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O Programa Final

Título original: The Final Programme
  • 1973
  • R
  • 1 h 21 min
AVALIAÇÃO DA IMDb
5,4/10
1,2 mil
SUA AVALIAÇÃO
O Programa Final (1973)
Comédia de humor negroComédiaFantasiaFicção científicaSuspense

Adicionar um enredo no seu idiomaA trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.A trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.A trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.

  • Direção
    • Robert Fuest
  • Roteiristas
    • Michael Moorcock
    • Robert Fuest
  • Artistas
    • Jon Finch
    • Jenny Runacre
    • Sterling Hayden
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,4/10
    1,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Fuest
    • Roteiristas
      • Michael Moorcock
      • Robert Fuest
    • Artistas
      • Jon Finch
      • Jenny Runacre
      • Sterling Hayden
    • 28Avaliações de usuários
    • 35Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Fotos71

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    Elenco principal19

    Editar
    Jon Finch
    Jon Finch
    • Jerry Cornelius
    Jenny Runacre
    Jenny Runacre
    • Miss Brunner
    Sterling Hayden
    Sterling Hayden
    • Maj. Wrongway Lindbergh
    Harry Andrews
    Harry Andrews
    • John
    Hugh Griffith
    Hugh Griffith
    • Professor Hira
    Julie Ege
    Julie Ege
    • Miss Dazzle
    Patrick Magee
    Patrick Magee
    • Dr. Baxter
    Graham Crowden
    Graham Crowden
    • Dr. Smiles
    George Coulouris
    George Coulouris
    • Dr. Powys
    Basil Henson
    • Dr. Lucas
    Derrick O'Connor
    Derrick O'Connor
    • Frank
    Gilles Millinaire
    • Dimitri
    Ronald Lacey
    Ronald Lacey
    • Shades
    Sandy Ratcliff
    Sandy Ratcliff
    • Jenny
    • (as Sandy Ratcliffe)
    Mary MacLeod
    Mary MacLeod
    • Nurse
    • (as Mary Macleod)
    Sarah Douglas
    Sarah Douglas
    • Catherine
    Delores Delmar
    • Fortune Teller
    • (as Dolores Del Mar)
    Sandra Dickinson
    Sandra Dickinson
    • Waitress
    • Direção
      • Robert Fuest
    • Roteiristas
      • Michael Moorcock
      • Robert Fuest
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    5,41.1K
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    10

    Avaliações em destaque

    drifkind

    John Steed drops acid

    A shortened version of the film first released as The Final Programme, from Michael Moorcock's novel of that name. Jerry Cornelius is the perfect universal hero/anti-hero in a disintegrating world. His search for his father's invention involves him with his mad brother Frank and the sinister programmer, Miss Brunner. The acting is over the top (one reviewer described it as "rug-chewing"), hip, and outrageous. The flip, self-mocking style owes a great deal to The Avengers, The Prisoner, and possibly even the Beatles.
    7Judexdot1

    Fun, confused 70's Moorcock romp.

    I saw the ads for "The Last Days Of Man On Earth" well before I could watch "R" films, but I was always wanting to see it. It dropped into a bit of obscurity stateside, and it was years before I found a copy. Shortly after I saw it, Anchor Bay issued the uncut original in limited quantities, and I managed to grab one.

    well, the book is better. But Jon Finch is the perfect Jerry Cornelius, and this may be his best work. Jenny Runacre is every bit as good as "Miss Brunner", though her character doesn't quite embody the written character to the degree of Finch. Ron Lacey also shines, in a brief turn as the sun glassed assassin, "Shades", walking straight out of the books pages.

    The low budget is disguised well, but the film needed a bit more for effects, relying on a lot of color tinting, sound effects, and old style inflatable "sculptures", to fill the screen.

    Moorcock hates it, but this embodies the spirit that fueled "New Worlds", the science fiction magazine that brought Moorcock to the worlds attention, rather well, invoking much classic British entertainment of the recent past. The original cut is preferable, but "The Last Days Of Man On Earth" is a completely different edit of the film, not just a retitling. The differences aren't major, but the US removes everything that even borders on superfluous, with much minor trimming being done to almost every scene. In an odd parallel with "A Boy And His Dog", it follows the overall story arc acceptably, but adds a joke in poor taste to the conclusion, and many have found that alone, was enough to sour their perceptions.

    It comes close to bringing Moorcocks world to the cinema, but isn't quite there. Here's hoping that someone might make another attempt.
    9ShadeGrenade

    "A Very Tasty World!"

