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IMDbPro

Meu Nome é Ninguém

Título original: Il mio nome è Nessuno
  • 1973
  • Livre
  • 1 h 56 min
AVALIAÇÃO DA IMDb
7,3/10
31 mil
SUA AVALIAÇÃO
Meu Nome é Ninguém (1973)
Buddy ComedyFaroeste espagueteComédiaOcidente

Um jovem e tranquilo pistoleiro idolatra e compete com um famoso pistoleiro, insistindo que ele deve enfrentar uma gangue de 150 bandidos antes de poder se aposentar.Um jovem e tranquilo pistoleiro idolatra e compete com um famoso pistoleiro, insistindo que ele deve enfrentar uma gangue de 150 bandidos antes de poder se aposentar.Um jovem e tranquilo pistoleiro idolatra e compete com um famoso pistoleiro, insistindo que ele deve enfrentar uma gangue de 150 bandidos antes de poder se aposentar.

  • Direção
    • Tonino Valerii
  • Roteiristas
    • Sergio Leone
    • Fulvio Morsella
    • Ernesto Gastaldi
  • Artistas
    • Terence Hill
    • Henry Fonda
    • Jean Martin
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    31 mil
    SUA AVALIAÇÃO
    • Direção
      • Tonino Valerii
    • Roteiristas
      • Sergio Leone
      • Fulvio Morsella
      • Ernesto Gastaldi
    • Artistas
      • Terence Hill
      • Henry Fonda
      • Jean Martin
    • 127Avaliações de usuários
    • 56Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Fotos96

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    Elenco principal37

    Editar
    Terence Hill
    Terence Hill
    • Nessuno
    Henry Fonda
    Henry Fonda
    • Jack Beauregard
    Jean Martin
    Jean Martin
    • Sullivan
    R.G. Armstrong
    R.G. Armstrong
    • Honest John
    • (as R.K. Armstrong)
    Karl Braun
    Karl Braun
    • Jim
    Leo Gordon
    Leo Gordon
    • Red
    Steve Kanaly
    Steve Kanaly
    • False Barber
    Geoffrey Lewis
    Geoffrey Lewis
    • Leader of the Wild Bunch
    Neil Summers
    Neil Summers
    • Squirrel
    Piero Lulli
    • Sheriff
    Mario Brega
    Mario Brega
    • Pedro
    Marc Mazza
    • Don John
    • (as Mark Mazza)
    Benito Stefanelli
    Benito Stefanelli
    • Porteley
    Alexander Allerson
    Alexander Allerson
    • Rex
    Rainer Peets
    • Big Gun
    • (as Remus Peets)
    Antoine Saint-John
    • Scape
    • (as Antoine Saint John)
    Franco Angrisano
    • Ferroviere
    Tommy Polgár
    • Juan
    • Direção
      • Tonino Valerii
    • Roteiristas
      • Sergio Leone
      • Fulvio Morsella
      • Ernesto Gastaldi
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários127

    7,331.1K
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    Avaliações em destaque

    10AriSquad

    A movie I could watch 100 times and it would never get old

    This is a great Tonino Valerii & Sergio Leone film featuring Henry Fonda & Terence Hill. This is a take on the Trinity character Hill has done in the past, not the same character but a variation of it. This movie is a lot more serious than the Trinity(s) but still provides some very very funny scenes & plenty of them. The more serious side is a great story, a man (Fonda) who is a living legend, especially in the eyes of a stranger (Hill) who will do everything he can to see his hero get written in the history books. It is adventurous, touching, and hysterical. All the elements of a perfect film for me. Also features an amazing soundtrack by none other than Ennio Morricone. Both the film & its score are gems. Worth watching over & over. A true 10!
    8TheNabOwnzz

    A fantastic homage to a dying west and a dying genre

    My Name is Nobody is in a way a very odd kind of western. It mixes seriousness reminiscent of previous spaghetti westerns with slapstick humor which is reminiscent of the silent era ( Also includes a lot of fast forwarding low framerate which is what all the camera's consisted of in those days ), and the end result is surprisingly stunning and charming at the same time.

    Terence Hill plays the comical over confident superhumanly quick apprentice like no other, with the bar glass-shooting scene being an absolute high for his character. The acting inside the acting going on in this particular scene is fantastic, and Hill's mannerisms succeed in making this silent era-like slapstick humor succeed. Fonda represents the more serious half of the film which focuses more on scale and paying homage to past classics, primarily Once Upon a Time in the West which is also starring Henry Fonda. Some obvious examples are Morricone's identical near copy of Harmonica's theme in a couple of scenes involving Fonda in My Name is Nobody, or an intro that features three gunman silently observing and pacing around a certain area only to get blown away. His character is quite similar to the one he plays in Once Upon a Time in the West, except for the fact that his morality seems to lean a lot more towards 'Good' in this one. With Fonda's usual intensity he captures the serious half of the film extremely well and delivers a great performance.

