Sexo e Fúria

"Furyô anego den: Inoshika Ochô" aka. "Sex And Fury" of 1973 is a great example for "Pinky Violence", the Japanese exploitation sub-genre often featuring hot female assassins, and always featuring lots of sleaze and violence. One of Japan's greatest exploitation goddesses, the ravishing Reiko Ike, stars in the role of Ochô, a sexy gambling-lady, thief and swords-woman who is out for bloody revenge. I don't want to give too much of the storyline away, but I can assure that "Sex And Fury" is an absolute priority for lovers of Japanese cult-cinema. The film has several resemblances to Toshiya Fujita's exploitation-masterpiece "Shurayukihime" (aka. "Lady Snowblood", 1973) starring the great Meiko Kaji, and while both films are blood-soaked and immensely stylish, this one is incomparably sleazier. As it is the case with "Lady Snowblood" this is often cited as an inspiration for Tarantino's (great) "Kill Bill". And it is indeed true that "Sex And Fury" clearly inspired the film. While I enjoyed "Kill Bill" immensely, however, I don't think that films like "Lady Snowblood" (the main inspiration) and "Sex And Fury" need this attribute. If I was considered, every "Kill Bill"-DVD-cover would say "Inspired by Japanese Exploitation Classics such as 'Lady Snowblood' and 'Sex And Fury'" instead (I am well aware that this is not how things work out, however).

As mentioned above, the stunningly beautiful Reiko Ike is both incredibly sexy and super-cool in the leading role of the seductive and lethal lady Ochô, who often fights bare-breasted (or completely nude), exposing her very presentable tattoos. European sex-star Christina Lindberg stars as a young Western agent. Many might disagree with me here, but Lindberg and the cheesy love story her character is involved in, were pretty much the only elements I didn't like about this film. Lindberg is a beauty, but her voice is annoying as hell and made me understand why her character in "Thriller: En Grym Film" was mute. The supporting cast includes several regulars of Japanese exploitation cinema, such as Yôko Mihara, who often played female bully characters in films such as "Joshuu 701-gô: Sasori" (aka. "Female Prisoner #701: Scorpion", the first of the brilliant Sasori films starring Meiko Kaji), and "Zero Woman Red Handcuffs" (1974). Without spoiling anything of the plot, it is secure to say that "Sex And Fury" combines all the elements admirers of 70s exploitation made in Nippon should appreciate: merciless revenge, tons of stylish and ultra-bloody carnage, lots of sleaze and female nudity, constant action and great camera work, a funky soundtrack, fantastic style in all aspects and a vengeful and ravishing heroine played by none other than the great Reiko Ike! In short: Pure Japanese exploitation greatness, and an absolute must-see for all my fellow Cult-cinema-enthusiasts!

Pinky violence films are often a real mixed bag and you can never be really sure what you're going to get when going into one. For me, Sex and Fury is not one of the major highlights of the genre; but it's an extremely well made, interesting and inventive effort that I'm sure will be appreciated by fans of this sort of film. The film brings together a number of common genre elements; we've got swordfights, gambling houses and plenty of nudity; which is good, but the script could have done with a little more focus, as the film has a tendency to descend into a mess. The plot focuses on Ocho; a Japanese pickpocket and gambler. After a fight in a gambling house, Ocho ends up with a fellow gambler dying in her arms. His last wish is for her to track down his sister and pay some money to prevent her being sold to a brothel. She sets off to fulfil this wish, but during her journey happens on information pertaining to the whereabouts of her fathers killers, and so sets about getting revenge.

The film starts with a bang as not long after it starts, we are treated to a swordfight in which the lead characters battles her foes naked. This fight is really well done; but unfortunately the film never reaches this dizzy high for the rest of the runtime. The film is not particularly violent compared to the rest of the genre, although there are a few good and well choreographed fight scenes. Aside from the main plot, we have another little story involving a "British" spy, played by Swedish actress Christina Lindberg. She's nice looking, but an awful actress and this plot really only serves in making the whole thing more complicated. It's not really believable either, and feels a bit ridiculous. Anyway, this is made up for somewhat by a fantastic score that features often throughout the film. There's plenty of nudity and as always, most of the actresses are very nice to look at. The film all boils down to a decent conclusion that gives closure to most of the plots featured. Overall; this is not among the best of the genre, but it's a good film and worth seeing.

Attacked as she was bathing, Ochô was forced to defend herself against a group intent on her death - outside in the snow! Her magnificent swordplay was enhanced by her nakedness, and soon her creamy white breasts were stained in blood. Creamy white breasts appear in this film more often than swords.

There are familiar faces for viewers of pinky violence films like Girl Boss Guerilla and the nunsploitation film School of the Holy Beast (Yuki - Rie Saotome). The director of this film wrote and directed both.

Christina gets more action than anyone; even girl-on-girl with Jun Midorikawa.

Yuki manages to get herself into a situation where she is raped by Iwakura and made into a nympho by some magic cream. He is soon to get his in a most clever way, when Ochô finds out he was one of the three men responsible for her father's murder.

There is even some nunsploitation in this film as Ochô goes after the second murderer. Ochô is captured by the nun bodyguards, taken to a convent and severely whipped. It is here that she learns the identity of the third murderer - a shocking surprise.

Toshiro Mifune never looked so dashing as Ochô in her final battle. Weakened by the torture and with two bullets in her, she managed to spill buckets of blood in pursuit of her objective.

Brilliant cinematography in this pinky violence classic.

SEX AND FURY is a classic of the Toei "pinky-violence" (Japanese films typically of the 70's containing heavy violence and lots of nudity and simulated sex...)genre. A strong plot, beautiful cinematography, and a decent amount of swordplay and tits-and-ass make this one a winner.

The story surrounds Ocho - a female gambler, thief, master swordswoman...basically an all-around badass. When a fellow gambler is killed, his dying wish is for Ocho to retrieve his sister from the brothel that she's been sold to. Ocho agrees and begins a journey that will ultimately lead her to her own father's murderers - and revenge is sweet...

SEX AND FURY is so well made that it is hard to view this one strictly as a pinky-violence or exploit film. The cinematography is amazing, the fight choreography is well done, the acting is very good, the sets are elaborate, and the plot is tight and well thought out. A MAJOR high point for this film is that it also co-stars the GORGEOUS Christina Lindberg, of THRILLER: A CRUEL PICTURE fame, as a sexy British (?) spy - and of course she's showing plenty of skin in this one, too.

My only real gripe with SEX AND FURY is that there could have been a lot more violence. I would have been happier if the violence was more on par with films like the LONE WOLF AND CUB series, for example. Even so, I would definitely recommend this to fans of the aforementioned LONE WOLF AND CUB films, the ZATOICHI series, LADY SNOWBLOOD, etc...and for fans of Lindberg - seeing her naked is always a treat...Recommended 8/10

Ocho (Reiko Ike), decades after witnessing her father's merciless death, sets out on a quest to find the three responsible for the travesty and exact revenge. In her travels she befriends a handsome your anarchist who's involved with a European spy (the beautiful Christina Lindberg, perhaps best known for her "Thriller" film). This sexy spy along with co-horts wants to dismantle the country from within. All this comes together in a cinematic experience that has to be seen to be believed. Probably very controversial when it was released in Japan of the early '70's, the films more 'outragious' scenes (the battle in which Ocho is completely nude amongst others) seem almost quaint now, yet the film retains it's beautiful, almost poetic feel and is definitely one to actively search out. Followed by a sequel that couldn't really reach the same level as this had.

My Grade: B+