Operação Dragão

When it comes to kung fu, Bruce Lee is a legend. When it comes to kung fu cinema, Enter the Dragon is the most highly regarded. In other words, you owe it to yourself to see this flick! The story is relatively simple but quite sufficient and sprinkled with humor. The locations and setting are wonderful as well. The characters are one of the main attractions here though, with the gambling but honorable Roper (John Saxon), the feisty and unorthodox (but effective!) Williams (Jim Kelly), Chinese Hercules Bolo, and the great baddie Han, the hand man. Bruce Lee's presence, of course, steals the show. While some of the fight scenes from Lee's Chinese Connection (I think that's the one) may rival the ones here, ETD is a far more well-rounded film. The variety of exciting fights are skillfully choreographed and there's not too much downtime from the action either; even in the flash back we have some excellent female butt-kicking. And you gotta love that 70's soundtrack! This is a classic action film that will never be forgotten. The two-disc DVD was loaded with goodies; you really couldn't ask for more, except for maybe a better commentary. Producer Paul Heller was dull, dry, and had little to offer.

A non-stop succession of brightly-coloured, almost continuous aggro with a villain with a metal hand who actually strokes a white cat that was a huge hit and posthumously made a star worldwide of Bruce Lee.

Very seventies, full of flairs, sideburns, zooms and a groovy Lalo Schifrin score; it was shot on location in Hong Kong without bothering to record any sound, the dialogue and sound effects obviously post-synced.

Although billed third, the delectable Ahna Capri actually gets sadly little screen time.

Enter the Dragon (1973) was Bruce Lee's first (and only) solo big Hollywood production. Too bad he never got to see the fruits of his labor. He passed away during the film's post production (don't fret, two more official Bruce Lee films were made after this one. Despite all of the years of hard work and finally making it to the big times, he wasn't around long enough to enjoy it. Even though Robert Clouse is credited as director and another person is credited for writing the screenplay. This film has Bruce Lee's fingerprints all over it.

The movie is about a shady underworld crime lord (aren't they always) who controls most of the world's opium drug ring and a lot of other illegal dealings. British Intelligence is stumped, so they seek out someone who's slick, sly, stealth and who can kick a lot of butt and take care of himself. They find their man (Bruce Lee). After a great deal of convincing they get him to go to the island and participate in the crime lord's fighting tournament. Along the way, Bruce meets two American fighters (John Saxon and Jim Kelly) who are in the tournament for various reasons. Whilst on the island, Bruce does his nightly snooping around so he can find out more about the crime lord and his illegal activities. Will Bruce topple the organization? Can he make it out alive? Does Bruce really kick a whole lot of butt and take names? To find out you'll have to watch Enter The Dragon!!!!

Bruce Lee worked a great deal on this picture. He wrote most of the screenplay (uncredited), filmed all of the action scenes (uncredited) and directed several scenes (uncredited). Lam Ching-Ying, Angela Mao, Jackie Chan and Bolo Yeung appear in this film. If you haven't seen this film already then you're either a kid, lame or something is wrong with you.

Highly recommended.

I've read about Bruce Lee, and I knew he was very versatile - actor, martial artist, philosopher, etc. But I'd never sat down and watched one of his films before, mainly because the opportunity to do so doesn't come up very often. So last night, when Turner Classic Movies had a Bruce Lee double feature on with a guest discussing Lee's films, I took that opportunity to watch "Enter The Dragon".

The plot involves Lee, a skilled martial arts instructor, being recruited by British intelligence to enter a martial arts contest held by crime lord Han on his own private island. While there, Lee is supposed to look for evidence of Han's criminal activity. Han talks a big game about honor during the matches, but if things don't go his way he does not fight fair. And that includes Han having various prosthetics for his missing left hand that include knives and spikes.

There's no doubt Lee is a charismatic presence that commands one's attention. The choreography is so tightly performed (and also blocked out by Bruce Lee himself) that it's hard not to be dazzled. And I say that as somebody who really knows nothing about the martial arts.

I'd say that one aspect I found humorous were the lines given to African American martial artist Jim Kelly. They were typical of the kinds of lines and roles given to African American actors during the 70s at the height of the popularity of blaxploitation films. If you've seen Hollywood Shuffle - and if you haven't you should - it is hard not to notice such stereotyping. Still I'd recommend this film if you are curious about the film work of Bruce Lee.

As a child, one of my first and best friends was a strange boy who worshiped the ground Bruce Lee walked on - cutting his hair, taking Jiu Jitsu and Hapkido lessons, and often stalking around with that intense animal fury that only Lee could create all over his 7 year old face. My friend took a lot of abuse for this and other odd behaviors with dignity that his hero would have applauded. Unfortunately, Mr. Lee passed from this world very young, leaving a legend and a pair of shoes that have never really been filled. For most Americans, this is the only Hollywood film worthy of mention with his name in the cast.

Don't get me wrong, I love Jackie Chan and Jet Li and even the few Chow Yun Fat roles involving martial arts, but each of these actors have their own, very big, personalities, and - at least in the case of Chan - have built their own unique legend. Unlike his successors, what Lee excelled at was the intense physicality and drama of his performance. He worked every muscle of his body in every beautifully choreographed fight scene of Enter The Dragon, and made art out of violence in ways that today's Hollywood gun violence schlock-directors can only dream of. And Enter the Dragon is one of his most stunning vehicles.

The pseudo-Taoisms are kept to a minimum and concentrated near the beginning of this film. Lee enters a martial arts tournament to avenge the murder of his sister, and to defend the honor of the Shao Lin Temple, where he helps to train young martial artists. John Saxon, a down-on-his luck playboy and brigand is the closest thing to a co-star, and comes to the tournament hoping for a solution to his financial problems. The tournament is hosted by a mass-murdering heroin manufacturer who hides his production facilities, literally, beneath a martial arts school, using the instructors and students in the school as an army of body guards. Kien Shih is absolutely compelling as the evil Han, even if his fight scenes are, at times, a bit less convincing than the master Lee's. Lee and Shih are the performance highlights of the film. Though Saxon does a passable job, his performance is a bit fibrous at times.

Worth seeing for the sets and settings alone, this film is driven well by its fast pace, simple but engaging story line, and the sheer talent of Bruce Lee. Of course, there are the usual problems of the martial arts genre - villains whose sense of honor for the most part only applies to life-threatening situations fighting would-be heroes, the lack of any weapons besides fists and unused knives, unnecessary nude scenes - it is very easy to overlook these problems and just enjoy the film.

Highly recommended.