O Exorcista

There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.

Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.

Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!

THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.

Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.

That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.

Once again, see this movie. You won't forget it.

Some movies are landmarks. This is one of them.

Good : There are a lot of goods that I can talk about this particular film. First off, every gothic horror, for example, The Conjuring, are inspired by this film in one way or the other. But, none of them are as good as this one. I love Conjuring 1 & 2, but that might have never existed if it weren't for this movie. So, what makes it so good? We are given a mysterious introduction to an old priest who would play a prominent role later. It gives layers to the character of young priest, which is quite interesting. The set up is done quite well. The story is being told quite well. And it has the most important aspect that most horror films today lack - the dread and actually terrifying scenes. Right from the opening credits, it feels uneasy. It tries to give us a really terrifying vibe. And it just intensifies further and further. Even the scenes having no tension don't feel like so. And, it cuts to some terrifying scenes so suddenly but smoothly that we will be exclaiming "holy (you know what)!". That's some true horror film. It was 1973. You had absolutely no technology or CGI. They still made an entire bed shake which looked so scary and realistic! The 180 degree turn is still an awesome effect. They did it way better, and all of it looked more realistic than CGI! It had some ideas involving Ouija board and exorcism, which are now termed as "clichés". Having watched so many horror films before watching this, it should've felt corny. But it felt real good. There is probably no horror movie, in particular a supernatural or gothic horror movie, that has not been inspired by this movie in some way or the other. And the ones which got as many things right as possible as in this one, were respectively better. This movie is a masterpiece!!

Bad : It has sequels. Damn those pathetic sequels!! But again, good God almighty, only few people know about those stupid movies.

Conclusion : It is a must watch for every horror fan. Some parts may feel clichéd to some, but that's where those "clichés" started. Go with a fresh mind and examine how it all started. I am optimistic that you will love it.

Rating.

Score : absolute 10/10

Grade : A+

This known story concerns about a mother (Ellen Burstyn) and her daughter (Linda Blair), the latter is possessed and two Fathers , Karras (Jason Miller) and Merrin (Max Von Sidow) attempt to free Regan MacNeil from possession by the devil . Meanwhile , a Police Inspector (Lee J. Cobb) is investigating the weird events . And the priests suffering incredible risks trying to unravel mystery of demon living inside Regan .

This is a fairly suspenseful and horrifying story, based on a supposedly true flick . The movie begins well and grows more and more until the scary and eerie finale . Top-notch picture, thanks to fine acting , tight pacing , well mounted edition and skillful special effects with magnificent make-up by Dick Smith . Creepy acting by Linda Blair , due to death threats against Linda Blair from religious zealots who believed the film "glorified Satan", Warner Bros had bodyguards protecting her for six months after the film's release . On the first day of filming the exorcism sequence, Linda Blair's delivery of her foul-mouthed dialogue so disturbed the gentlemanly Max Von Sydow that he actually forgot his lines . The script is awesome , the acting excellent and the direction by William Friedkin plenty of good pace and conviction . Enjoyable secondary cast such as Lee J Cobb , Kitty Winn and Jack McGowran who died at the time finished the movie and added a legend about Exorcist's curse . Dark cinematography in sinister and mysterious atmosphere by Owen Roitzman and frightening musical score adding Mike Oldfield's soundtrack ¨Tubular bells¨ . The tale is rated ¨R¨ for graphic violence and profanity but contains gore and guts . Reiussed in 2000 by means of a special edition by director with ten minutes approximately additional footage with new amazing scenes as Regan downing stairs .

Followed by two sequels and numerous imitations , in 1977 ¨the Heretic¨ by John Borman with Richard Burton , deemed awful and in 1990 titled ¨The Exorcist III¨ by William Peter Blatty with George C Scott, Brad Dourif , Ed Flanders and Nicol Williamson . Furthermore, spawned two prequels starred by a young Father Merrin , Stellan Skarsgard , and set in Africa , both of them directed by Paul Schrader and Renny Harlin .

According to the film critics, the Exorcist is the only movie about demonic possession that should have ever been made. Every subsequent movie with a "possession" theme was labeled a "rip-off." I'm pretty sure that Beyond the Door was the first "rip-off." One film critic described this movie as vulgar. Perhaps. Was the Exorcist any less vulgar? The Exorcist had a good director, good actors and good production values. It is these attributes which set the Exorcist apart from all the follow-up films. However, if you are offended by someone regurgitating green slime, does it really matter whether it's coming from Linda Blair or anyone else? I have always thought that the Exorcist worked as well on a dramatic level as it does a horror movie. This is probably something you shouldn't be able to say about an effective horror movie. I once listened to William Friedkin's audio commentary while watching the movie. He and I agree on which scene is the best part of the movie. It is the exchange between Ellen Burstyn and the great Lee J Cobb. As a police lieutenant, Cobb has more compassion for Burstyn than priest she seeks help from. When Cobb is about to leave Burstyn's house, he says: "You're a nice lady." She replies: "You're a nice man." This is actually touching! Ironically, this touching scene is directly followed by one of the most wild and disturbing scenes in the movie. In fact, I've always wondered how the movie escaped an X rating with this scene intact. However, I still believe the tender scene which precedes this resonates more. All things considered, the Exorcist is definitely one of the greatest horror movies of all time, as well as one of the most influential. Not number one, though. My choice for Number One took place in Texas. Something to do with chain saws.