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IMDbPro

El espanto surge de la tumba

  • 1973
  • R
  • 1 h 35 min
AVALIAÇÃO DA IMDb
5,6/10
1,7 mil
SUA AVALIAÇÃO
El espanto surge de la tumba (1973)
Horror

A cabeça de um bruxo decapitado é desenterrada séculos após sua execução. Reanimada, ela busca se reunir ao corpo, causando caos enquanto um grupo enfrenta sua missão sinistra.A cabeça de um bruxo decapitado é desenterrada séculos após sua execução. Reanimada, ela busca se reunir ao corpo, causando caos enquanto um grupo enfrenta sua missão sinistra.A cabeça de um bruxo decapitado é desenterrada séculos após sua execução. Reanimada, ela busca se reunir ao corpo, causando caos enquanto um grupo enfrenta sua missão sinistra.

  • Direção
    • Carlos Aured
  • Roteirista
    • Paul Naschy
  • Artistas
    • Paul Naschy
    • Emma Cohen
    • Víctor Barrera
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    1,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Carlos Aured
    • Roteirista
      • Paul Naschy
    • Artistas
      • Paul Naschy
      • Emma Cohen
      • Víctor Barrera
    • 51Avaliações de usuários
    • 42Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos41

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    Elenco principal19

    Editar
    Paul Naschy
    Paul Naschy
    • Alaric de Marnac…
    Emma Cohen
    Emma Cohen
    • Elvire
    Víctor Barrera
    Víctor Barrera
    • Maurice Roland
    • (as Vic Winner)
    • …
    Helga Liné
    Helga Liné
    • Mabille De Lancré
    Betsabé Ruiz
    • Silvie
    • (as Betsabe Ruiz)
    Luis Ciges
    Luis Ciges
    • Alain 'Le Raté'
    Julio Peña
    Julio Peña
    • Jean
    María José Cantudo
    María José Cantudo
    • Chantal
    • (as Maria Jose Cantudo)
    Juan Cazalilla
    • Gastón
    Francisco Llinás
    • René
    Ramón Centenero
    • André Govar
    • (as Ramon Centenero)
    Montserrat Julió
    • Odile
    Francisco Nieto
    • Hubard
    Elsa Zabala
    Elsa Zabala
    • Madame Irina Komarova
    Esther Santana
    • Joven Hermosa
    Cristina Suriani
    • Paula
    Marcia Bell
    Marcia Bell
    • Marcia
    • (não creditado)
    Pedro Bravo
    • Efebo
    • (não creditado)
    • Direção
      • Carlos Aured
    • Roteirista
      • Paul Naschy
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários51

    5,61.6K
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    Avaliações em destaque

    7Bunuel1976

    Horror Rises From The Tomb (1972) **1/2

    Paul Naschy exchanges his Waldemar Daninsky werewolf persona for that of medieval occultist Alaric De Marnac (which he would play again, years later, in PANIC BEATS [1983]) and that of his modern-day descendant Hugo, resulting in one of his most eclectic scripts taking in witchcraft, spiritualism, a powerful amulet, a scythe-wielding killer and a horde of zombies, among others - all of which are rather jumbled together without much consideration for logic, but it does make for a colorful and thrill-packed show. However, as is often the case with this type of film, the languid pace coupled with variable acting and the awkward dubbing also entails that HORROR RISES FROM THE TOMB comes off as an uneven - but, ultimately, not disagreeable - viewing experience.

    The film positively drips with atmosphere right from the opening sequence - set in 15th century France and showing Alaric's execution along with his mistress/associate, played by Helga Line - down to the couple's modern-day come-uppance during the busy climax which takes place in de Marnac's remote estate. Other notable moments include: the seance during which Alaric is invoked by Hugo; the individual scenes in which the evil duo are revived, made possible by discreet use of (rather unsophisticated) special effects but which still manage to get the job done nicely; their stylized seduction of one of the girls who tags along with the latest member of the de Marnac family (who ostensibly travels to the castle in order to prove that his ancestor's evil influence is no more); and, of course, the various gory murders and zombie attacks which pepper the film's running time.

