AVALIAÇÃO DA IMDb
6,2/10
1,7 mil
SUA AVALIAÇÃO
A história ocidental sobre uma esposa desafiadora que deixa seu marido para sair com foras-da-lei.A história ocidental sobre uma esposa desafiadora que deixa seu marido para sair com foras-da-lei.A história ocidental sobre uma esposa desafiadora que deixa seu marido para sair com foras-da-lei.
- Direção
- Roteiristas
- Artistas
Sandy McPeak
- Ben
- (as Sandy Kevin)
James Hampton
- Jimmy
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Rich, married Catherine Crocker (Sarah Miles) is riding along the rail tracks and happens upon a man cutting the telegraph wire. It turns out to be a train robbery. Jay Grobart (Burt Reynolds) leads the group of criminals and they take her prisoner. She claims to be running away from her abusive husband Willard (George Hamilton). Harvey Lapchance (Lee J. Cobb) is in pursuit. Grobart's great love is his late native wife Cat Dancing.
The potential is there for a great western. Reynolds struggles as a quiet brooding lead. In being reserved, he starts to fade. He can't fall back on his gregarious nature. There are ways to make him compelling but that is missing from this movie. I would have loved to see him speak a native language when he's with the Native Americans. The British actress Sarah Miles has a standoffish quality. The story has plenty of violence but it's not as brutal as it needs to be. Most of this has to be the director's fault. The potential is never fully realized.
The potential is there for a great western. Reynolds struggles as a quiet brooding lead. In being reserved, he starts to fade. He can't fall back on his gregarious nature. There are ways to make him compelling but that is missing from this movie. I would have loved to see him speak a native language when he's with the Native Americans. The British actress Sarah Miles has a standoffish quality. The story has plenty of violence but it's not as brutal as it needs to be. Most of this has to be the director's fault. The potential is never fully realized.
This movie came up tonight on the television and though I had not seen it, I had certainly heard of it. The reviews almost scared me off, but happily I read some favourable ones and and took a chance.
Bert Reynolds gave a first class performance with subtlety, dignity and a quiet strength. His portrayal of a flawed but somewhat principled man with an unfortunate past was excellent and made me want to know more of the back story which I'm sure was in the book. Maybe it is that the book was written Marilyn Durham, and that the screenplay was by Eleanor Perry that gave the movie it's strength and tenderness ?
The treatment of the Shoshone and other First Nation people was very good; they spoke in full sentences with humour intelligence and wit. They came through as the three dimensional people they are instead of the mere shadows that most movies of the time showed them in; something long over due in Hollywood.
There were many good performances here, it is a movie worth seeing and deserves a serious place in the genre.
Bert Reynolds gave a first class performance with subtlety, dignity and a quiet strength. His portrayal of a flawed but somewhat principled man with an unfortunate past was excellent and made me want to know more of the back story which I'm sure was in the book. Maybe it is that the book was written Marilyn Durham, and that the screenplay was by Eleanor Perry that gave the movie it's strength and tenderness ?
The treatment of the Shoshone and other First Nation people was very good; they spoke in full sentences with humour intelligence and wit. They came through as the three dimensional people they are instead of the mere shadows that most movies of the time showed them in; something long over due in Hollywood.
There were many good performances here, it is a movie worth seeing and deserves a serious place in the genre.
It amazes me how many people see this movie as a B grade western! I found it to be an excellent adaptation of a decent western genre book that happened to have been written by a WOMAN. The casting could not have been more perfect in that each person played their character so well. And the characters were a 'spoof' at the cliché of melodrama types that most westerns portray anyway. This is a story about how people LIE to themselves and end up not only ruining their own lives, but harming those near them too. And how honesty comes hard and maybe late, but can come before one dies. The only flaw of the movie is that it didn't tell the full tale of Cat Dancing and the tragedy that befell her, Burt's character and their children's lives. On the other hand, I liked the movie ending better than the book's.
This was a well scripted movie with two leading stars in Burt Reynolds and Sarah Miles who through the movie gradually come to understand one another's predicament and fall in love. Burt plays an ex military man named Jay Grobart who leads a small group of men on a successful train robbery, and while in the midst of their escape in to the wilds, they run across a petite and debonair well dressed Catherine Crocker played by Sarah Miles.
We eventually find out why Ms. Crocker is riding alone in the wilderness and also why Jay Grobart robbed the bank. Burt plays a tough gang leader who won't tolerate any insubordination from his crew or from the woman on the run.
