Take Me High

This is not the best known of Cliff Richard's films, but personally I like it very much. Cliff plays an ambitious young businessman helping a girl who lives on a narrow-boat to start her own restaurant. Deborah Watling is charming as the young chef, and George Cole and Hugh Griffith provide strong comic support, with Anthony Andrews suitably suave as Cliff's rival. The songs are good, especially the title song Take Me High. The most striking thing about the film though is the Birmingham location, i don't think there are many films set in Birmingham, and I imagine very few musicals, possibly this film is unique in that respect. Birmingham is not the most picturesque of cities, but this film shows it in quite an attractive light, especially the canal scenes. Altogether this is a charming film.

This is a shocker. No other word for it. Cliff has certainly grown up since his adolescent efforts of the late 1960s, but what they had by way of innocent charm and boppy numbers then has been replaced here by a ridiculous plot, some serious hamming from Hugh Griffiths, conceivably the worst song I've ever heard in a film - "Brumburger" (the story being set in Birmingham) and a banal dialogue that would test the patience of Mother Theresa. The poster claims there are twelve new songs, but they have neither the weight nor the catchiness to sustain this over-long story that shows the city at it's most architecturally brutal. The assembled cast including a debut appearance from Anthony Andrews and some mischief from veteran George Cole just make it worse. The story is all over the place, and the direction seems uncertain as to whether this is a piece of entertainment or a series of video-guides of the city's rather grim urban landscape - either way it really is quite a struggle. Sorry, but even his most ardent fans must appreciate that this is a poor film on just about every front.

Glad Amazon doesn't require enormous review length any more, since this review doesn't need it. Awful British movie industry fodder at its worst. The sound for everything outdoors is looped and audience for this, even in 1973, would be whom? No one I knew. Richard successfully bucked this stuff about 3 years later with his "I'm Nearly Famous" album when he realized his career was tanking. The Brumberger song takes the biscuit.

Back in the late 1960's, Birmingham's canal network was in sad decline - with more miles of canals than Venice, this undemanding story with tracks sung by Cliff had a reasonable story-line, but the REAL star is the City of Birmingham itself.

Since the film was made, the canal network has been given the respect it deserved and is now a working waterway, with new developments at Gas Street Basin (behind the 'Brumburger' shop) a testament to the regeneration. Since the 70's, Birmingham is probably unrecognisable, with many of the modern buildings shown already replaced.

The cast worked well, but it was often painful watching the Fox hunting scenes (now a banned activity) and seemingly added only to add some 'english quaintness' for non-native viewers.

The only bearable way to watch this film is to fast forward through all of the songs.So then you can watch George Cole before Minder,Hugh Griffith's overacting like mad and Richard Wattis making the most of his cameo and Anthony Andrews in his first film,before his role in Young Churchill.The brutalist architecture of Birmingham is unspeakably bad,like the film.