    Featured in the cast, a staple of "Euro-Cult" cinema, is a bevy of beautiful ladies who are often seen lounging in various states of undress: Helga Line makes quite an impression as the villainous Mabille, but my favorite remains Emma Cohen (later star of one of Jess Franco's best films, the psychological thriller THE OTHER SIDE OF THE MIRROR [1973]) who exhibits sweetness and vulnerability in equal measures throughout - while also serving as Hugo's requisite love interest - and, by the film's end, is actually the sole survivor (albeit emotionally scarred, as can be witnessed from the final shot) of the mayhem.

    This and THE CRAVING (1980; see below) have certainly made me game to check out some more Paul Naschy flicks. What would you experts recommend that I try next?
    ericdetrick2002

    A must have for Euro-trash collectors

    I was so excited to come across this little gem (well, to me at least). I bought a $9.99 4 movie DVD set offered by Brentwood Home Video. Since then I have

    seen this DVD sold for $14.99 just for the single movie, so I got a good deal. If you are reading a review about such an obscure film then most likely you are a fan of 1970s "Euro-trash". In that case, you will have fun with this movie. If your idea of an obscure horror movie is Freddie Vs. Jason, then you are looking at the wrong reviews. This has everything you would want in a 1970s Euro trash

    flick- cheap gore, boobies, and badly dubbed in english; I love this stuff!

    So if you are a collector of such fine cinema, then check this one out, I think you will enjoy...
    thekingofhorror

    Extremely good effects for a 1973 Film.

    I purchased Horror Rises from the Tomb as part of a four DVD zombie pack. This is defiantly a little gem and I recommend it to any who by chance come across a copy. The special effects are extremely good for a 1973 movie. The blood isn't pink like in many of the old Hammer films and every single woman in the movie takes her cloths off!!! How can you beat something like that? At least they're realistic about it. I mean, if your going to cut someone's heart out you might as least remove her shirt first. Makes sense to me. Overall it was a strong story, with great acting and effects. A review of the IMDb database shows that many of the lead actors and actresses are still alive and acting today and I am interested in seeing some more of Carlos Aured's films. His last film was the Charles Band film 'Eliminators' (1986).

    Strongly recommended but only for lovers of old school horror. All in all I'd say this film was about five or six years ahead of it's time. I'll also go as far to say that Tom Savini was probably inspired for one of his effects from Dawn of the Dead by a gruesome effect from this movie but I won't give anything away
    7gavin6942

    A Spanish Horror Film Unlike I've Ever Seen (If You Follow)

    In the Middle Ages, a man is hanged for performing an incredible long list of Satanic acts. He is hanged and his body is buried away from his head. In the future (the 1970s), the new owner of the land is a skeptic and does not believe in psychics. So he attends a séance, and then to disprove that she spoke to the dead sorcerer, they seek out the head where she claims it was buried. This, of course, is a bad idea.

    This is the first of many collaborations between Naschy and director Carlos Aured; it was also the first time Aured took over full directing duties after being assistant to León Klimovsky. Paul Naschy wrote the story and had the script rushed out in about two days while he was pumped full of amphetamines. According to Naschy, this hurry was requested by producer José Antonio Pérez Giner, who needed a script immediately in order to create a production company.

    Some say the film seems to have been inspired by Will Cowan's "The Thing That Couldn't Die" (1958). Naschy never confirmed or denied this, but rather pointed to Luis Bunuel's "Exterminating Angel" (1962) as an influence. He also took inspiration from the historical serial killer Gilles de Rais, a figure who would return in Naschy's "Blue Eyes of the Broken Doll" (1974) the following year.

    Naschy stars in three roles. You probably best know Naschy as the wolfman, Waldemar Daninsky. But he equally loved this role, which he would reprise years later. His companion is Helga Line, who appeared opposite Barbara Steele in "Nightmare Castle" (1965), and then starred as the spy Natasha in the Gothic feature "Horror Express" (1972). Rounding out the cast is activist-actress Emma Cohen, who appears as Elvira (a name Naschy used frequently in his scripts). Cohen had just finished Eloy de la Iglesia's "The Cannibal Man" (1972), which found itself on the notorious video nasty list. She also had a bit part as a vampire bride in Jess Franco's "Count Dracula" (1970).