    The early-to-mid '70's saw a glut of movies predicting a pessimistic future for Mankind; 'Soylent Green', 'No Blade Of Grass', 'A Clockwork Orange', 'Logan's Run', the 'Planet Of The Apes' sequels and this, based on a Michael Moorcock novel. Jon Finch stars as Jerry Cornelius, Nobel Prize winner, rock star and secret agent, who embarks on a quest to free his beloved sister from the clutches of his evil brother Frank. The world Cornelius inhabits is the Swinging Sixties writ large; recreational drug use, rampant sexual promiscuity, and lack of respect for authority are rife. Writer, set designer and director Robert Fuest had worked on the 'Avengers' television series, and it shows. The sets are dazzling, the supporting cast good, and despite its pessimistic theme the film manages to be fun. Jenny Runacre steals the show as the bizarre 'Miss Brunner', a freakish mutation who absorbs the bodies of her lovers. You really need to watch this to believe it. Funny, stylish and erotic, its a genuine cult oddity.
    7Hey_Sweden

    A very tasty world.

    A simplification - albeit a rather offbeat one - of one book in a series of novels by Michael Moorcock, "The Final Programme" may work better for people who haven't read the novel. Therefore, they can appreciate it for what it is, and not fret about what it isn't. This viewer admits that it took a while to grab hold for him personally, but it's just quirky enough and provocative enough to make for a reasonably entertaining movie. I would be surprised if it didn't have some sort of cult following by this point.

    Jon Finch ("Frenzy") is front and centre here as the character Jerry Cornelius, a sardonic scientific genius living in a world on the possible brink of apocalypse. He gets involved in the hunt for some valuable microfilm. It contains a revelatory formula (devised by his late father) for creating a self-replicating human being, and possibly a new Messiah. Jerry must deal with a comely but conniving computer expert (Jenny Runacre, "The Witches"), and the machinations of his weaselly brother Frank (Derrick O'Connor, "Lethal Weapon 2").

    The first-rate supporting cast includes Sterling Hayden ("The Godfather") in a brief cameo as a wheeler-dealer American major, Harry Andrews ("The Hill"), Hugh Griffith ("Ben-Hur"), the stunning Julie Ege ("Creatures the World Forgot"), Patrick Magee ("A Clockwork Orange"), Graham Crowden ("The Company of Wolves"), George Coulouris ("Citizen Kane"), Ronald Lacey ("Raiders of the Lost Ark"), and Sarah Douglas ("Superman" and "Superman II"). Finch is amusing as a protagonist who's always quick with the pointed comments, and Runacre is enticing as the woman determined to see her plan through. (She also has a tendency to *consume* her lovers.)

    Complete with sex, nudity, action, and a bit of globe-trotting, "The Final Programme" also benefits from the striking visual approach by production designer / screenwriter / director Robert Fuest, whose other 70s feature films include the "Dr. Phibes" movies, "And Soon the Darkness", and "The Devils' Rain". Bizarre and stylish, it can get goofy at times, but it's definitely not boring.

    Seven out of 10.
    pmapson

    Cult science fiction fantasy in the tradition of late 60's - early 70's

    I first saw this film when it came out in 1973, and just watched it for the second time on DVD. Excellent production values and camera work. Stars Jon Finch as androgynous (but heterosexual) dandy-dressing Jerry Cornelius, with black nail polish; looks a bit like a cross between an older Johnny Depp and Billy Zane. Also stars Sterling Hayden, Julie Ege and the evil (duh) Nazi guy from "Raiders of the Lost Ark". The film itself is a cult science fiction fantasy in the best tradition of the late '60's - early '70's, with similarities in style to The Prisoner, early James Bond (slightly), Clockwork Orange, The Abominable Dr. Phibes, and The Avengers (the director worked on the last two of those also). It is years ahead of its time in theme and science, but lapses into camp several times, especially as it progresses. It is rather disjointed, but the acting and sets are both good. Based on a story by Michael Moorcock.

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    Fantasia
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    Suspense

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    • Curiosidades
      A few years after making this film, Sterling Hayden was interviewed for a British magazine and insisted that Robert Fuest was his favorite director, the best he had ever worked with. As Hayden has only one scene in this film, and almost certainly took no longer than a couple of days to film it, perhaps less, and as he also spoke in the same interview about his work with Stanley Kubrick, John Huston, Bernardo Bertolucci, Robert Altman and Nicholas Ray, it may be that he was being sarcastic.
    • Citações

      Nurse: It's much easier to run a hospital with all the patients sleeping.

      Jerry Cornelius: Easiest way to run the world, for that matter.

    • Conexões
      Featured in Nightmare Theatre's Late Night Chill-o-Rama Horror Show Vol. 1 (1996)

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    Perguntas frequentes17

    • How long is The Final Programme?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de outubro de 1973 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • The Final Programme
    • Locações de filme
      • Desierto de Tabernas, Almería, Andalucía, Espanha
    • Empresas de produção
      • Anglo-EMI Film Distributors
      • Goodtimes Enterprises
      • Gladiole
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 21 min(81 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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