Magnum 44

I sat down to watch the 1973 sequel movie "Magnum Force" immediately after having seen the 1971 "Dirty Harry" movie, and I must say that this 1973 movie from director Ted Post was actually more enjoyable than its predecessor. And that is usually something not common for sequels. So writers John Milius and Michael Cimino definitely managed to put together a wholesome sequel.

The storyline told in "Magnum Force" was just more well-written and more thoroughly executed in comparison to the predecessor, as there were more contents and more layers to "Magnum Force", and that made for a more enjoyable and wholesome movie.

They had put together a very interesting cast ensemble for "Magnum Force", of course with Clint Eastwood returning to reprise the role of Harry Callahan. But the movie also had the likes of Hal Holbrook, David Soul, Tim Matheson, Mitchell Ryan and Robert Urich on the cast list, among others. So there is a good amount of familiar faces and good talents on the cast list here.

"Magnum Force" is equal parts storytelling narrative and action, which definitely was something that benefitted the movie. I enjoyed that mixture quite a lot.

If you enjoyed the 1971 movie "Dirty Harry", then you most definitely will also like the 1973 sequel "Magnum Force".

My rating of "Magnum Force" lands on a seven out of ten stars.

Sometimes you just want to spend your evening hanging out with someone cool. So maybe you hang out with the Fonz in 'Happy Days', or just crank some Tom Petty - or perhaps like me tonight, you opt for Clint Eastwood as 'Dirty Harry' Callahan.

I actually enjoyed 'Magnum Force' more than the original 'Dirty Harry'. With this the longest of all the Dirty Harry films, it truly has a bit of everything.

Classic instantly-quotable bad-ass one-liners? Check.

Attractive 1970s women and romance? Check.

Plane hijacking? Check.

Bombs and explosions? Check.

Lots of shooting? Check.

Controversial murder scenes? Check.

Crazy car and motorcycle chases? Check.

Stunning San Fransisco scenery? Check.

Corrupt cops? Check.

Plot twists? Check.

This film felt right at home in 2019, despite being made all the way back in 1973. Definitely ahead of its time. You can't help but smile when Clint Eastwood delivers killer lines throughout this film. It seems rare to encounter films so satisfying as this nowadays.

"Nothing wrong with shooting as long as the right people get shot! "

I won't be pulling over for any shady-looking motorcycle cops anytime soon.

Second outing for Clint Eastwood's anti-hero is an absorbing thriller, let down by some sloppy characterisation and the lack of a killer (no pun intended) scene or even iconic dialogue. It starts off poorly with the title credits lamely played over an almost static shot of the title weapon (very "Sledge Hammer") but once we get past the token scene reminding us of Harry's "shoot first, ask questions later" policing policy, the main plot strand about an internal police death-squad violently taking out known felons dominates the film.

There are some humanising touches around Harry's character, although these stereotypically show him as irresistible to women, rebellious to authority and almost friendly and caring for his young black sidekick, so that nothing new is revealed about what makes him tick. There is something condescending about the treatment of these supporting characters, especially the portrayal of Callahan's young Oriental neighbour who despite hardly seeing him around, seems desperate to jump into bed with him.

Better to stick with the action of which there is plenty. There's intrigue as Callahan's instincts lead him to find the true identities of the assassination bureau and a good twist as their ringleader emerges from the shadows.

The acting is mostly fine, Eastwood naturally dominating in his typical laconic manner. Hal Holbrook is also excellent as his testy superior and David Soul shines in a pre-Hutch role. Ted Post directs with some flair with some blunt lapses while Lalo Schifrin contributes a typically gritty soundtrack. The film makes its main point about the dangers of vigilantism and cleverly uses Harry Callahan of all people as a counterpoint to its proponents.

Some might argue as to whether all the violence was necessary and I felt the grisly death of a black prostitute bordered on the gratuitous but on the whole this was superior cop-fare and a good sequel to the trailblazing "Dirty Harry".

This sequel to the entertaining "Dirty Harry" stands with few peers when it comes to successful follow-ups. Most don't stand on their own feet but Magnum Force does solidly. Changing the plot but not the style is good formula in movies, rather than playing out what was already done in the original, which is why so many sequels fail. "Magnum Force" is my second favorite film by Eastwood after "High Plains Drifter". Harry still likes to do things his way although rather than focusing his energy on the bad guys, he's focused on some crooked cops in his own department! Follows in the original's footsteps with lots of great views of San Francisco (My Birthplace!) I always feel at home when watching this movie. This is another film that is played a lot on TV because its so good on it's own. Felton Perry does a good job as Harry's partner, comparable to Reni Santoni in the original. Didn't like any of the sequels that followed this movie with the exception of Sudden Impact. Magnum Force is a film that rates highly as watchable again & again.

Magnum Force (1973)

Plot In A Paragraph: Dirty Harry is on the trail of vigilante cops who are not above going beyond the law to kill the city's undesirables.

How do you follow up one of the best movies of the 70's?? By making a solid sequel like this is the answer!! Magnum Force is not only a worthy sequel, it's a really good movie in general. Hal Holbrook is an actor I've always liked seeing and David Soul is fine too, but this is Clint's movie and he dominates every scene from start to finish.

Magnum Force was Clint's biggest hit at this point as it grossed $39 million at the domestic box office to become the 6th highest grossing movie of 1973.