    Except for the slapstick humor this mostly truly feels like a serious film, because the depth and symbolisms in the film are all there. The story that Hill mentions about the bird, cow & coyote are an obvious example of this. Everything seems to be a metaphor for something else, and the depth in this screenplay is truly impeccable. This in turn makes this motion picture more than just a comic escapism flick. It is an in-depth examination of the death of the west and covers this up well in a comedy homage/parody kind of setting on all the films that made westerns so great. ( Especially spaghetti westerns ) There are not just references to Once Upon a Time in the West since there is also a scene for example in which main characters exchange shots on eachothers hats which is an homage of For a Few Dollars More (1965)

    The cinematography is superb with a varied color palette and stunning mixes of close-ups and widescreen shots much in the same manner as the legendary Sergio Leone ( Who also produced this film ). The shots of the Wild Bunch ( Another homage to another western ) riding in the distance while slowly moving closer to the camera while Morricone's odd but brilliant 'The Wild Horde' plays is just cinematic perfection. The greatest use of this is obviously the one in which Jack ( Henry Fonda ) faces the Wild Bunch alone while the camera slowly pans back and upwards. It is such a majestic and elegant way of visual storytelling because the further back the camera pans the more you get the sense of the enormous scale of the numbers of the Wild Bunch, making them more intimidating and heightening Beauregard's feat if he truly manages to defeat them on his own.

    My Name is Nobody is a weird mix of comedy & metaphor filled seriousness, but it succeeds like no other because it tells a genuinely humane message about progress and the dying of an old world ( Which is ofcourse the west ) through subtle metaphors & symbolisms. It truly feels like the closing chapter of a fantastic era.
    8bensonmum2

    It's like Leone Meets the Three Stooges

    All that gunslinger Jack Beauregard (Henry Fonda) wants to do is retire while he's still alive. But Nobody (Terence Hill) wants to see Beauregard go out in blaze of glory. Nobody dogs him across the West insisting that if Beauregard will just face one more enemy, he's sure to go down in the annals of history. But Nobody's idea is for Beauregard to have it out with the 150 man strong Wild Bunch - all alone.

    The shortest and most to the point description that I can come up with for this movie is "Sergio Leone Meets the Three Stooges". On the one hand, you've got Henry Fonda in the traditional Western role (albeit Spaghetti Western). On the other hand, you've got Terence Hill performing some of the best slapstick and pantomime since the era of the silent film. It sounds like an unlikely combination, but Valerii successfully marries the two styles into a very enjoyable experience. The scenes with Fonda and Hill together are as good as you'll see in a Spaghetti Western.

    While some of Hill's comedy seems goofy and doesn't work that well, most of it is very funny. There are moments of pure genius. The shooting scene in the saloon is a particular favorite of mine.

    Morricone's score is amazing. He draws inspiration from and pays homage to some of the earlier scores he did. I was reminded several times of Once Upon a Time in the West, the Dollars Trilogy, and other Spaghetti Westerns. Writing positive comments on a Morricone score is becoming a bit redundant. Did he ever write a score that you could call bad?

    For those of us who have only seen My Name is Nobody on VHS with bad transfers and missing footage, the new Image DVD is a real treat. It was a lot like watching the movie for the first time. I never thought this movie could look so good. My only complaint is the lack of extras. The disc doesn't even have a trailer.
    HallmarkMovieBuff

    Into the valley of death rode the 150

    This spaghetti-in-cheek western from Sergio Leone and crew (direction credit went to Leone protégé Tonino Valerii) opens with déjà vu. Haven't we seen Henry Fonda getting shaved before, wondering if the barber's going to slit his throat?

    Referencing his own "Once Upon a Time in the West" of five years earlier, idea-man Leone also pays satirical homage to perhaps the bloodiest western in history by inserting "the wild bunch" into this film as a band of one hundred, fifty men who appear only and repeatedly as a thundering herd in Leone-signature panoramas, accompanied by another impressive Ennio Morricone score, a herd which would-be greatest gunslinger, Nobody, proposes that Fonda's character face single-handedly to get him into the history books before Nobody draws him down. (Making the reference explicit, Nobody reads "Sam Peckinpah" off a grave marker in the scene leading to the first appearance here of "the wild bunch.")

    As derivative as this movie may be, it's still enjoyable for its performances, its photography, its score, its style, its "twist" ending, its speed-up scenes which give Nobody's antics a silent Chaplin hearkening, and its one-off take on the spaghetti western which Leone made popular.
    9Quinoa1984

    very likely the funniest spaghetti western ever made, or at least most kidding with the genre conventions

    Sergio Leone picked a good director to helm his production of My Name is Nobody, as Tonino Valerii brings a sensibility that wouldn't of been the same had Leone taken the helm. It's not that Valerii steers too far away from certain trademarks of the quintessential spaghetti western director: expansive close-ups, beautiful master-shots showing the sprawling landscapes of the deserts and small towns of the old west, and of course Ennio Morricone. But this time there's a change of the guard in terms of homage- now it's not just going for an epic quality, but full-on comedy stylings.

