Adicionar um enredo no seu idiomaRefusing an arranged marriage, young aristocrat Carmela is sent to a convent. Her arrival intensifies the power struggle between the debauched nun Elizabeth, and the stern but evil Mother Su... Ler tudoRefusing an arranged marriage, young aristocrat Carmela is sent to a convent. Her arrival intensifies the power struggle between the debauched nun Elizabeth, and the stern but evil Mother Superior, as both are smitten by Carmela's beauty.Refusing an arranged marriage, young aristocrat Carmela is sent to a convent. Her arrival intensifies the power struggle between the debauched nun Elizabeth, and the stern but evil Mother Superior, as both are smitten by Carmela's beauty.
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Italian nunsploitation set in Italy in the 1600s. A young noblewoman named Carmela, promised as a child in an arranged marriage, decides instead she wants to marry a lover of her choice. This brings huge disgrace on her family. The only solution is for them to have her forcibly admitted to a convent, as becoming a nun is the one socially acceptable reason for backing out of the deal. The convent (surprise) turns out to be a hotbed of drinking, partying, and same-sex relationships. Carmela's arrival creates increased tensions in an already strained relationship between the Mother Superior and a Sister Elisabeth, as both women take a romantic interest in the new arrival. She isn't interested in either of them in that way, and only wishes to escape and rejoin her lover so that they can wed.
Despite sounding like the usual sleazy nun-fest, it actually isn't. There's some nudity, including one flogging; but the story has some substance and the characters are fleshed-out (no pun intended) to the point where you actually care about them. British actress (and giallo queen) Suzy Kendall gets to show her acting chops for once as the Mother Superior (a role that Joan Collins was to play, before she backed out), the late, beautiful Catherine Spaak is great as the scheming Sister Elisabeth, and the gorgeous Eleonora Giorgi (in her first lead role) makes an impression as the radiant Carmela. Some nunsploitation fans might find themselves feeling a bit let down it's not.. sleazier, and it's a tad slow at times with a few scenes feeling over-long; but it's certainly a change to see one of these that doesn't rely solely on T&A to draw an audience. 6.5/10.
Despite sounding like the usual sleazy nun-fest, it actually isn't. There's some nudity, including one flogging; but the story has some substance and the characters are fleshed-out (no pun intended) to the point where you actually care about them. British actress (and giallo queen) Suzy Kendall gets to show her acting chops for once as the Mother Superior (a role that Joan Collins was to play, before she backed out), the late, beautiful Catherine Spaak is great as the scheming Sister Elisabeth, and the gorgeous Eleonora Giorgi (in her first lead role) makes an impression as the radiant Carmela. Some nunsploitation fans might find themselves feeling a bit let down it's not.. sleazier, and it's a tad slow at times with a few scenes feeling over-long; but it's certainly a change to see one of these that doesn't rely solely on T&A to draw an audience. 6.5/10.
This film did not have the typical features of a usual nunsploitation film. Sure, it had nudity and a whipping, but the sex was all off camera.
Eleonora Giorgi played Carmela, who was promised as an infant to unite two families. She fell in love with another and her father locked her away in a convent. Giorgi was really good in the role and made the film worth watching.
Sister Elisabetta (Catherine Spaak) assisted her in meeting her lover while in the convent. Spaak was also very good. Unfortunataly, Sister's motives were not just to befriend Carmela; she was actually in love with her. Spurned, she took revenge.
Also good was Suzy Kendall who played Mother Superior. She was also in love with Carmel, but never really expressed it.
Just watching this film as a romance is worthwhile. You'll have to look elsewhere for real nunsploitation.
Eleonora Giorgi played Carmela, who was promised as an infant to unite two families. She fell in love with another and her father locked her away in a convent. Giorgi was really good in the role and made the film worth watching.
Sister Elisabetta (Catherine Spaak) assisted her in meeting her lover while in the convent. Spaak was also very good. Unfortunataly, Sister's motives were not just to befriend Carmela; she was actually in love with her. Spurned, she took revenge.
Also good was Suzy Kendall who played Mother Superior. She was also in love with Carmel, but never really expressed it.
Just watching this film as a romance is worthwhile. You'll have to look elsewhere for real nunsploitation.
I have watched different movies on the sub-genre Nunsploitation, this is one of the quite suitable and fitting movies on the subject. The theme is analogous to various movies on the subject; it has been handled skillfully with a balanced approach. I am of the opinion that this movie has been slightly underrated.
