Três Ladrões Desajustados

Wacky comedy with an anti-establishment edge. But then what would be expected of social critics like Fonda and Sutherland. The surprise here is Peter Boyle who steals the show with Eagle's loony antics. He's both amusing and scary at the same time. It's a bravura performance.

The plot's just goofy enough to fit right in with a band of free spirits wanting to escape dull conformity. Seems they conspire to restore an airplane that's the size and shape of a warehouse so they can fly away to somewhere. That means having to get enough money for outfitting the wreck. For this misfit bunch that means organizing a pick-pocket attack on downtown suits. Grinning along is Sutherland's ex-con Veldini as the ring-leader. Trouble is he's got a respectable brother in the DA's office who aspires to higher elective status, and that means putting a halter on embarrassing brother Veldini. Meanwhile, there's Fonda as a big-haired hooker whose client list seemingly includes every suit in town. Plus seeing Hesseman as the DA, clean-shaven and in a spiffy suit, took me some getting used to after years of his scuzzy dj on WKRP, Cincinnati.

All in all, the 1971 flick (delayed release) amounts to a shady character comedy. There is a mild '60's era subtext but it's more implicit than explicit. At the same time, the non-conformists may be humorous but they're certainly not glorified as an alternative life-style. Then too, it's the byplay between the edgy characters that carries what chuckles there are. Nonetheless, I can see why some folks might dislike the results- no one is particularly likable, even Sutherland's lead character, while the comedic effects depend on the dubious personalities. Anyway, for the most part, I enjoyed the 93-minutes, despite the drawbacks.

"I dunno nothing about climbing... except onto broads and motorcycles." --Peter Boyle replies to Donald Sutherland in a Brando voice when asked to climb into someplace to steal something.

"A '50 Studie!" --Donald Sutherland exclaims when he sees a 1950 Studebaker at a demolition derby, the only model he had yet to crash into in his derby driving days before prison.

Most, if not all, of the members of the comedy group The Committee appear in the movie and there's a great bit that defies description involving Hessman, his henchman, a sort of movie-prop housefront with someone pretending to be an out-of-control guard dog barking at the window while one of the others tries to hold him back.

I think Sutherland said in a Playboy interview that it was during the filming of this movie that Jane Fonda raised his consciousness.

Sigh, I never would have seen most of my favorite movies if it weren't for revival houses that brought this and other classic or off-beat movies back from time to time. Sadly, most of those theaters are long gone too these days.

A film that holds up much better than its original reviews would let on. Although Fonda looks a bit disoriented at moments, there are a couple of scenes between her and Sutherland where the two simply radiate the star power that made them famous. Overall the film has a charm and warmth to it that, despite a little clumsyness at times, still makes it very much worthwhile and displays an interesting idiosyncratic type of humor and counterculture charm we haven't seen much of in recent years.

Not a must-see on a saturday night, but a precious gem for the connoisseur.

I spent the entire Summer during the making of the film on the set/location of the film, and I would say that being thirteen years of age at the time, it was a heck of ride!!! I learned about racial tension on the streets of Oakland. The local African American population wasn't always crazy about the film crew's presence...lots of discernible anger and tension.I learned about how you try to shoot on location at a real demolition derby with a real live audience. It was organized chaos, and fights were breaking out in the stands and on the track....Peter Boyle was always making everybody crack up with his Marlon Brando imitations.....there was a lot of focus and preoccupation on getting scenes done correctly with pyrotechnics and explosions....hours of debate and preparations...

It was the end of the sixties, and the Vietnam War was going on endlessly with no end in sight....Jane Fonda was blackballed by Hollywood and Steelyard Blues was at least a paycheck.

A piece of Hollywood history during a very uncertain time....

Career criminal and demolition derby driver Jesse Veldini (Donald Sutherland) gets released from prison. His DA brother Frank Veldin (Howard Hesseman) just wants to keep him out of trouble. He reconnects with hooker/girlfriend Iris Caine (Jane Fonda) and his old friends. They decide to fix up a rundown PBY Catalina airplane. They do various petty crimes to finance the rebuild.

There is a confusing info dump early in the movie. This is trying to be an irreverent comedy but it's more quirky. It's down and out. I don't really know these characters' logic especially Jesse. He seems to be aimlessly searching for something that he doesn't even know. It's a bit muddled. It has the grim of 70's Oakland. I don't find this that much fun but these actors keep me interested. It's a borderline case.