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IMDbPro

A Noite Americana

Título original: La nuit américaine
  • 1973
  • PG
  • 1 h 56 min
AVALIAÇÃO DA IMDb
8,0/10
26 mil
SUA AVALIAÇÃO
A Noite Americana (1973)
Trailer for Day for Night
Reproduzir trailer2:48
1 vídeo
95 fotos
Drama do mundo do espetáculoComédiaDramaRomance

Um diretor de cinema empenhado luta para terminar seu filme enquanto lida com uma infinidade de crises, pessoais e profissionais, entre o elenco e a equipe técnica.Um diretor de cinema empenhado luta para terminar seu filme enquanto lida com uma infinidade de crises, pessoais e profissionais, entre o elenco e a equipe técnica.Um diretor de cinema empenhado luta para terminar seu filme enquanto lida com uma infinidade de crises, pessoais e profissionais, entre o elenco e a equipe técnica.

  • Direção
    • François Truffaut
  • Roteiristas
    • François Truffaut
    • Jean-Louis Richard
    • Suzanne Schiffman
  • Artistas
    • Jacqueline Bisset
    • Jean-Pierre Léaud
    • François Truffaut
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    26 mil
    SUA AVALIAÇÃO
    • Direção
      • François Truffaut
    • Roteiristas
      • François Truffaut
      • Jean-Louis Richard
      • Suzanne Schiffman
    • Artistas
      • Jacqueline Bisset
      • Jean-Pierre Léaud
      • François Truffaut
    • 91Avaliações de usuários
    • 68Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 13 vitórias e 7 indicações no total

    Vídeos1

    Day for Night
    Trailer 2:48
    Day for Night

    Fotos95

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    Elenco principal30

    Editar
    Jacqueline Bisset
    Jacqueline Bisset
    • Julie Baker
    Jean-Pierre Léaud
    Jean-Pierre Léaud
    • Alphonse
    • (as Jean-Pierre Leaud)
    François Truffaut
    François Truffaut
    • Ferrand, le réalisateur
    Valentina Cortese
    Valentina Cortese
    • Séverine
    Dani
    Dani
    • Liliane, la stagiaire scripte
    Alexandra Stewart
    Alexandra Stewart
    • Stacey
    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Alexandre
    Jean Champion
    Jean Champion
    • Bertrand, le producteur
    Nike Arrighi
    Nike Arrighi
    • Odile, la maquilleuse
    Nathalie Baye
    Nathalie Baye
    • Joëlle, la scripte
    Maurice Seveno
    • Le reporter TV
    David Markham
    David Markham
    • Dr. Michael Nelson
    Bernard Menez
    Bernard Menez
    • Bernard, l'accessoiriste
    Gaston Joly
    Gaston Joly
    • Lajoie, le régisseur
    Zénaïde Rossi
    • Madame Lajoie
    Xavier Saint-Macary
    • Christian
    • (as Xavier Macary)
    Marc Boyle
    • Le cascadeur anglais
    Walter Bal
    • Walter, le chef opérateur
    • Direção
      • François Truffaut
    • Roteiristas
      • François Truffaut
      • Jean-Louis Richard
      • Suzanne Schiffman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários91

    8,025.8K
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    Avaliações em destaque

    10mjkarlin

    A classic love poem to filmmaking, witty, elegant, humane and entrancing

    Many movies have been made about moviemaking but none surpass Day for Night (La Nuit Américaine) for its humanity, its warmth and its genuine feel for Director François Truffaut's approach to his art and craft. The film follows Truffaut, in effect playing himself, as he makes a somewhat banal little romance called "Meet Pamela" (Je Vous Présente Pamela) with Jacqueline Bisset, Jean Pierre Aumont, Valentina Cortese (who was nominated for and should have won the Academy Award for Best Supporting Actress) and Jean-Pierre Léaud. It conveys the chaos of filmmaking process in front of and behind the camera and behind the scenes.

    There are occasional false notes - the production manager's wife who insists on being on the shoot and watches disapprovingly as the cast and crew move in and out of each other's rooms, as funny as she is, simply doesn't ring true to the film - but in so many more cases, the details, the emotions, the mad combination of giddiness, passion and meticulousness that are needed to make a film, are captured so as to make you forget the slightly dated early 70s look. And Jacqueline Bisset is timelessly stunning in this film.