The movie, claimed at the ending to be a true account, pertains to the life of Carmela Simoni (Eleonora Giorgi) who is forcefully sent to be cloistered at the convent so as to restrain her from marrying at her won will. Set in the 17th century Italy, the movie depicts the tough life at nunnery including flaws, intrigues, and sufferings of the nuns.
The movie, claimed at the ending to be a true account, pertains to the life of Carmela Simoni (Eleonora Giorgi) who is forcefully sent to be cloistered at the convent so as to restrain her from marrying at her won will. Set in the 17th century Italy, the movie depicts the tough life at nunnery including flaws, intrigues, and sufferings of the nuns.
A beautiful nunsploitation epic,sweet and tender where the lovely Eleonora Giorgi plays a blond virgin forced to live behind convent walls. Catherine Spaak is excellent and even more sexy than she was in her early giallos. Suzy Kendall is beautifull in the role of the mother superior who want to be a new mother for her "sister" Carmella She's more sensitive and sad than ever. I prefer this one as THE NUNS OF ST ARCHANGELLO also from Domenico Paolela. beautifull photography, beautifull music, beautifull nuns...
This is one of the earlier Italian "nunsploitation" films and as such may disappoint those expecting a Joe D'Amato style sex romp like "Images in a Convent" or the bloody satanic pandemonium of the later Jess Franco/Hispanic variety. It is also not nearly as gruelingly realistic and incendiary as "Flavia, the Heretic", probably the best of these films. It most resembles the two films before it--"The Nuns of St. Archangel" and "The Sinful Nuns of St. Valentines". These films don't quite make up a trilogy since they are all more or less the same. A young woman is confined to a convent after she refuses a marriage arranged by her strict father. There she finds herself caught between the kindly but strict Mother Superior and a libertine bisexual nun from an influential family who is able to obtain favors like drunken, naked parties and rendezvous with men on the outside. After the young nun becomes pregnant by her boyfriend a scandal erupts and all the nuns have to unite against a common enemy--the corrupt and brutal patriarchal authority.
Although the story is pretty mind-numbing, this movie really works because of the acting. Suzie Kendall really manages to flesh out what is usually a pretty two dimensional Mother Superior role. Catherine Spaak is equally good as the wicked, libertine nun. Eleanora Giorgi plays the young novice, the role occupied by Ornella Muti and Jenny Tamburi in earlier movies, and she is more than adequate. And if you don't blink you might also see an early unclothed appearance by Paola Senatore who was later in "Images in a Convent" (and apparently hardcore Italian porn). There is some nudity, mostly by the beautiful Giorgi and the extras (Kendall, characteristically, and Spaak, quite uncharacteristically, both keep their habits on), but there is a general lack of the depravity fans have come to expect from this genre. There is one scene where Giorgi (half-naked, of course) is tied up and whipped, and a scene where Spaak is made to crawl across the floor licking it with her tongue--a striking if perhaps not really very erotic image.
This is kind of tame but definitely worth watching, especially for nunsploitation fans and other demented perverts.
Although the story is pretty mind-numbing, this movie really works because of the acting. Suzie Kendall really manages to flesh out what is usually a pretty two dimensional Mother Superior role. Catherine Spaak is equally good as the wicked, libertine nun. Eleanora Giorgi plays the young novice, the role occupied by Ornella Muti and Jenny Tamburi in earlier movies, and she is more than adequate. And if you don't blink you might also see an early unclothed appearance by Paola Senatore who was later in "Images in a Convent" (and apparently hardcore Italian porn). There is some nudity, mostly by the beautiful Giorgi and the extras (Kendall, characteristically, and Spaak, quite uncharacteristically, both keep their habits on), but there is a general lack of the depravity fans have come to expect from this genre. There is one scene where Giorgi (half-naked, of course) is tied up and whipped, and a scene where Spaak is made to crawl across the floor licking it with her tongue--a striking if perhaps not really very erotic image.
This is kind of tame but definitely worth watching, especially for nunsploitation fans and other demented perverts.
Você sabia?
- CuriosidadesJoan Collins was originally cast for the Mother Superior role.
- ConexõesFeatured in The Devil and Martine (2021)
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- Story of a Cloistered Nun
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- Tempo de duração
- 1 h 37 min(97 min)
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- 1.85 : 1
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