, and much material not directly about the war had to be skipped.

It is a fine antidote to the drivel put out by film studios... which, for the most part, show the war being almost entirely fought by the U.S.A, with the British involved in a few skirmishes here and there. Little do they realise the scale of British fighting and loss. Perhaps even more importantly it gives coverage of one of the most undervalued (particularly by Commie-bashing Hollywood) that Russia suffered more losses than any other country in WWII. Without their sacrifice it would have been a different outcome.

I can't stress enough how good this series is. From the title sequence with its stirring Carl Davis music and arresting images to the well-written and perfectly judged narration, it has the lot. If you get the chance to see it -- whether on DVD, or just a TV repeat -- do not miss it.

Certainly any others I have seen pale in comparison. The series gives balanced coverage to all theatres of operation. No one country is given undue credit for the Allied victory. Laurence Olivier brings great weight and dignity to his role as narrator.

This series, produced at probably the most propitious time following the events of the second World War, is on a scale of value that stands far above any individual's presumption to criticize.

The timing of World at War's production in 1974, amounting to some three decades after the events of the war, permits an accurate relating of events in a manner uncoloured by residual propaganda and slant. The passage of thirty years allows the telling to be backed up by an impressive and fascinating panoply of the very individuals involved, ranging from some of the highest military and political figures down to the field soldiers, civilians, and such survivors of the death camps as have remained to bear witness to the unimaginable inhumanities of which civilized humans are capable. Most approaching or well into their senior years, the interviewed subjects have had enough time to reflect on their experiences and in most instances have had enough time for whatever propaganda and fervor may have affected them in the past to have receded away, leaving only the memories of what they saw and what they did.

The information that these survivors give, strikingly reinforced by the postures and expressions they display while telling their part, give their stories all the more impact. Such names as Ira Eaker, Adolph Galland, Louis Mountbatten, Albert Speer, Gertrude Junge (Hitler's personal secretary)... the list is far too long to relate.

Today, within the lifetime of the survivors of this enormous lesson in the hideous price of political ambition, are young people who chant the same sort of militaristic and nationalistic war promotion as led to WW2. The DVD series we discuss here ought to comprise the core of a mandatory history subject in schools, that the lessons bought at such a horrible cost in those days should not have been wasted but should be taken to heart by those who did not see firsthand the terrible price.

I am almost done watching the 11 disk set, having seen most of the series when a local TV channel aired it more than 10 years ago. It has lost none of its poignancy to me, indeed has become even more of a magnificent chronicle of some of the very darkest days of human times.

The highest possible rating seems unworthy of being applied to this presentation. I think the value of this series is beyond counting.

My wife and I have watched this whole series at least three times. I can't imagine how it could be better. This isn't the "complete" history of WWII—no library could hold such a history—but it is the best summary of that history. Lots of detail, lots of personal stories, and still keeps the overall picture in view.

Olivier's narration is excellently written and, of course, superbly given. The interviews are from all sides, except the Russian, because the producers were not allowed to talk to many Russians. It is very much worth owning this complete program on DVD. We treasure our copy.

The producer's do an excellent job of providing pictures and action where there was almost none extant in any archive: There are almost no films of convoys and submarine battles, for instance, but still, the episode on this subject is very well done.