A Febre dos Patins

I really wish they would release this on DVD. You gotta love those late 70's early 80's movies about Rollerskating. If you liked Rollerboogie, you'll love this! It's not a work of art, but it's a lot of fun, especially if you grew up in that time period. If anything it's fun to laugh at and say, "I really liked this crap?" How can you beat the all star cast of Scott Baio, Maureen McCormick, and that blonde guy who "acted" with Scott Baio as the jerky jock in Zapped. If you loved the 70's and afterschool specials, I highly suggest (if they ever release this) to give it a viewing. You'll laugh, you'll cry (that your actually having fun watching it), and it just might become your favorite movie about late 70's Rollerdisco.

Skatetown USA along with Roller Boogie is a celebration of that brief time that roller disco was ruling the youth culture. Unless you like the music scene, rollerskating, or want to see this variety of current and former performers from television stroll on the screen and do their bit one better avoid the film.

But the music and the choreographed skating numbers are the thing here and the plot such as it is just gets in the way. Scott Baio from The Valley is manager of skating brother and sister Greg Bradford and Maureen McCormick and he's brought them to that Mecca of roller disco palaces Skatetown USA to take on the champ Patrick Swayze who has a large and menacing posse. In fact Swayze will do just about anything to win so Baio has to be on his toes.

Flip Wilson owns Skatetown USA along with Billy Barty and Flip has some scenes as his drag character Geraldine. A whole lot of other familiar TV faces make an appearance and hopefully their paychecks cleared the bank.

Greg Bradford was and remains the ultimate surfer boy. He and Swayze are both talented dancers and the competition is fierce. This was Swayze's film debut. His acting chops were displayed later in his career.

Unless you are nostalgic for the era, Skatetown USA is not your film.

This is the very definition of a guilty pleasure film.

Teenage blondes in hot pants and mini skirts, Scott Baio, Marcia Brady, stoners, food fights, midgets, cross dressers, and "Introducing Patrick Swayze" it all takes place within one night within the wall of Skatetown USA!

The plot: Yes, there actually is a plot. True to the Greek unity of time and place the entire film is set in one night inside a roller disco which appears to be the space ship from 'Close Encounters of the Third Kind' only BRIGHTER!

The night starts with Scott Baio placing huge bets that his rookie friend Stan can sweep the roller disco competition. But there are troubles in techno paradise as Patrick Swayze and his Ron Jeremy look alike gang arrive on scene and black mail Flip Wilson (no puns intended) Skatetown USA's owner into rigging the contest.

Swayze's performance boldly says that no closet can hold him. But Stan's puts John Travolta performance in 'Staying Alive' to shame.

All in all this is a fun film that never takes itself to seriously. There's some good music which is difficult for the 70s and some really impressive dance scenes. There's also plenty of PG T&A.

As with "Xanadu", "Roller Boogie", etc. you have to watch this one and decide for yourself. If you liked those other disco movies, you'll very probably like "Skatetown U.S.A."

The basic plot consists of clashing roller skate gangs and who's going to win the contest.

Actually it's not bad in some respects. Much better skating sequences than Xanadu for example. And the cast combined a lot of teen talent of the time; Baio, Swayze, etc. (In fact I believe this was Swayze's first film). The story is predictable and weak, but it's the music that makes this type of film. I also liked the wild-haired DJ!

I wish this film would be released on video. My copy is a 16mm print with mono sound. I'm sure a stereo track would enhance it quite a bit.

Skatetown U.S.A. has never been released on video and I've never heard of it being aired on TV so it might be tough to find a copy.

I never did understand why most audiences didn't go for XANADU. That movie had a huge cult following upon its theatrical release; while being considered a box office dud, it had the sort of presence that granted it an instant cult classic among musicals. I know tons and tons of people who love both the movie and the soundtrack dearly, and I've noticed that they are all the same personality I am--namely, folks who are starry-eyed by nature, have a strong sense of poetic beauty and grew up with before-Eisner Walt Disney movies.

Story has it that SKATETOWN, U.S.A. was deliberately pushed back a couple of years or so the moment word got out that XANADU was in the works, for apparently the makers of this flick didn't want to chance XANADU's destroying it. They needn't have worried. This thing didn't have a chance to begin with. SKATETOWN is far, far, FAR inferior to the wonderful and delightful XANADU. It doesn't begin to even hold a candle to XANADU, which lives up to its title.

And yet, SKATETOWN, U.S.A. is campy fun in its own way, a time capsule from the disco era that brings back memories despite obvious flaws in direction, choppy editing that insists on slashing the footage of some genuinely spectacular skating stunts before you can fully enjoy them, and a story that is nonexistant at best.

The music makes this movie, hands down. It has a wonderful theme song and original songs as well as a whole slew of disco staples that are now truly timeless classics. And of course all the skating is a blast. And gotta love that goofball D.J. with his sparkle afro!

There's one thing that seriously ruins my enjoyment of this film though. An annoying overweight worker at the snack bar who has a thing for hot dogs. This guy is just... seriously, he's disgusting! He's so gross and lacking in personal hygiene and basic cleanliness that... well, would *YOU* buy food from this guy? I swear, I lose all appetite (especially for hot dogs) upon seeing this guy in action. I'll be sitting there enjoying a wonderful skate dance set to gorgeous music, only to have the camera suddenly cut away to this jerk's gross antics. Edit him OUT entirely and this film would be much, much better and more carefree.

Oh, and you haven't lived until you hear this flick's answer to the question "You saved my life... Why?"