Com as Próprias Mãos

Some rather unscrupulous Dixie gangsters wanted this man out of the way real bad. In his real life town of Adamsville, Tennessee sheriff Buford Pusser made a career out of busting the various clip joints that infested his areas. Those that ran them did all they could to kill him. After the action in this film was portrayed they kind of got their wish and Buford Pusser was killed in a car crash that some still label suspicious.

Pusser was a big guy in real life and a big guy in Joe Don Baker was hired to play him. On screen Baker really gets into his character so much so that could be the real Pusser you see on screen. Before going into law enforcement Pusser was a professional wrestler in the southern circuit known as Buford the Bull. As the man was attacked several times including one shooting no doubt his superb athletic conditioning saved his life.

Elizabeth Hartman portrays his wife and mother of his two children, one of them played soon future teen bubblegum idol Leif Garrett. A few familiar faces dot the supporting cast. One portrayal you won't forget is Rosemary Murphy owner of one of the clip joints who hustles women and gambling and she develops a real hatred for Baker. She sizzles on the screen.

On the screen and in real life Pusser was not a stickler for civil liberties niceties. He did what he had to do to root out corruption in his small corner of the world. In another century like the one we're in now, Buford Pusser would have the status of a Wild Bill Hickok or Wyatt Earp. Both of whom didn't mind gambling interests but kept the cheating to a minimum.

To some, an American hero.

The fact that the remake of this classic is opening in a few days persuaded me to review the original Joe Don Baker ass-kicker of a movie. Baker will always be in my mind as Buford Pusser, a man who chooses to walk tall no matter what the consequences that may befall. After retiring from wrestling, he returns home with his wife, Elizabeth Hartman (Edwina in Clint Eastwood's strangest film "the Beguiled), and children, Dawn Lyn and Leif Garret (heh) in tow, only to find corruption. Luckily Buford carries a BIG stick and knows how to swing it. At a tad over two hours, this film is almost 2 times the film that the remake is time-wise, but a million times better than it entertainment and story-wise. A tad dated, but it still holds up pretty well

My Grade: A

Remember seeing this film when it first hit the theatres in 1973...had some hype in the local newspapers and TV ads and was ballyhooed a lot like "The Exorcist" the same year. This film does not disappoint. If you like underdog films and the bad guys getting their a's kicked you will love this movie. Joe Don Baker, a bit actor at the time puts in slam dunk performance as the tough tennessee sheriff Buford Pusser who is a southern dirty harry type cop. Some fans might remember Baker as one of the prisoners in Paul Newman's "Cool Hand Luke". Story centers around Pusser returning home after a long sabbatical as a pro wrestler to find corruption running amok. After getting sliced and diced at a corrupt card table in the local septic tank bar and left for dead on the side of the road Pusser gets angry enough to make a run for sheriff....after winning the surprise election Pusser has to recruit some honest deputies - a rather hard task in that small corrupt town - and proceeds to try and weed out the gangsters and prostitutes running amok in the town. After running the corrupt judge into the basement of the local court house Pusser has to stop the moonshining operation run by the mob also. Along the way he literally castrates a corrupt deputy who is a mob informer. His preferred weapon is not a pistol but a big round wooden "stick" if you will he uses to bang up and batter down all criminals with. Gets to be sort of fun waiting for the next scumbag Pusser will pound down with that big wooden stick......scene of Pusser and his wife getting ambushed by the mob is very graphic and humbling...several people getting very teary eyed in the theatre the first time I saw this film. Scenes of Pusser and his children walking in funeral procession for his wife get to your emotions in a warm and tender way. Plenty of action, and the bad guys get mowed down in the end by Pusser. Almost like a carbon copy of the original Dirty Harry film the same year with Clint Eastwood mowing down the criminals. Poor cinematography and film editing the only downer for this film. Why does the viewer have to see part of a microphone hanging down from a bedroom?? Don't bother with the sequels without Baker as sheriff Pusser. Bo Svenson poor substitute after you have seen Baker as Pusser. Great overall action film - can be quite graphic. Not for young kids to see.

Yes Virginia there really was a man named Buford Pusser. He was a south Tennessee sheriff who was shot 8 times, knifed 7 times, survived a ambush, and even jumped onto a speeding car to make a arrest. The film, which was admittedly given the Hollywood treatment, looks at his exploits in a somewhat routine,somewhat gritty style with some surprisingly stirring moments. Though by the end when Johnny Mathis sings a ill advised syrupy song do you realize how emotionally manipulative it all really is.

Shot right in Tennessee and not some reprocessed Hollywood backlot. The excellent location shooting almost becomes a star in itself. However someone should have told the producers that even in the south the grass is not all green and the leaves aren't all on the trees at Christmas time.

Baker plays the lead role very, very well. Not only does he resemble the real Pusser, but shows some real fiery anger that's just lurking beneath the surface.

The action is intense, bloody, and well staged. Good for those who are game for this type of standard actioner.

It is interesting to note that the real Buford Pusser acted as a consultant to the film and then ended up dying in a very mysterious car crash just a year after the films release.

All you folks complaining that this is amateur film-making because the boom is visible in several shots don't understand how movies are made. In order to get good sound on dialog, the mike is hung very close to the subject. It is almost always captured on film, but in the area which is not meant to be seen by an audience, as the square film frame is supposed to be matted at top and bottom by the projectionist when shown in a theater, or by the technician when transferring film to video.

In the case of Walking Tall, whoever supervised the transfer to video did so "open matte", meaning they transfered the ENTIRE film frame without proper matting, hence the visible boom. This was not carelessness on the part of the filmmakers, but on the part of whoever put it out on video. You'd see microphone booms in Star Wars if it were transfered to video this way.

When I saw Walking Tall in the theater, it did not have visible booms. Blame the video release, not the filmmakers.