    Minor notes: The movie launched the film career of Nathalie Baye as the continuity girl - her first major role; Graham Greene, the great English novelist (The Quiet American, Brighton Rock, etc.) had an uncredited cameo as the Insurance Agent - Truffaut directed the scene but did not know who the actor was until after the shot was in the can; Maurice Séveno, who appears briefly as a TV reporter, was a well-know French TV news anchor in the 60s and 70s; the score by Georges Delerue, who collaborated on many Truffaut movies, is lovely without being cloying.
    8Xstal

    Lights, Camera, Distraction...

    When making movies, it appears, there's many hurdles, the behaviour of the crew can make blood curdle, you need to keep hold of your senses, repair, rebuild, renew strained fences, as you spin, rotate and turn around in circles. Most common are the fraught relationships, musical chairs and their resulting partnerships, bonds are formed and bonds are broken, sometimes strong, quite often token, but they're guaranteed to challenge, the film script.

    François Truffaut genially introduces us the often chaotic and unpredictable world of filmmaking, the perpetual challenges from the people, product and process, and the diplomatic way all manner of banana skins are traversed. Highly amusing, and with many parallels to more ordinary lives and livings, it's sure to bring a smile to your face.
    7marcin_kukuczka

    Truffaut's devoted work! Cortese's magnificent performance!

    Truffaut's movie, dedicated to two great silent stars Lilian and Dorothy Gish, is very specific since it shows how a movie is being made from a technical as well as personal point of view. The content may seem to be boring for some people. However, it is not exactly so for many people since lots of us would like to see the real wings of a film and Truffaut's movie does a perfect job in this aspect.

    The cast are generally good but the quality of performances is raised by very few individuals. The actors and actresses have a double work to do: to play in the film which is being shot, MAY I INTRODUCE PAMELA, as well as to play in DAY FOR NIGHT. Jacqueline Bisset is supposedly the main star of the film. Yet, she is far from best. Sometimes, it is felt that she cannot combine her role in DAY FOR NIGHT with her role of Pamela. She looks confused at switching to two different realities. There are some less famous French cast, like Dani or Jean-Pierre Aumont, who do a good job, but do not appear to be particularly memorable. However, the person who absolutely shines in her role is, in my opinion, Valentina Cortese. The Italian stage and movie actress, born in Milan, was cast by such great directors as Antonioni, Fellini, and Zeffirelli. She was always very good. But here, in Truffaut's movie, she gives one of her very finest performances. She beautifully combines the role of an actress and the role of Alfonso's mother. It's just a perfect flow between these two. I have watched the entire film twice, but the scenes with Ms Cortese - ten times. Her facial expressions in the portrayal of Severine, an alcoholic desperate movie star, her constant forgetting of the lines and opening wrong door, her whole acting REALLY DESERVE AWARDS!

    Since the film's content deals with making movies, I would like to concentrate on one more aspect: how it really shows movie making and people who take part in it. Here, I must say that Truffaut did something unforgettable and universal. While watching DAY FOR NIGHT, a viewer is led to a wonderful journey into the core of film making. One can see, for instance, the scene shooting, problems with direction, writing the script, the private problems of the cast, the way others perceive the works, director's real devotion, including ultimate work - "Who is a director?...Someone who is constantly being asked". Finally, the film touches the most serious problem: what happens if an actor dies during filming... This is something that happens rather rarely (thank goodness); yet, it's double tragedy. Truffaut also develops the characters of actors and actresses - these are not only people who act but complex individuals.

    I recommend DAY FOR NIGHT to those people who are interested in film-making. Truffaut did a piece of marvelous job and I am glad that Valentina Cortese was cast by him and her performance resulted in awards. She really deserves it.
    9claudio_carvalho

    Making a Film in a Tribute to the Cinema

    In Nice, the Studios La Victorine is producing the film "Je Vous Presente Pamela", about a French man that marries the English Pamela in England and brings his wife to France to introduce her to his parents. However, his father and Pamela fall in love with each other and she leaves her husband to live with her father-in-law. The producer Bertrand (Jean Champion) and the director Ferrand (François Truffaut) invite the British Julie Baker (Jacqueline Bisset), who had a nervous breakdown and married her Dr. Nelson (David Markham), to the role of Pamela.

