Operação Dragão

Even though it is more than 25 years since Enter the Dragon was first released, to this day it is still hailed as the landmark of martial arts films.

Used primarily as a vehicle for the late, great Bruce Lee this movie has a thin plot, little actual character development and the acting isn't fantastic.....it was never meant to be another Citizen Kane. Its merit lies purely in the action content. If you were to ask any learned martial artist I'm sure that 9 out of 10 would tell you that the fight sequences are unparalleled, even today. The fluidity of Lee is astounding. Unlike most martial arts films of that time the fighting is very realistic, and has a somewhat visceral quality. There is also the use of traditional Oriental weapons (nunchaku, escrima sticks, etc..), although the British censors in their wisdom have seen fit the cut the nunchaku sequence, and I'm afraid, like any censored movie, it just isn't the same watching when you know you aren't getting the full monty, so to speak.

Still, on the whole one of my personal favourites and a must see for any action or seventies film fan. If you get the opportunity see the remastered American version with added footage....I've got one,envy me!!!

"Destroy the image, and you will break the enemy."

It's a real shame that I'm just now getting acquainted with Bruce Lee's work because I really love this stuff. Enter the Dragon is a joy to watch for any fan of martial arts flicks.

The story is about Lee's quest to bring justice to a renegade Shaolin monk (with a fake, removable hand) at a tournament he hosts to recruit people for his criminal organization, but the thin plot is really there only to give Lee lots of guys to fight. The man beats the crap out of people to the point where you wonder why the villains even bother to try to attack him. There are lots of great, old-school fights to check out, and the choreography is very impressive. 

If you have any kind of a fondness for martial arts in film, then Enter the Dragon should be at the top of your list of movies to see. It's absolute proof of what a talent and natural star he was, and a nice introduction to Lee's personal philosophy for life and the martial arts.

When it comes to kung fu, Bruce Lee is a legend. When it comes to kung fu cinema, Enter the Dragon is the most highly regarded. In other words, you owe it to yourself to see this flick! The story is relatively simple but quite sufficient and sprinkled with humor. The locations and setting are wonderful as well. The characters are one of the main attractions here though, with the gambling but honorable Roper (John Saxon), the feisty and unorthodox (but effective!) Williams (Jim Kelly), Chinese Hercules Bolo, and the great baddie Han, the hand man. Bruce Lee's presence, of course, steals the show. While some of the fight scenes from Lee's Chinese Connection (I think that's the one) may rival the ones here, ETD is a far more well-rounded film. The variety of exciting fights are skillfully choreographed and there's not too much downtime from the action either; even in the flash back we have some excellent female butt-kicking. And you gotta love that 70's soundtrack! This is a classic action film that will never be forgotten. The two-disc DVD was loaded with goodies; you really couldn't ask for more, except for maybe a better commentary. Producer Paul Heller was dull, dry, and had little to offer.

I've read about Bruce Lee, and I knew he was very versatile - actor, martial artist, philosopher, etc. But I'd never sat down and watched one of his films before, mainly because the opportunity to do so doesn't come up very often. So last night, when Turner Classic Movies had a Bruce Lee double feature on with a guest discussing Lee's films, I took that opportunity to watch "Enter The Dragon".

The plot involves Lee, a skilled martial arts instructor, being recruited by British intelligence to enter a martial arts contest held by crime lord Han on his own private island. While there, Lee is supposed to look for evidence of Han's criminal activity. Han talks a big game about honor during the matches, but if things don't go his way he does not fight fair. And that includes Han having various prosthetics for his missing left hand that include knives and spikes.

There's no doubt Lee is a charismatic presence that commands one's attention. The choreography is so tightly performed (and also blocked out by Bruce Lee himself) that it's hard not to be dazzled. And I say that as somebody who really knows nothing about the martial arts.

I'd say that one aspect I found humorous were the lines given to African American martial artist Jim Kelly. They were typical of the kinds of lines and roles given to African American actors during the 70s at the height of the popularity of blaxploitation films. If you've seen Hollywood Shuffle - and if you haven't you should - it is hard not to notice such stereotyping. Still I'd recommend this film if you are curious about the film work of Bruce Lee.

A non-stop succession of brightly-coloured, almost continuous aggro with a villain with a metal hand who actually strokes a white cat that was a huge hit and posthumously made a star worldwide of Bruce Lee.

Very seventies, full of flairs, sideburns, zooms and a groovy Lalo Schifrin score; it was shot on location in Hong Kong without bothering to record any sound, the dialogue and sound effects obviously post-synced.

Although billed third, the delectable Ahna Capri actually gets sadly little screen time.