    There's room to compare this to old westerns with Henry Fonda just as much as there's comparison to the Three Stooges. Or Buster Keaton. Because nothing is taken too seriously, it ends up having some strong underlying statements about gunslingers in the old west, the young catching up with the old, and the old 'times they are a changing' logic that comes with the territory.

    The tone is light, though at the same time there's still that level of ultra-cool suspense that can be found in Leone's work. Valerii takes it up a notch in the direction of something a little less violent, however (the film is technically rated PG, despite quite a few dozen deaths at one point). Terrence Hill is the title character, a guy who's strikingly handsome but perpetually goofy, who takes on as a big challenge Jack Bouregarde (Fonda, his last western, a good one to go out on, if not as great as his previous role as Frank), who's a hero gunslinger. Nobody has fixed a 'Wild Bunch' to come after him, and to what end? Much of the film focuses on Nobody, until the second half when Nobody keeps prodding on Jack with his vague threats in the guise of 'fairy tales' his grandfather used to tell him.

    And all the while it's consistently hilarious material, particularly if you know Leone's stuff well (eg the gag from For a Few Dollars More where shooting a hat holds as much danger as comic timing), and tries at least to plug into the viewer who's in on the joke of not just an homaged western and homaged Leone western (Morricone's score has tones from Once Upon a Time in the West, but comes close to sounding like a coffee commercial at times), but an homage to silent comedies and slapstick.

    Where else, for example, will you see a gunslinger such as Nobody fight off a potential assailant in a bar by just continually slapping him around as if Moe Howard possessed him for a full minute? How about the gun being slung up at 16 frames-per-second? Or a montage within an action sequence with Jack versus the 'Wild Bunch' where freeze-frames of reactions from Nobody and pages from 'history' showing Jack killing off the posse pop up? And there's a fun-house/mirror scene that comes about as close to The Lady From Shanghai as the most memorable in all cinema.

    Some of it might just be all silly-by-proxy; it's a big belly laugh to see Hill with a serious face hold a stick still in the air waiting for a bug to go underwater to catch a fish. In fact Hill is strangely enough a huge part to the success of the film by sticking to his two-dimensional profile with just the best bits of subversion: looking at his eyes one can't always tell whether he's being serious, crazy, or just plain joking around, like in the saloon. He wouldn't work as the typical bad-ass, stoic Leone anti-hero/villain, but Valerii understands how to handle his abilities. Same goes for Fonda, only he doesn't have to go too far to be effective: all he needs to do is to keep a silence going, a look that says everything that needs to be said (albeit he lays it on heavy in the final letter, something that definitely would not be in a typical Leone film).

    And yet even with all of Valerii's kidding moments and high-spirits (watch out little guy on stilts!), there is some genuine artistry at work too, as when the Wild Bunch is seen coming ahead through the desert (the wide-reaching over-head angle is the best shot in the film), and it reveals that there could be some worth in checking out other obscurer efforts of his. As it stands, I could watch it anytime it's on TV, if only as a pick-me-up if it's a soggy day. For fans of the western it is a must-see, if only for the fun of it all, and to get a pure in-joke regarding Sam Peckinpah.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      While walking through Boot Hill, Nobody points out to Beauregard that one of the names on a gravestone is Sam Peckinpah. That same year, Clint Eastwood, in O Estranho sem Nome (1973), had a Boot Hill scene that included Sergio Leone's tombstone, as well as a number of others.
    • Erros de gravação
      As Nobody and Jack face off in the New Orleans street,a window air-conditioner (draped with canvas) and what looks like an electric window fan can be seen on the side of the "Hotel" in the background.
    • Citações

      Jack Beauregard: Folks that throw dirt on you aren't always trying to hurt you, and folks that pull you out of a jam aren't always trying to help you. But the main point is when you're up to your nose in shit, keep your mouth shut.

    • Versões alternativas
      The initial US home video release through KVC Home Video used the original Titanus (Italian) print with the English dialog track used for the US theatre release. This meant that although the dialog was in English, the main title and all credits were in Italian.
    • Conexões
      Edited into O Pistoleiro e os Bárbaros (1975)
    • Trilhas sonoras
      Il Mio Nome E' Nessuno (My Name Is Nobody) (Main Title)
      Written and Performed by Ennio Morricone And His Orchestra

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    Perguntas frequentes17

    • How long is My Name Is Nobody?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 31 de março de 1975 (Brasil)
    • Países de origem
      • Itália
      • França
      • Alemanha Ocidental
    • Idioma
      • Italiano
    • Também conhecido como
      • Il mio nome è Nessuno
    • Locações de filme
      • White Sands National Monument, Novo México, EUA
    • Empresas de produção
      • Rafran Cinematografica
      • Les Films Jacques Leitienne
      • Imp.Ex.Ci.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • DEM 8.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 2.39 : 1

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