O Homem que Eu Escolhi

I started seeing a ton of movies in '73, which was mostly cause of "The Exorcist", which was an extremely big deal that year. I saw it twice the night I graduated from grammar school so after that, my Mother could hardly say that anything else was too 'mature' for a 13 year old.

1973 was also an interesting year for movies in general. Several 'low-key' movies like "Scarecrow", "Cinderella Liberty" and "The Paper Chase" represent the year (for me) much more than one of the most puzzling Best Picture winners, "The Sting."

I had enjoyed Timothy Bottoms in "The Last Picture Show" and sensed this deep, inner sadness in the characters he portrayed. I never felt that coming from another actor. Its like he's brooding to the nth degree, but you don't mind.

Four things happen: (1) Timothy goes to law school, a class run by John Houseman (2) Timothy tries to have a relationship with Lindsay Wagner (3) Timothy obsesses about John Houseman, and (4) Timothy goes to study group and socializes w/some study group buddies, It may sound dull but for some reason the movie is extremely watchable. And for some reason I found it fascinating that someone would brush their teeth and shave while in the shower, and have been doing both ever since I first saw this movie. 8/10.

I saw this on an early VHS video transfer that was just awful. I then saw it years later on TCM in widescreen DVD format and was blown away by all I'd missed on that c****y video version. This is a first rate drama of a harried Harvard law student. Make sure you see this in widescreen so you can get the full effect of the wonderful scenes like the one where Hart and his buddy sneak into the upstairs library with the glass lighted floor to sneak a peek at Kingsfield's law student notes. I especially liked the way director James Bridges reflected the lighted floor off of Hart's glasses. A very nice touch from an underrated director. No car chases, no action sequences, no over the top plots, just a simple character driven story set in the beautiful Harvard law school. This is what great filmmaking is all about.

I shall recite the facts of the case, forthwith. An idealistic first year law student from the Midwest, named Hart (Timothy Bottoms), along with several other students find themselves unprepared for the academic rigors of Harvard Law School. Their insecurities bump up against the high standards of the renowned and intimidating Professor Kingsfield (John Houseman) who teaches a class in contract law. Further, Hart happens to become romantically involved with a woman named Susan (Lindsay Wagner) who initially fails to tell Hart that she is Kingsfield's daughter. Complications ensue.

"The Paper Chase" is a rather slow moving drama laced with occasional humor. The dispassionate story is simple and straightforward, if perhaps slightly contrived. It lacks emotional intensity, especially by today's standards. But that's somewhat to be expected for a setting that is so cloistered and cerebral. Characters are stereotypical, but still interesting.

And the "heart" of the story is the discourse between student and professor, especially as Hart relates, or fails to relate, to the demanding Kingsfield, a man who never smiles. Kingsfield has a one-track mind. He lives, breathes, and sleeps contract law. He expects his students to do the same. Always impersonal, he's like an intellectual robot. And half the fun of the film is listening to John Houseman's monologues, as he "fills the room with (Kingsfield's) intelligence".

The film's color cinematography is fine; camera "takes" are very long. The film's visuals do look dated. Guys have long hair. And students use ... typewriters -- yikes! Background music is intermittent and mostly classical. Overall acting is fine. Both Timothy Bottoms and Lindsay Wagner give credible performances. And, of course, John Houseman is terrific. I can't imagine anyone else in that role.

Low-key, and nostalgic in its view of education, "The Paper Chase" is a good film to watch for its high technical quality, for its theme of the individual trying to measure up to society's expectations, and of course for the wonderful performance of John Houseman.

I cant say this movie is anything at all like law school, but I have been in a PhD program for seven years and I know this: The Paper Chase is far and away the most accurate representation of the first year of graduate school as depicted in film. Not there are really *any* depictions of graduate school in film, at least this one gets it right. The students at once detest and seek approval from a professor who cares very little about whether or not they make it. They must rely on one another to get through the year but in the end it is up to each one as individuals whether or not they succeed and go on, or even if they want to continue. Some may knock what might appear to be a cliched cast of first year law students(not unlike a World War II movie) including the arrogant one, the kooky one, the rich guy, the brainy one, the selfish one, the self doubting one--but honest, all of these stereotypes exist in every first year grad program in every department across the country.

If you think you want to go to grad school, this movie may (and hopefully will) cure you.

It's been almost 40 years since I entered law school during which this movie was released and viewed with great interest by just about everyone in my class. For some, it was a fairly accurate depiction of the emotional drain first year law school can bring about. We didn't see these folks again after the Christmas break.

For most, however, it was a bit 'over-the-top' fun - strategically useful to impress family and friends who always seemed to be oddly curious about the academic rigors involved in becoming a lawyer.

Our law school sponsored a frosh-night just before the first week of classes and, after the movie was released it was played as the highlight of the evening. For those of us in second and third-years who were also invited, it was great fun to observe the incoming, first-year students squirm and grimace as if it were they who were called-upon to recite the facts and finding in Carlill & Carbolic Smoke Ball.

Housman's performance, while undoubtedly brilliant and, indeed, a major dramatic focal-point of the film, would have been rather softened in reality. The students in my class (and no doubt the ones both before and after) were superbly aware of their own social rights and responsibilities and they certainly were no wall-flowers by any stretch. They would have very quickly and resoundingly stood-up to that sort of intimidation and it wouldn't have happened again.

And yet, now, some 40 years later, having just seen the movie again, I must say, upon reflection, it really does capture the essence of the law school experience. It is a jealous mistress; romantic relationships, sports, hobbies, casual fun - all of it becomes secondary to the almost overwhelming curricular demands. As is suggested in the film, it is not just a question of learning material, memorizing statutes and jurisprudence; it is more than that. It is a matter of changing the way one sees reality. To this day, even though I am a retired lawyer, I look at a vehicular accident and I think 'tortious liability'. I hear an ambulance and I think 'wills and estates'. I watch Dads alone and fumbling uncomfortably with their kids in MacDonald's on Saturday morning and I remember the 'custody and access' battles in which my clients were engaged.

To me, the movie is as fresh and evocative today as when I first saw it.