    For many years, the easiest way to see the film was on DVD in what was considered a public domain release. The quality was rather poor, the aspects were off, and perhaps worst of all, it turns out that the film was never supposed to be public domain. But if you could look past the film quality, the plot is interesting enough and you have to really like the effort the villagers go to keeping them from the burial grounds. They are saved from muggers by a group of vigilantes who really aren't any more safe to be around. And then, once one of them becomes possessed by the sorcerer's spirit, it is just a world of pain.

    The 2017 Blu-ray release from Scream Factory is something of a godsend. The film looks as good or better than it ever did. Audiences have the option to watch the clothed or unclothed versions. Roughly eight minutes of footage not seen in the public domain release is properly back in the footage. This is all-around a top-notch film and one that should see a growing appreciation now that fans will see it in its full glory rather than as a third- or fourth-generation duplicate that was poorly "remastered".
    5ma-cortes

    Eerie movie with sensationalistic scenes , Naif style and lots of gore

    Dark Ages , two witches are condemned for murdering and witchery ; they are executed by the authorities , as Alaric De Marnac (Paul Naschy) is beheaded and Mabille De Lancre (Helga Line) is hung , while Alaric pronounces a curse against their future heirs . Modern time , the descendants ( Vic Winnner , Jacinto Molina Cristina Suriani )decide , subsequently a spiritualism season , go to the castle and lands their ancestors . Several centuries later , both of whom are relived by treasure diggers (Luis Ciges) . Then , Alaric and Mabille continue a murderous rampage .

    This terrifying exploitation picture displays creepy horror ,witchcraft, grisly killing, satanism and lots of blood . B-entertainment with a fairly suspenseful and horrifying story in which sorceresses are brought to life undergoing a cruel slaughter . Lots of blood and gore in several images that impacted the viewers for that time . This tale about a group who is attacked by some malevolent living dead begins well and grows more and more until the frightening and ghastly finale . Revolting, horrible scenes and nasty images take place on cannibal scenes , decapitation , a heart pulled up , and bloody murders with ax and scythe .The movie has a bit of ridiculous gore with loads of blood similar to tomato and is occasionally an engaging horror movie full of nasty sequences , witchery , beheading , and several other things . Sensationalistic and exaggerated performance of Paul Naschy or Jacinto Molina , here he plays three characters. This is the first time that appears Zombies in Spanish cinema, exception to Amando De Ossorio's Templar living dead . Good make-up that lasted nine hours each Zombie-session by Julian Ruiz and well filmed in the mansion of Lozoya whose owners were the Naschy's fathers. It packs a colorful cinematography by Manuel Merino and atmospheric score by Carmelo Bernaola .The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre. ¨Exorcismo¨ is written by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . He directed 13 films as ¨The Cantabros¨, ¨Return of Wolfman¨, ¨The Beast and the magic sword¨ and several others.

    This is the first production realized by Profilmes - the Spanish Hammer- whose chairmen , Ricardo Muñoz and Jose Antonio Perez Giner assigned to Jacinto Molina the writing a rapid screenplay , Nashcy wrote it in two days and as was born the ¨Horror rises from the tomb ¨. Ten years later , Naschy goes back with the Alaric De Marnac role in the film titled ¨Latidos De Panico¨ that acted , produced , wrote and directed in thriller style . The picture is regularly directed by Carlos Aured who was a director assistant to Leon Klimovsky ; this is his first movie and he would on filming for Jacinto Molina as the ¨Revenge of the mummy , House of the Doom , and Return of Walpugis ¨ . Rating: 5,5 . The flick will appeal to Jacinto Molina fans and Euroterror buffs .

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The film was shot in the dead of winter at Paul Naschy's own country home located in the Lozoya Valley, north of Madrid. It was eventually sold in the late 80's.
    • Erros de gravação
      Maurice approaches his unfinished painting and finishes it in half a minute, but the difference between the two is so big that it's obvious he didn't actually finish it in that short amount of time.
    • Conexões
      Edited into Hexen Arcane: Horror Rises from the Tomb (2020)

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    Perguntas frequentes16

    • How long is Horror Rises from the Tomb?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 30 de abril de 1973 (Espanha)
    • País de origem
      • Espanha
    • Idioma
      • Espanhol
    • Também conhecido como
      • Horror Rises from the Tomb
    • Locações de filme
      • Lozoya, Madri, Espanha
    • Empresa de produção
      • Profilmes
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 245.371
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 35 min(95 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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