    Along the shooting, the cast and crew are lodged in the Hotel Atlantic and Bertrand and Ferrand have to deal with problems with the stars Severine (Valentina Cortese), an aging artist with drinking problems that affect her performance; the immature, spoiled and needy Alphonse (Jean-Pierre Léaud); Julie that is emotionally unstable. But in the end, they succeed to complete the film.

    "La Nuit Américaine" is a film about making a film and a great tribute to the cinema. This is one of my favorite Truffaut's films and the last time I saw it was on 08 January 2001.

    It is impossible to highlight performances in this film, but the mesmerizing beauty of Jacqueline Bisset shines. Jean-Pierre Léaud performs his usual role of an insecure man, using the same gestures of Antoine Doinel.

    In 1992, Louis Malle explored the storyline of "Je Vous Presente Pamela" in "Damage". My vote is nine.

    Title (Brazil): "A Noite Americana" ("The American Night")
    Piafredux

    I Dare Anybody

    I dare anybody to resist becoming involved with the characters in 'La Nuit Americaine". This is brilliant cinema storytelling upheld by a superb cast (my favorite is Nathalie Baye as the Continuity Girl - and not because she speaks the best line in the film; but Valentina Cortese's turn as Severine is delicious too). The editing here, too, is a tour de force of film art - actually, I'm surprised that few critics have mentioned it in their rush to acclaim 'La Nuit Americaine' as <<la grande hymne a la cinema>>. Most of all this film is as densely layered and as sweet as a Napoleon pastry - indeed, near its ending Truffaut lavishes its set with frosting.

    Some claim that 'La Nuit Americaine' has dated. Well, it can date me any day, anytime, anywhere (and, yes, that was an oblique reference to the best line Nathalie Baye delivers). With this film Francois Truffaut cut and polished and gave, from his intellect and heart, a gem whose facets and heart will sparkle eternally. An absolute must for everyone's "don't miss" list.

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    Interesses relacionados

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      After the release of this film, Jean-Luc Godard sent François Truffaut a letter criticizing the way the film depicts filmmaking and called him a liar for it. Godard also criticized him for pandering to the mainstream, something they were both critical of filmmakers doing when they were critics at Cahiers du Cinema. Additionally, Godard went on to say that because the film was not truth and because the film was a hit, that they should make a film together about the filmmaking process; Truffaut would produce, Godard would direct, and they would co-write the script. Godard's return address was of Jacques Daniel-Norman, a virtually unknown filmmaker whose films were loved by Truffaut and Godard when they were film critics, hinting at a return to a simpler time. Ignoring this hint, Truffaut was insulted by the letter and responded by telling Godard that he is demeaning and pretentious and that he pretends to be poor, when in reality he was the wealthiest of their circle of friends. The response also included a line in which Truffaut flat out calls Godard a "shit". It is believed that this quarrel is what ended their lifelong friendship. Godard later regretted writing this letter, especially after Truffaut's early death in 1984 and went as far as to write a moving tribute to his former friend.
    • Erros de gravação
      Several takes are wasted trying to get a cat to drink milk from a tray. Eventually Joelle brings in "the studio cat" to do the scene. But the cat that drinks the milk is actually a third, different cat.
    • Citações

      Julie: Liliane ran off with the stuntman.

      Joelle: Does Alphonse know?

      Julie: I had to tell him.

      Joelle: With the stuntman? I'd drop a guy for a film. I'd never drop a film for a guy!

    • Cenas durante ou pós-créditos
      This film is dedicated to Lillian Gish and Dorothy Gish.
    • Conexões
      Edited into Day for Night: A Conversation with Jaqueline Bisset (2003)

    Principais escolhas

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    Perguntas frequentes21

    • How long is Day for Night?Fornecido pela Alexa
    • Why was this movie nominated for Academy Awards in two different years?
    • Why was the title changed?

    Detalhes

    Editar
    • Data de lançamento
      • 24 de maio de 1973 (França)
    • Países de origem
      • França
      • Itália
    • Central de atendimento oficial
      • -Trailer
    • Idiomas
      • Francês
      • Inglês
      • Italiano
    • Também conhecido como
      • Day for Night
    • Locações de filme
      • Aéroport Nice-Côte d'Azur - Nice, Alpes-Maritimes, França(press conference)
    • Empresas de produção
      • Les Films du Carrosse
      • PECF
      • Produzione Intercontinentale Cinematografica (PIC)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 509
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 11.206
      • 25 de abr. de 1999
    • Faturamento bruto mundial
      • US$ 509
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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