Terminal Island

Remember Escape From New York? Eight years previously, in 1973, Terminal Island did the exact same idea. Not nearly as well, but hey - being first count for something, too! TI is an exploitation film when being an exploitation film was cool. As such, it has certain shortcoming inherent to the genre, such as street talking tough black guy, the psychotic white chauvinist pig, and the heroic woman, overcoming oppression with sagacity and perserverence. I can live with those stereotypes, but I can't bear the background music leftover from a 1970's porn movie!

Marta Kristen finally gets to play the part of an action hero - quite a leap from the laid back Judy Robinson role she is best known for. She fights and blows things up and knows how to create gunpowder from nature. Very cool.

It was really weird to see Tom Selleck and the black guy from Magnum P.I. in a movie together considering I have never seen either one of them in anything else. Do they always work together or was this the only time? I'll probably never know. Anyway, I wasn't expecting much from this movie and I was pleasantly surprised.Strangely, they start the movie with a news team and make it look like they will be a big part of the story but their part is done before the opening credits roll. I assume it's an original plot, although it's very similar to how Australia became a country. The fight scenes we're a bit weak, you could easily see that nobody was really getting hit, but the story was good enough to make up for it. It was a little predictable too but most movies are. I thought it was weird that there was so much nudity and so little swearing, they usually go hand in hand.It was also a bit weird that the woman who was the main character for most of the movie isn't even in the final few minutes but maybe it was just an editing mistake. This is a good movie, watch it.

Selleck (playing a doctor before his stint on "Friends") and Mosley appear in this one seven years before the Magnum, P.I. TV series. (It is amazing how a person can play one character and be so right for so many different roles).

California has abolished the death penalty (before it was reinstated) and the golden state empties death row onto "Terminal Island". Here, the inmates run the show and the only "guard" is a Navy frigate that prevents escape. Basically, this is a standard prison movie without the bars, but since there are no rules, the inmates can do whatever they want from what they can improvise on the Island.

A social order has arisen where a dorky murderer along with his black enforcer(Mosley) force everyone to work while he has his way with the women (other males get their turn, as well).

A "revolutionary" band of renegades (lead by Don Marshall(II) from "Star Trek" and "Buck Rogers in the 25th Century") roam the island and basically steal what they can from the "establishment". They treat their people only slightly better.

A war erupts when some guards delivering a new prisoner are overwhelmed and their machine guns are stolen. All manner of improvised weapons are also used as well.

This movie is a very good allegory for the VietNam war and how determined ingenious under dogs can defeat a militarily superior power.

Also, as expected in seventies exploitation flicks, a lot of chicks go topless and nude--unfortunately not Selleck or Mosley.

Okay so this film is not Lord of the Flies caliber and it will never be included in the Criterion Collection, but I will give credit to female director Stephanie Rothman for her fortitude for completing this action/drama/thriller that includes a few female characters that are not total bimbos. Director Rothman does follow the action themed "good guys versus bad guys" and yes the women in this film are exploited both physically and mentally but the difference is sometimes in Ms. Rothman's film the girls get the better of the hardened criminal men and I did find myself rooting for the women.

The film starts off rather slow as we are introduced to a broadcast news crew who want to do a news story on this new law discipline that sends like-minded convicted murderers on to an island to fend for themselves, and to fend off one another mainly to survive. Thus the film title Terminal Island would indicate that as a convicted criminal murderer your days are numbered once you land on Terminal Island.

Yes it has that typical '70's era dull cinematography feel, a pretty redundant music score but it also has one known star for the time in Don Marshall (known for TV's Land of the Giants) as well as some up and comer TV actors such as Phyllis Davis, Roger E. Mosley, and the well known now geriatric actor Tom Selleck, who back in 1973 was a TV commercial male model hunk looking for his first big break. No doubt, Terminal Island gave Tom Selleck the break that he needed to become a bona fide television star in first Magnum P.I. for 8 seasons along side Roger E Mosley who played TC. More recently Tom Selleck has been starring in the highly rated prime time TV police series Blue Bloods for the past 7 seasons. So Terminal Island was recognized by the astute TV producers that there is some good talent coming out of Terminal Island that was well worth pursuing.

I liked Terminal Island because it deliberately stayed clear of overdoing any sex and gore and tried to execute a film with a pretty good plot that was both creative and not easy to execute on a small budget for a B movie at best. So yes, it is worth watching and I will say that I did enjoy it. Maybe you will too?

I give it a 7 out of 10 rating

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).

TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius.

A sleazy, cheesy champion of drive-in splendor. 6/10.