Through the hills and streams they all run hiding from the posse led by Lee J Cobb and also in hot pursuit is the train company's executive played by Anthony Perkins who just happens to be trailing his wife who has seemed to gone missing whilst out for a casual ride on her $3,000.00 priceless steed.
Indians also come in to the picture, and one by one the gang members turn on one another with their expected prize being the warmth of an evening with their travelling companion Ms. Crocker. Bad Burt keeps them all at bay, and slowly falls for Ms. Crocker himself.
The climax may be predictable (I am referring to the movie's ending not Burt and Sarah's steamy relationship) but I love a good ending and I put this one in that enviable category. Kudos to the cast of The Man Who Loved Cat Dancing for a good performance and to their director Richard C Sarafian, who has given us other classics such as Bugsy, The Crossing Guard and one of my personal favourites, Bound.
We eventually find out why Ms. Crocker is riding alone in the wilderness and also why Jay Grobart robbed the bank. Burt plays a tough gang leader who won't tolerate any insubordination from his crew or from the woman on the run.
Through the hills and streams they all run hiding from the posse led by Lee J Cobb and also in hot pursuit is the train company's executive played by Anthony Perkins who just happens to be trailing his wife who has seemed to gone missing whilst out for a casual ride on her $3,000.00 priceless steed.
Indians also come in to the picture, and one by one the gang members turn on one another with their expected prize being the warmth of an evening with their travelling companion Ms. Crocker. Bad Burt keeps them all at bay, and slowly falls for Ms. Crocker himself.
The climax may be predictable (I am referring to the movie's ending not Burt and Sarah's steamy relationship) but I love a good ending and I put this one in that enviable category. Kudos to the cast of The Man Who Loved Cat Dancing for a good performance and to their director Richard C Sarafian, who has given us other classics such as Bugsy, The Crossing Guard and one of my personal favourites, Bound.
A western that is equal or better than others westerns of its era. A strong cast with excellent performances by Jack Warren and Lee J. Cobb, it is the only Burt Reynolds movie I like. The scenery is outstanding and all the characters fit nicely in the roles and are believable. It reminds me of McCabe and Mrs. Miller but with more action The plot although not unique has its moments as the dynamics of the "gang" are played out. Burt has never been better and clearly missed his calling as a western hero, he plays the strong silent type much better than road he went down in his career.
Você sabia?
- CuriosidadesSarah Miles' found her business manager/boyfriend David Whiting dead in her Gila Bend, AZ, motel room during the film's location shooting. The death made headlines around the world. "Time Magazine" on 26 March 1973 reported, "Pills and bottles were scattered around his body, and bruises and a bloody cut were found on his head". The night prior to the discovery of his body Whiting had allegedly assaulted Miles after she had come back late at night from a birthday party for Burt Reynolds. Reynolds let Miles stay in his room for protection. She testified that Whiting had "got ahold of me and began throwing me about the room". Reynolds, when he saw Miles after her nanny, who had overheard the confrontation, had called him, was quoted as saying, "Christ Almighty, you're a mess!" Miles' injuries allegedly included a bloody nose, a bruised forehead and a cut lip. The official cause of Whiting's death as ruled by the coroner/county medical examiner was suicide by overdose of the drugs Methaqualone, Benadryl and a Librium-type drug. Reportedly, Miles and Reynolds did not wish to testify at the inquest one month after the incident but were forced to when Whiting's mother, Mrs. Louise Campbell, successfully obtained a court order compelling them to testify. According to the "Time" article, " . . . a pharmacologist hired by Whiting's mother said that the amount of methaqualone in Whiting's bloodstream need not have been fatal. Left unexplained was how Whiting's blood came to be on a pillowcase, towel, tissues and the washbasin in his own room, as well as on a blue sweater he had apparently been wearing. Also unaccounted for were the severe cut on the back of his head and scratches on his stomach, chest and knuckles." It was later revealed that Miles and Whiting had been having an affair, and this, together with the resulting publicity, contributed to the disintegration of her marriage to Robert Bolt.
- Erros de gravaçãoDuring the opening credits Catherine is riding "side saddle" but her legs are both on the right side of the horse, which is the "wrong" side for an English ladies' saddle. The film is flopped in this shot as later she has her legs on the proper side.
- ConexõesReferenced in The Tonight Show Starring Johnny Carson: 11th Anniversary Show (1973)
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